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2. Use the Bus Select parameters to send the desired
sounds, audio tracks, inputs, or effects to the
individual outputs, as either mono (1...4) or stereo
(1/2 and 3/4) signals.
If the signal is going through one or more insert effects, the
output is set at the last IFX in the chain, via the Bus Select
parameter on the IFX– Insert FX page.
If a Program, Timbre, or Track is not going through any
insert effects, the output is set using the Bus Select
parameters on the Routing page.
To assign audio inputs directly to outputs, use Bus Select
parameters in the Sampling page.
In GLOBAL mode, the Basic Setup– Audio page L/R Bus
Indiv. Assign setting lets you mirror the MAIN stereo L/R
output on any pair of individual outputs. You can use this to
create a private monitoring setup in live and studio
environments. For more information, see "L/R Bus Indiv.
Assign" on page 638 of the PG.
Note: The MASTER VOLUME slider doesn't affect the
volume of the individual outputs.
Headphones
1. If you're using headphones, connect them to the
NAUTILUS' headphone jack.
2. Use the MASTER VOLUME slider to adjust the
volume of the headphones. The NAUTILUS'
headphone jack outputs the same signal as the (main)
L/MONO and R jacks.
Tip: To monitor the signals from the individual outputs, use
an external mixer.
2. Analog audio input connections
You can bring external analog audio sources into the
NAUTILUS for sampling, recording, or processing through
the internal effects.
Audio Inputs 1, 2
These two inputs use 1/4" TRS balanced jacks, and include
preamps with adjustable gain. To set up the audio inputs:
1. Connect your mics or the output jacks of your
external audio sources to the Input 1 and 2 jacks.
2. With the Audio Input parameter on the PROGRAM >
Home– Sampling page, set Bus Select of Input 1 and
Input 2 to "L/R".
3. Press the Audio In button while holding down the
SHIFT button to display the Analog Input Setup
dialog box. Switch "Input Select" to "Mic" or "Line"
according to the device that is connected, and adjust
the Analog Input Gain.
Choose the Mic setting only when connecting a mic. Note
that some microphones, such as condensers, may require
external phantom power, which is not supplied by the
NAUTILUS.
Choose the Line setting if you've connected a mixer,
computer, audio system, signal processor, or another
synthesizer.
Note: Guitars with active pickups can be connected directly.
Guitars with passive pickups (i.e., guitars that do not have
an internal preamp) can be used, but the impedance
mismatch will cause both a change in tone and a reduction in
volume. For best results, route such guitars through a pre-
amp or effects unit before connecting them.
4. Adjust the output level on any connected external
equipment.
5. After turning on the power, use the Audio Input page
to set up the volume, pan, bus routing, and send levels
for the inputs, as desired.
For more information, see
• "Audio Input settings" on page 93
• "Audio Settings" on page 126
• "0–8: Sampling" on page 22 of the PG
• "0–2: Audio" on page 637 of the PG
3. Connecting Foot Pedals and Switches
Connecting a damper pedal
The damper pedal is also sometimes called the sustain pedal.
It acts like the similarly-named pedal on an acoustic piano;
when you hold down the pedal, notes will continue to sustain
even when you lift your hands off of the keyboard.
1. Connect an optional DS-1H damper pedal to the
DAMPER jack. If you've connected a DS-1H, you'll
be able to obtain half-damper effects.
After turning the power on:
2. Go to the GLOBAL > Controllers/Scales– Controller
page, and use the Damper Polarity parameter to set
the damper polarity.
3. Go to the GLOBAL > Basic Setup– Basic page, and
use the Half Damper Calibration menu command to
adjust the sensitivity if desired.
For more information, see "Damper Pedal (Sustain)" on
page 31, and "Damper Polarity" on page 675 of the PG.
Connecting a foot switch
You can use a connected foot switch to perform functions
such as controlling sostenuto, soft pedal on/off, ARP on/off,
selecting Programs, Combinations, or Set List Slots,
starting/stopping the sequencer, and controlling tap tempo.
1. Connect a foot switch such as the optional PS-1 to the
ASSIGNABLE SWITCH jack.
2. After turning the power on, use GLOBAL >
Controllers/Scales– Controller "Foot Switch Assign"
and "Foot Switch Polarity" to assign the function
controlled by the foot switch and to specify the
polarity.
For more information, see "5–1a: Foot Switch &
Pedal/Damper" on page 675 of the PG.
Setup Connections
21
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