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HYDRA2 ANALOGUE OUTPUT SPECS
Digital - Analogue
Conversion
Output Balance
Output Impedance
Distortion
Frequency Response
Notes
AUDIO PERFORMANCE DATA
Digital to Digital
(AES3) Distortion
Digital to Digital
(AES3 with SRC) Distortion
Frequency Response
(Analogue Input to Output)
SYNCHRONISATION INPUTS
48KHz Synchronisation
LATENCY @ 48KHZ SAMPLE RATE *
From
To
AES3 Outputs
AES3 Outputs
Analogue Outputs
AES3 inputs (SRC off)
Analogue Outputs
AES3 Outputs
AES3 Outputs
Mic/Line inputs
Analogue Outputs
Analogue Outputs
* Note: These latency figures are for a system with a single Router/DSP core rack. Add 2 samples for each input, and 2 samples for
each output, for each additional core rack in the relevant part of the signal path.
122 ARTEMIS
Digital Broadcast Production Console
24 Bit
Electronically balanced. 20Hz to 20kHz, better than -35dB, typically -45dB
<40 Ohms
-1dBFS @ 1kHz — Better than 0.006%
-20dBFS @ 1kHz — Better than 0.003%
-60 dBFS @ 1kHz — Better than 0.3%
20Hz to 20kHz +/- 0.25dB
Analogue output for 0dBFS matches input setting into >1kOhms (+24dBu max into 600 Ohms)
-1dBFS, 20Hz to 10kHz — Better than 0.0001%
-1dBFS, 20Hz to 10kHz — Better than 0.0002%
20Hz to 20kHz +/- 0.5dB
NTSC/PAL Video
Tri-Level
Internal Crystal Reference
TTL Wordclock (48kHz)
AES/EBU (AES3) Digital Input (48kHz)
Via
channel, group, and aux, track or main output
channel, group, and aux, track or main output
Turning SRC on adds to the above:
channel, group, and aux, track or main output
channel, group, and aux, track or main output
Port to port
Port to port
Port to port
Port to port
Samples
=ms
18
0.375
30
0.625
65
1.354
77
1.604
+ 39
+ 0.813
43
0.896
55
1. 1 46
90
1.875
102
2. 1 25
Specifications
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