Behringer DEEPMIND 12 User Manual page 90

90 DeepMind 12 User Manual
ChorusVerb (CHORUS & REVERB)
No DM12 REF PARAMETER
1* SPD Speed
2* DEP Depth
3 DLY Delay
4* PHS Phase
5 WAV Wave
6* BAL Balance
7 PRE PreDelay
8* DCY Decay
9 SIZ Size
10* DMP Damping
11* LC LoCut
12* MIX Mix
DelayVerb (DELAY & REVERB)
No DM12 REF PARAMETER
1 TIM Time
2 PAT Pattern
3* FHC FeedHC
4* FBK Feedback
5* XFD X-Feed
6* BAL Balance
7 PRE PreDelay
8* DCY Decay
9 SIZ Size
10* DMP Damping
11* LC LoCut
12* MIX Mix
UNITS MIN MAX
Hz 0.0 Hz 4.0 Hz
% 0.0% 100%
ms 0.5 ms 50.0 ms
— 0.0 180.0
% 0.0% 100%
— -100.0 100.0
ms 0.0 200.0 ms
s 0.1 s 5.0 s
— 2.0 200.0
Hz 1000 Hz 20000 Hz
Hz 10.0 Hz 500.0 Hz
% 0.0% 100%
UNITS MIN MAX
ms 1.0ms 1500.0ms
— 1/4 1X
Hz 200.0 Hz 20000.0 Hz
% 0.0% 100%
% 0.0% 100%
— -100.0 100.0
ms 0.0 200.0 ms
s 0.1 s 5.0 s
— 2.0 200.0
Hz 1000 Hz 20000 Hz
Hz 10.0 Hz 500.0 Hz
% 0.0% 100%
DESCRIPTION
Adjusts the rate of the chorus. Time synchronised options from 4 to 1/64 bars.
Adjusts the modulation depth of the chorus.
Adjusts the delay of the chorus.
Off sets the phase between the left and right channels.
Adjusts the LFO waveform from a sine wave to triangular wave.
Adjusts the balance between chorus and reverb.
Controls the amount of time before the reverb is heard following the source signal.
Controls the amount of time it takes for the reverb to dissipate.
Controls how large or small the simulated space is.
Determines the decay of high frequencies within the reverb tail.
Excludes low frequencies below the value.
Controls the mix (or ratio) of wet (processed) and dry (unprocessed) signals.
DESCRIPTION
Adjusts the delay time for the left channel delay. Time sync options from 4 to 1/64 bars.
Sets the delay ratio for the right channel delay.
Trims high frequencies from the feedback.
Controls the percentage of feedback.
Control the amount of delay sound sent to the reverb eff ect.
Adjusts the ratio between delay and reverb.
Controls the amount of time before the reverb is heard following the source signal.
Controls the amount of time it takes for the reverb to dissipate.
Controls how large or small the simulated space is.
Determines the decay of high frequencies within the reverb tail.
Excludes low frequencies below the value.
Controls the mix (or ratio) of wet (processed) and dry (unprocessed) signals.