Behringer DEEPMIND 12 User Manual page 65

65 DeepMind 12 User Manual
• • Unison-6 - The next available six voices are allocated to each note played.
Detuning is applied as shown below:
UNISON 6
UNISON 6
WAVEFORM
1 2
UNISON 6
SPECTRUM
MAX -VE
DETUNE
Unison-12 - All 12 voices are allocated to each note played
• •
UNISON 12
UNISON 12
WAVEFORM
1 2 3 4 5
UNISON 12
SPECTRUM
MAX -VE
DETUNE
• • Mono - The same voice is allocated to every note played.
• • Mono-2 - The same two voices are allocated to each note played. Voices are
spread in the same way as Unison-2 mode.
• • Mono-3 - The same three voices re allocated to each note played. Voices are
spread in the same way as Unison-3 mode.
• • Mono-4 - The same four voices are allocated to each note played. Voices are
spread in the same way as Unison-4 mode.
• • Mono-6 -The same six voices are allocated to each note played. Voices are
spread in the same way as Unison-6 mode.
• • Poly-6 - A single voice is allocated to each note played, but polyphony is
limited to the next available six notes.
• • Poly-8 - A single voice is allocated to each note played, but polyphony is
limited to the next available eight notes.
Note: When an even number of voices are used (Unison2/4/6/12, Mono 2/4/6)
the voices are spread across the spectrum evenly which means the root note
is not actually played. However if an odd number of voices are used, when the
voices are spread across the spectrum one voice will be playing the root note.
UNISON DETUNE - This option is the same as the UNISON DETUNE fader on the
surface. Any changes on the surface will be refl ected here.
The UNISON DETUNE range is from +/-0.0cents to 50.0cents (0 to 255).
The default UNISON DETUNE setting is 0.0cents(Off ).
ROOT NOTE
FREQUENCY
3 4 5 6
MAX +VE
DETUNE
ROOT NOTE
FREQUENCY
6 7 8 9 10 11 12
MAX +VE
DETUNE
PRIORITY - When in monophonic mode, or when more notes are played than
there are voices available (due to polyphonic/unison settings), this mode controls
which notes are prioritized.
• • Lowest - In lowest note priority, when a newly requested note is lower
in pitch than the notes currently being played then it will be given priority
and will steal the voice that is playing the highest note.
• • Highest - In highest note priority, when a newly requested note is
higher in pitch than the notes currently being played then it will be given
priority and will steal the voice that is playing the lowest note.
• • Last - In this mode the notes are prioritized based on the order in which they
are played. When a newly requested note is triggered while all voices are
playing, it steals the voice used by the note played least recently.
The default PRIORITY setting is Last.
ENV-TRIGGER - The envelopes can be triggered in diff erent ways. This allows you
to choose a mode from the following options:
• • Mono - In this triggering mode the voice will start its attack stage from the
current envelope level. I.e. its last level from the previous release.
• • Retrigger - In this triggering mode the envelope will be reset to zero and
then start its attack stage.
• • Legato - In this triggering mode the envelope does not re-trigger when a
new note is played. The only time the envelope will start the attack stage
again is once the note is released.
• • One-shot - In this triggering mode the envelope will be reset to zero and
then start its attack stage. Once the decay phase is complete the envelope
will jump immediately to its release stage (i.e. there is no sustain phase)
The default triggering mode is Mono.
OSC-DRIFT - This option allows you to recreate the tuning drift that vintage
analog synthesizers have.
As you increase the OSC-DRIFT value, the pitch of the oscillators will be slowly
modulated at random.
OSC-DRIFT is applied to both OSC 1 and OSC 2.
The OSC-DRIFT range is from 0 to 255. The default OSC-DRIFT setting is 0.
PARAM-DRIFT - This option allows you to recreate the drift that many
parameters in a vintage analog synthesizers have.
As you increase the PARAM-DRIFT value, the drift distances will increase.
Note: The parameters which DRIFT is applied to are OSC1 PITCH MOD, OSC1 PWM,
OSC2 PITCH MOD, OSC2 TONE MOD, VCF FREQ, VCF RES, VCF ENV DEPTH, VCF LFO
DEPTH, VCA ENV DEPTH and MOD ENV DEPTH.
The PARAM-DRIFT range is from 0 to 255. The default PARAM-DRIFT setting is 0.
DRIFT-RATE - This controls the RATE at which the OSC-DRIFT and PARAM-DRIFT
operate at. It is important to note that each voice has independent random DRIFT
generators for the OSC-DRIFT and the PARAM-DRIFT to more closely replicate the
characteristics of a vintage synthesizer.
The rate is controlled by a random timer which generates a ramp between a
multiplier of 1x and a multiplier of 2x the rate set by the DRIFT-RATE parameter.
The OSC-DRIFT range is from 0(25 ms-50 ms) to 255(2.5 s-5.0 s). The default
OSC-DRIFT setting is 0.
To summarize, if at 0, each "drift" will be a random time between 25 and 50 ms
and then the parameter drifts to another random value. At 255, each "drift"
will be a random time between 2.5 s and 5.0 s and then the parameter drifts to
another random value.
To exit the VOICE PARAMETERS menu press the PROG switch to return the main
display.