Roland XV-5050 Owner's Manual page 76

Chapter 4 Using the XV-5050 Effects
1: STEREO EQ (Stereo Equalizer)
This is a four-band stereo equalizer (low, mid x 2, high).
fig.02-001m
L in
4-Band EQ
R in
4-Band EQ
Parameter Value
Low Freq 200, 400 Hz
Low Gain -15-+15 dB
Mid1 Freq 200-8000 Hz
Mid1 Gain -15-+15 dB
Mid1 Q 0.5, 1.0, 2.0, 4.0,
8.0
Mid2 Freq 200-8000 Hz
Mid2 Gain -15-+15 dB
Mid2 Q 0.5, 1.0, 2.0, 4.0,
8.0
High Freq 2000, 4000, 8000
Hz
High Gain -15-+15 dB
Level # 0-127
2: OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube
amplifiers.
fig.02-002m
L in
Over Amp
drive Simulator
R in
Parameter Value
Drive # 0-127
Amp Type SMALL,
BUILT-IN,
2-STACK,
3-STACK
Low Gain -15-+15 dB
High Gain -15-+15 dB
Level 0-127
Pan # L64-63R
3: DISTORTION
Produces a more intense distortion than Overdrive. The parameters
are the same as for "2: OVERDRIVE."
fig.02-003m
L in
Amp
Distortion
Simulator
R in
76
L out
R out
Description
Frequency of the low range
Gain of the low frequency range
Frequency of Middle Range 1
Gain of Middle Range 1
Width of Middle Range 1
Select a higher Q value to narrow
Middle Range 1.
Frequency of Middle Range 2
Gain of Middle Range 2
Width of Middle Range 2
Select a higher Q value to narrow
Middle Range 2.
Frequency of the high range
Gain of the high frequency range
Output level
L out
Pan L
2-Band
EQ
Pan R
R out
Description
Amount of distortion
Also changes the volume.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double-stack amp
3-STACK: large triple-stack amp
Gain of the low frequency range
Gain of the high frequency range
Output level
Stereo location of the OVERDRIVE
output
L out
Pan L
2-Band
EQ
Pan R
R out
4: PHASER
Adds a phase-shifted sound to the original sound, producing a
swirling modulation that creates spaciousness and depth.
fig.02-004m
L in
Phaser
R in
Resonance
Parameter Value
Manual # 100-8000 Hz
Rate # 0.05-10.00 Hz
Depth 0-127
Resonance 0-127
Mix Level 0-127
Level 0-127
Pan L64-63R
5: SPECTRUM
This is a type of filter that modifies the timbre by boosting or cutting
the level of specific frequencies. It is similar to an equalizer, but has
eight frequency points fixed at locations most useful for adding
character to the sound.
fig.02-005m
L in
Spectrum
R in
Parameter Value
250Hz Gain -15-+15 dB
500Hz Gain
1000Hz Gain
1250Hz Gain
2000Hz Gain
3150Hz Gain
4000Hz Gain
8000Hz Gain
Band Width Q 0.5, 1.0, 2.0, 4.0,
8.0
Level # 0-127
Pan # L64-63R
6: ENHANCER
Controls the overtone structure of the high frequencies, adding
sparkle and brightness to the sound.
fig.02-006m
L in Enhancer
Mix
R in
Enhancer
Mix
Parameter Value
Sens # 0-127
Mix # 0-127
Low Gain -15-+15 dB
High Gain -15-+15 dB
Level 0-127
L out
Pan L
Mix
Pan R
R out
Description
Adjusts the basic frequency at which
the sound will be modulated.
Frequency of modulation
Depth of modulation
Amount of feedback
Level of the phase-shifted sound
Output Level
Stereo location of the PHASER output
L out
Pan L
Pan R
R out
Description
Gain of each frequency band
Simultaneously adjusts the width
of the adjusted ranges for all of the
frequency bands.
Output level
Stereo location of the SPECTRUM
output
2-Band
L out
EQ
2-Band
R out
EQ
Description
Sensitivity of the enhancer
Level of the overtones generated by the
enhancer
Gain of the low frequency range of fre-
quencies
Gain of the high frequency range of fre-
quencies
Output level