Roland XV-5050 Owner's Manual page 91

61: 3D FLANGER
This applies a 3D effect to the flanger sound. The flanger sound is
positioned 90 degrees left and 90 degrees right.
fig.02-061m
L
3D Flanger
R
Parameter Value
LFO Rate # 0.05-10.00 Hz,
note *2
LFO Depth 0-127
Feedback # -98-+98 %
Phase 0-180 deg
Pre Delay 0.0-100.0 ms
Filter Type OFF, LPF,
HPF
Cutoff Freq 200-8000 Hz
Step Sw OFF, ON
Step Rate # 0.10-20.00 Hz,
note *2
Low Gain -15-+15 dB
High Gain -15-+15 dB
Balance # D100:0W-
D0:100W
Output Mode SPEAKER,
PHONES
Level 0-127
62: TREMOLO
Cyclically modulates the volume to add tremolo to the sound.
fig.02-062am
L in Tremolo 2-Band EQ
R in
Tremolo
2-Band EQ
Parameter Value
Mod Wave TRI, SQR, SIN,
SAW1, SAW2
SAW1
Rate # 0.05-10.00 Hz,
note *2
Depth # 0-127
Low Gain -15-+15 dB
High Gain -15-+15 dB
Level 0-127
2-Band
L out
EQ
2-Band
R out
EQ
Description
Frequency of modulation
Depth of modulation
Adjusts the amount of the flanger
sound that's fed back into the effect.
Negative (-) settings invert the phase.
Spatial spread of the sound
Adjusts the time until the flanger
sound is heard.
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above the
Cutoff Freq
HPF: cuts the frequency range below the
Cutoff Freq
Basic frequency of the filter
Determines whether the pitch is
changed in a stepped fashion (ON) or
not (OFF).
Rate (period) of pitch change
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the flanger sound (W)
Select the method by which the effect
is sent to the OUTPUT jacks.
The optimal 3D effect is achieved if you
select SPEAKER when using speakers, or
PHONES when using headphones.
Output level
L out
R out
Description
Modulation Wave
TRI: triangle wave
SQR: square wave
SIN: sine wave
SAW1/2: sawtooth wave
SAW2
Frequency of the change
Depth to which the effect is applied
Gain of the low frequency range
Gain of the high frequency range
Output level
Chapter 4 Using the XV-5050 Effects
63: AUTO PAN
Cyclically modulates the stereo location of the sound.
fig.02-063am
L in
Auto Pan 2-Band EQ
R in
Auto Pan
2-Band EQ
Parameter Value
Mod Wave TRI, SQR,
SIN, SAW1,
SAW2
SAW1
R
L
Rate # 0.05-10.00 Hz,
note *2
Depth # 0-127
Low Gain -15-+15 dB
High Gain -15-+15 dB
Level 0-127
64: St PHASER 2 (Stereo Phaser 2)
fig.02-064m
L in
Phaser
Mix
Mix
R in Phaser
Parameter Value
Type 1, 2
Mode 4-STAGE,
8-STAGE,
12-STAGE,
16-STAGE
Polarity INVERSE,
SYNCHRO
Manual # 0-127
Rate # 0.05-10.00 Hz,
note *2
Depth 0-127
Resonance 0-127
X-Feedback -98-+98 %
Mix Level 0-127
Step Sw OFF, ON
Step Rate # 0.10-20.00 Hz,
note *2
Low Gain -15-+15 dB
High Gain -15-+15 dB
Level 0-127
L out
R out
Description
Modulation Wave
TRI: triangle wave
SQR: square wave
SIN: sine wave
SAW1/2: sawtooth wave
SAW2
R
L
Frequency of the change
Depth to which the effect is applied
Gain of the low frequency range
Gain of the high frequency range
Output level
2-Band
L out
EQ
2-Band
R out
EQ
Description
Type of phaser
Type 2 adds more of the phaser effect to
the high frequencies than Type 1.
Number of stages in the phaser
Selects whether the left and right phase of
the modulation are the same or opposite
each other.
INVERSE: The left and right phase are
opposite. When using a mono source,
this spreads the sound.
SYNCHRO: The left and right phase are
the same. Select this when inputting a
stereo source.
Adjusts the basic frequency from which
the sound is modulated.
Frequency of modulation
Depth of modulation
Amount of feedback
Adjusts the amount of the phaser sound
that's fed back into the effect. Negative (-
) settings invert the phase.
Level of the phase-shifted sound
Determines whether the pitch is changed
in a stepped fashion (ON) or not (OFF).
Rate (period) of pitch change
Gain of the low frequency range
Gain of the high frequency range
Output level
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