Using The Solo Bus For Monitoring; Destructive Soloing; Mix - PRESONUS StudioLive 16.0.2 Owner's Manual

8 Tutorials
8.7 The Solo Bus

Using the Solo Bus for Monitoring

8.7.1
8.7.2

Destructive Soloing

8.7.3 Using Solo in Place (SIP) to Set Up a Mix
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SIP (Solo In Place). This is also known as destructive solo. When channels are
soloed in this mode, every channel that isn't soloed will be muted, and only
the soloed channels will be sent to their assigned outputs. While useful in
dialing in dynamics during soundcheck, this mode is dangerous during a live
show. We recommend that this mode be turned off when mixing live events.
When mixing live, or when recording multiple musicians at once, it is often
necessary to quickly listen in on just one instrument or group. The Solo
and Monitor buses can be used together for this purpose. It is important to
note that if you wish to monitor with speakers, rather than headphones, it
is necessary to connect the speakers to the Control Room outputs on the
back of your StudioLive rather than to one of the main output pairs.
First decide whether you want to listen to your soloed channels before or after
the fader setting. If you'd like to monitor before the fader level, press the PFL
button in your Solo bus section. Next, press the Solo buttons on the channels
or auxes you want to monitor. Turn the Cue knob in the Solo section to about
12 o'clock. Finally, select the Solo button in your monitor bus and dial in a
comfortable listening volume for you headphones or monitors. You can increase
the overall volume of the Solo bus using the Cue knob in the Solo section.
This feature can also be used to listen in on a monitor mix that is being routed to an
aux send. Let's say your vocalist on stage is complaining that there is too much bass
in his monitor, but you are confident that no bass is being sent to that particular
aux send. You could be mistaken, but most likely an open microphone on stage
is picking up the bass signal. To determine the cause, solo only the aux send in
question and, again, select the Solo button for the monitors/headphones. You can
now listen to exactly the same mix as your troubled vocalist and fix his monitor
mix quickly. This application is also useful in heading off a feedback problem.
Destructive Soloing or Solo in Place (SIP) is a great way to tune each channel's
dynamics individually in live mix situations or do some surgical editing in the
studio. SIP mode mutes every Channel and Bus that is not soloed in the main
bus (that is, if Channel 3 is soloed, you will only hear Channel 3 in your Mains).
This makes a great fine tuning tool but it can quickly destroy a live mix. We
highly recommend that you drop out of this mode once the show has started.
In Section 8.7, we discussed a quick and easy way to set up the input levels for your
StudioLive, ensuring that you have the highest possible input level without clipping
your analog-to-digital converters. The next step is to set up your mix by dialing in
the dynamics, EQ, and fader settings for each channel. Enter Solo In Place (SIP).
PreSonus StudioLive 16.0.2
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Tutorials 8