Roland XV-5050 Owner's Manual page 81

21: TM CTRL DLY (Time Control Delay)
This effect allows you to use a specified controller — the controller
selected in EFX Control Source — to control the delay time and pitch
in realtime. Lengthening the delay lowers the pitch, and shortening
it raises the pitch.
fig.02-021m
L in
Balance D
Time Control Delay
Feedback
R in
Balance D
Parameter Value
Delay # 200-1000 ms
Acceleration 0-15
Feedback # -98-+98 %
HF Damp 200-8000 Hz,
BYPASS
Low Gain -15-+15 dB
High Gain -15-+15 dB
Balance D100:0W-
D0:100W
Level 0-127
Pan L64-63R
22: 2V PCH SHIFT
Shifts the pitch of the original sound. This 2-voice pitch shifter has
two pitch shifters, and can add two pitch-shifted versions of the
original sound.
fig.02-022m
L in
Level Balance A
2Voice Pitch Shifter
Level Balance B
R in
Parameter Value
Coarse A #1 -24-+12 semi
Fine A #1 -100-+100 cent
Pre Dly A 0.0-500 ms
Pan A L64-63R
Coarse B #2 -24-+12 semi
Fine B #2 -100-+100 cent
Pre Dly B 0.0-500.0 ms
Pan B L64-63R
Mode 1, 2, 3, 4, 5
Level Bal A100:0B-
A0:100B
Balance D100:0W-
D0:100W
Level 0-127
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Adjusts the time until the delay is heard.
Adjusts the time over which the Delay
Time changes from the current setting to
a specified new setting.
The rate of change for the Delay Time
directly affects the rate of pitch change.
Adjusts the amount of the delay that's
fed back into the effect. Negative (-) set-
tings invert the phase.
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you do not want to filter out any
high frequencies, set this parameter to
BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the delay sound (W)
Output level
Stereo location of the delay
(2-Voice Pitch Shifter)
Balance D
L out
PanA L
Balance W
PanA R
PanB L
PanB R Balance W
R out
Balance D
Description
Adjusts the pitch of Pitch Shift A in
semitone steps.
Adjusts the pitch of Pitch Shift A in 2-
cent steps.
Adjusts the time until Pitch Shift A is
heard.
Stereo location of Pitch Shift A
Settings for Pitch Shift B
The parameters are the same as for
Pitch Shift A.
Setting a higher value for this parame-
ter results in a slower response, but
steadier pitch.
Volume balance between Pitch Shift A
and Pitch Shift B
Volume balance between the direct
sound (D) and the pitch shifted sound
(W)
Output level
Chapter 4 Using the XV-5050 Effects
23: FB PCH SHIFT
(Feedback Pitch Shifter)
This allows the pitch-shifted sound to be fed back into the effect.
fig.02-023m
L in
Balance D
Pitch Shifter
Feedback
R in
Balance D
Parameter Value
Coarse #1 -24-+12 semi
Fine #1 -100-+100 cent
Pre Delay 0.0-500.0 ms
Mode 1, 2, 3, 4, 5
Feedback # -98-+98 %
Low Gain -15-+15 dB
High Gain -15-+15 dB
Balance D100:0W-
D0:100W
Level 0-127
Pan L64-63R
24: REVERB
Adds reverberation to the sound, simulating an acoustic space.
fig.02-024m
L in
Balance D
Reverb
R in
Balance D
Parameter Value
Type ROOM1,
ROOM2,
STAGE1,
STAGE2,
HALL1,
HALL2
Pre Delay 0.0-100.0 ms
Time # 0-127
HF Damp 200-8000
Hz, BYPASS
Low Gain -15-+15 dB
High Gain -15-+15 dB
Balance # D100:0W-
D0:100W
Level 0-127
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Adjusts the pitch of the pitch-shifted
sound in semitone steps.
Adjusts the pitch of the pitch-shifted
sound in 2-cent steps.
Adjusts the time until the pitch shift-
ed sound is heard.
Setting a higher value for this pa-
rameter results in a slower response,
but steadier pitch.
Adjusts the amount of the pitch-
shifted sound that's fed back into the
effect. Negative (-) settings invert the
phase.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the pitch-shifted
sound (W)
Output level
Stereo location of the pitch-shifted
sound
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Description
Type of reverb
ROOM1: dense reverb with short decay
ROOM2: sparse reverb with short decay
STAGE1: reverb with fewer early reflec-
tions
STAGE2: reverb with strong early reflec-
tions
HALL1: clear reverb
HALL2: rich reverb
Adjusts the time until the reverb is
heard.
Duration of reverberation
Adjusts the frequency above which the
reverb is reduced in level.
As the frequency is set lower, more of the
high frequencies are cut, resulting in a softer
and more muted reverb. If you don't want
to cut any high frequencies, set this param-
eter to BYPASS.
Gain of the low frequency range
Gain of the high frequency range
Volume balance between the direct
sound (D) and the reverb sound (W)
Output level
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