Microphones; Condenser; Dynamic - PRESONUS STUDIOLIVE 16.4.2 - V1.12 User Manual

5 Tutorials

Microphones

5.2
The StudioLive works with most types of microphones, including dynamic, ribbon, and condenser
microphones.

Condenser

5.2. 1
Condenser microphones generally capture sound with excellent fidelity and are one of the most
popular microphone choices for studio recording and, increasingly, for live performance as well.
Condenser microphones require a power source, which can be provided by a small battery, an
external power supply, or phantom power, which is usually provided by a mixer, preamplifier, or
direct (DI) box. Phantom power is sent over the same mic cable that carries the audio signal; the
term derives from the fact that there is no visible power cord, and the voltage is not perceptible in
the audio path. The StudioLive sends 48 VDC phantom power from the XLR inputs only.

Dynamic

5.2.2
Dynamic microphones are possibly the most widely used microphone type, especially in live shows.
They are relatively inexpensive, resistant to physical damage, and typically handle high sound-
pressure levels (SPL) very well. Unlike condenser microphones, dynamic microphones typically do
not require a power source. In most cases, phantom power has no effect on a dynamic microphone's
audio quality or sensitivity.
Dynamic microphones, especially ribbon microphones, tend to generate low output voltages, so
they typically need more preamp gain than condenser microphones.
Ribbon
Ribbon microphones are a special type of dynamic microphone and get their name from the thin
metal ribbon used in their design. Ribbon microphones capture sound with very high fidelity—es-
pecially higher frequencies. However, they often are very fragile (many newer models are less so)
and typically cannot handle high SPLs.
The most important thing to note about ribbon microphones is that nearly all ribbon microphones
do not require phantom power. In fact, unless a ribbon microphone specifically calls for phantom
power, sending phantom power to a ribbon microphone can severely damage it—usually beyond
repair.
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