Multi-Parameter And Inverse Fader/Midi Control - Lexicon NUVERB - FOR MACINTOSH Manual

NuVerb User Guide
Learning to Use NuVerb
The next set of Min and Max controls adjust the range of the selected parameter available for
the source to control. As an example, this might be used to give a MIDI controller fine control
of a value range, where a range of 1000ms is available for predelay, and you are only interested
in fine control from 1ms-150ms. To do this, set Min to 1ms, and Max to 150ms. Set your source
Min and Max controls to 0 and 127, respectively. This would give you fine control of all
predelay values between 1ms and 150ms.
The Value display on the far right shows the current value of the control and its setting on
program load. To change this value, select it from the Program Editor.

Multi-parameter and Inverse Fader/MIDI Control

Hot Palette faders can be configured to control multiple parameters. They can also be
configured to provide "inverse control."
Hot Palette faders can be configured to control more than one parameter. To see how this is
done, select the Radio button labeled Effect A.
Now, select the next Parameter display (just below the one we've assigned to Out Mix), and
select RTIME. Assign Fader 2 as the source controller. In the next Param display, select PDLY
and assign "Fader 2" as the source controller for it as well. Now, when this fader is moved, you
will be simultaneously controlling both Reverb Time and Predelay.
Hot Palette parameters can also be configured for inverse control, i.e. the parameter value is
reduced as a fader is moved upward (and vice-versa). To illustrate this, click on the assignment
box labeled "MIN" for the RTIME parameter. Set the value to 127. Select "MAX" and set its
value to 0. Now, when fader 2 on the Hot Palette is moved to its lowest position, you will get
the maximum reverb time, and reverb time will be decreased as the fader is moved upward.
Let's listen... Select OK to exit the Hot Fader Editor dialog. Note that the second Hot Palette
parameter box is now labeled Multiple and moving its fader will control both RTIME (with
negative scaling) and PDLY. Start your audio source and play with the faders to confirm this.
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