Behringer DEEPMIND 12 User Manual page 98

98 DeepMind 12 User Manual
ModDlyRev (MODULATION/DELAY/REVERB)
No DM12 REF PARAMETER
1 TIM Time
2 FAC Factor
3* FBK Feedback
4* FHC FeedHC
5* DEP Depth
6* SPD Speed
7 MOD Mode
8 RTY Rtype
9* DCY Decay
10* DMP Damping
11* BAL Balance
12* MIX Mix
Chorus (STEREO CHORUS)
No DM12 REF PARAMETER
1* SPD Speed
2* WDL WidthL
3* WDR WidthR
4 DLL DelayL
5 DLR DelayR
6* MIX Mix
7* LC LoCut
8* HC Hi Cut
9 PHS Phase
10 WAV Wave
11* SPR Spread
UNITS MIN MAX
ms 1.0 ms 1500.0 ms
— — —
% 0.0% 100%
Hz 200.0 Hz 20000.0 Hz
% 0.0% 100%
Hz 0.0 Hz 10.0 Hz
— PAR SER
— — —
— 1.0 10.0
— 1000 Hz 20000 Hz
— -100.0 100.0
% 0.0% 100%
UNITS MIN MAX
Hz 0.0 Hz 5Hz
% 0.0% 100%
% 0.0% 100%
ms 0.5 ms 50.0 ms
ms 0.5 ms 50.0 ms
% 0.0% 100%
Hz 10.0 Hz 500.0 Hz
Hz 200.0 Hz 20000.0 Hz
— 0.0 100.0
% 0.0% 100%
% 0.0% 100%
DESCRIPTION
Sets the master delay time. Time synchronised options from 4 to 1/64 bars.
Sets the delay to rhythmic fractions (1, 1/2, 2/3, 3/2).
Controls the percentage of positive feedback.
Adjusts the high cut fi lter frequency in the feedback path.
Controls the depth (amount) of modulation.
Adjusts the rate of the modulation. Time synchronised options from 4 to 1/64 bars.
Controls the processor chain routing (Serial/Parallel)
Reverb Type can be set to AMB (Ambience), CLUB, or HALL.
Controls the amount of time it takes for the reverb to dissipate.
Determines the decay of high frequencies within the reverb tail.
Adjusts ratio of the delay signal to the reverb signal.
Controls the mix (or ratio) of wet (processed) and dry (unprocessed) signals
DESCRIPTION
Sets the modulation speed. Time synchronised options from 4 to 1/64 bars.
Determines the amount of modulated delay in the left channel.
Determines the amount of modulated delay in the right channel.
Sets the total amount of delay for the left channel.
Sets the total amount of delay for the right channel.
Controls the mix (or ratio) of wet (processed) and dry (unprocessed) signals.
Allows the low frequencies in the signal to be reduced.
Allows the high frequencies in the signal to be reduced.
Adjusts the phase off set of the LFO between left and right channel.
Blends between the digital triangular chorus sound and the classic analog sine wave.
Adjusts how much of the left channel is mixed into the right and vice versa.