Source Audio Collider Delay+Reverb User Manual page 14

Using the Mix Knob to Set Master Output Level
The overall output volume level is adjustable on the pedal hardware without needing to use Neuro
Editing Software or MIDI. Press and hold the CONTROL INPUT button and then turn the MIX knob to
set the master output level, which affects both the wet signal and the dry signal. A maximum of +6
dB of boost is possible. The following figure shows the range of output gains, in decibels (blue) and
linear (red). Note that when the output level is adjusted, it will be maintained while changing effect
engines using the effect dial. Loading a user preset will override the level set by the MIX knob.
Feedback Knob
Sets the sustain time of the delay/reverb trail. Turning the FEEDBACK knob to the fully clockwise
position causes the trail to sustain infinitely. However, unlike the Reverb HOLD function (which creates
a steady reverb loop), setting the FEEDBACK knob set to infinite sustain will create a degenerating
effect over time as the reverb continues to circulate and receive additional dry signal. The results can
be a bit cacophonous, but it will create a very interesting effect. Similarly, some delay engines (such as
Analog) will begin to self-oscillate when the FEEDBACK knob is turned up.
Tone Knob
Controls the amount of high frequency damping applied to the wet signal. Turn the knob clockwise
for a brighter delay/reverb trail and counter-clockwise for a darker delay/reverb. In the REVERSE
delay engine, the TONE knob affects the number of voices. Turn clockwise for more voices added to
your signal, or counterclockwise for less
Control 1 and Control 2
Because of the wide tonal possibilities of each engine in the Collider Delay+Reverb, it was necessary
to arm the pedal with two "wildcard" knobs labeled CONTROL 1 and CONTROL 2. In DELAY mode,
SA263 Collider Delay+Reverb Owner's Manual 14