Roland Super JX-10 Owner's Manual page 18

Parameter
#
18 Total volume
21 After touch vib
22 After touch BRD
23 After touch VOL
31 Upper tone
41 Lower tone
32 Up chromatic shift
41 lo chromatic shift
33 Upper key assign
43 Lower key assign
The Upper and the Lower sections of the keyboard can have different Key Assign modes, which makes various
interesting combinations. However, please note that when the Whole key Mode is selected, the Key Assign Factor
you set will be ignored, and when the Portamento is turned on, the Poly 2 is automatically selected, and when it is
off, the Poly 1 mode is selected. Also, when the Key Mode is either the Touch Voice or Cross Fade, the Key Assign
selected on the Lower will be ignored and the Key Assign of the Upper will work.
Parameter
#
34 Up unison detune
44 Lo unison detune
35 Upper hold
45 Lower hold
36 Upper lfo mod depth
46 lower lfo mod depth
Range
00 to 99
00 to 99
00 to 99
00 to 99
1 to 100
1 to 100
-24 to 0 to +24
-24 to 0 to +24
Poly 1
Poly 2
Unison 1
Unison 2
Mono 1
Mono 2
Poly 1
Poly 2
Unison 1
Unison 2
Mono 1
Mono 2
Range
-50 to 00 to +50
-50 to 00 to +50
On off
On off
00 to 99
00 to 99
Roland JX-10 Manual – Firmware ver 3.00 ADDENDUM
Pag. 18 of 53
Description
This Factor allows to set an individual volume for each
Patch Memory. This is useful to reduce the volume
difference between the Patch Memories. 00 is the
minimum value and 99 the maximum.
The sensitivity of each Aftertouch can be set. At 00
value, the effect is off, and the higher value deepens
the effect.
These Factors select the Tones for the Upper and
Lower sections.
Using these Factors, you can shift the pitches of the
Upper and the Lower kyeboards separately in semi-
tone steps in the range of 4 octaves; 2 octaves upper
and lower. If a number higher than +5 is assigned, the
highest octave substitutes it, and the value lower than -
7 (such as -8, -9 etc.) is assigned, the lowerst octave
substitutes it.
POLY 1
This mode turns each of the Upper and the Lower
Keyboards of the JX-1 0 to a 6 voice polyphonic
synthesizer assigning one synthesizer module to each
key pressed. This is suitable for the sound whose
envelope curve is similar to piano's or guitar's,
therefore chosen for usual performance.
POLY 2
This mode is very similar to Poly mode above
assigning only one synthesizer voice to each key
pressed. However, the same module as assigned to
the key previously played is assigned to the note
played later. So, this mode is suitable for the
performance with portamento effect.
UNISON 1
In this mode, two sound modules are assigned to each
key, therefore the created sound is richer than in Poly
mode. That is, each of the Upper and the Lower
sections becomes 3 voice synthesizer.
UNISON 2
This is similar to the Unison mode above, but the one
of the two modules is one octave lower than the other.
MONO 1
This mode turns each of the Upper and the Lower
Keyboard to a single voice synthesizer that assigns
one module to each key.
MONO 2
This mode turns each of the Upper and the Lower
Keyboard to the monophonic synthesizer that assigns 6
modules to one key pressed.
Description
When the Key Assign is set to either the Unison 1 or
Unison 2, either of the two modules can be detuned
using these Factors. "+" works to raise the pitch and "-"
to lower it.
When the Pedal Switch is used for the Hold effect,
these Factors can turn on or off the Hold effect
separately on the Upper and Lower.
These Factors can set the depth of the Vibrato effects
obtained with the Bender lever. At 00 value, no effect is
obtained, and increasing the value deepens the effect