Yamaha PM 5000 Owner's Manual
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Yamaha PM 5000 Owner's Manual

Owner's manual
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  • Page 1 Owner's Manual...

  • Page 2: Important Safety Instructions

    (servicing) instructions in the literature accompanying the product. The above warning is located on the rear of the unit. IMPORTANT SAFETY INSTRUCTIONS Read these instructions. 10 Protect the power cord from being walked on or pinched particularly at plugs, convenience Keep these instructions.
  • Page 3 CAUTION Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the device or other property. These precautions include, but are not limited to, the following: Power supply/Power cord Location •...

  • Page 4: Backup Battery

    XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-). Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
  • Page 5 • This apparatus contains a lithium battery for memory back-up. • Raadpleeg uw leverancier over de verwijdering van de batterij VARNING op het moment dat u het apparaat ann het einde van de lev- Explosionsfara vid felaktigt batteribyte. Använd samma batter- ensduur afdankt of de volgende Yamaha Service Afdeiing:...

  • Page 6: Foreword

    PM5000 can deliver. Also keep the manual safe but handy so you can refer to later. Copying of the commercially available music data and/or digital audio files is strictly prohibited except for your personal use.

  • Page 7: About This Manual

    ■ PM5000 Overview (page 10) The names and functions of the various sections of the console are broadly described in the context of the console as a whole. Please read this section before continuing on to the details. This section explains the console’s overall internal signal flow and how it relates to external equipment.

  • Page 8: Table Of Contents

    External Equipment ....14 Cascade ............14 MIDI..............14 GPI (General Purpose Interface)....14 Input Channel Section Mono and Stereo Input Modules ....15 Head Amp Block........... 15 HPF Block ............. 16 EQ Block ............16 Insert Block........... 17 Stereo Aux Send 1~12 Block ...... 17 G/A (Group/Aux) Send 1~8 Block ....
  • Page 9 Monitor ............67 Monitor Mode ..........67 Monitor Source........... 40 Monitor Delay ..........68 The Monitor Outputs........41 Master Cue AFL Position ......69 Cue Signal Monitoring....... 41 Scene Recall ..........69 Solo Mode........... 44 Theater Mode..........69 Cue and Solo ..........44 Fader Mode..........

  • Page 10: Pm5000 Overview

    The basic hardware divisions are “modules.” For example, all of the console’s input modules make up the “input channel section.” Each input channel is made up of an “EQ block,” a “fader block,” and others. In the PM5000 each input channel is made up of two separate hardware components: an “input channel module”...
  • Page 11 EQ using the matrix level controls to apply the signal to the block. The post-EQ signal can be sent to any or all of 12 required matrix bus. The [SUB IN] control located next stereo aux buses and 8 G/A (group/aux) buses.

  • Page 12: Rear Panel

    ¡ º ∞ PM5000-28 &*( ™£¢ ¡ º ¡ º ∞ NOT E All PM5000 inputs and outputs are balanced except for the PHONES outputs and expansion connectors. See the input/output specifications at the end of this manual for details.

  • Page 13: Lamp Connectors

    PM5000-52C, 3 on the PM5000-36 @ Sub Inputs and PM5000-28). Lamp brightness can be adjusted via Each stereo aux master has L and R stereo aux SUB IN the [LAMP DIMMER] control on the meter bridge. connectors, each group/aux master has G/A SUB IN Engage the [LAMP OFF] switch to turn the lamps off.

  • Page 14: Expansion: Connecting To External Equipment

    In this case the PM5000 will effectively on its own, but it does provide some versatile function as the master console, there is no need to use the utility expansion capabilities. In this section we’ll describe how mode to set the receive parameters.

  • Page 15: Input Channel Section

    In order to use phantom power, the rear-panel [+48V MASTER] switch must be turned on. The [+48V MASTER ON] indicator on the left side of the meter bridge will light when the master phantom power switch is on. 2 [PAD] Switch When this switch is engaged a 26-db pad is inserted at the channel’s input to compensate for high-level source...

  • Page 16: Hpf Block

    80 Hz ~ 1.6 kHz, -15 dB ~ +15 dB 30 Hz ~ 600 Hz, -15 dB ~ +15 dB (peaking and shelving modes) * For all bands Q (bandwidth) can be adjusted from 0.5 ~ 3.0. 8 [EQ] Switch 6 [HPF] Switch and Control Turns the 4-band EQ block on or off.

  • Page 17: Insert Block

    @ [ON] Switch 9 Insert [ON] Switch When an [ON] switch is engaged the Turns channel insert on or off. When the [ON] switch is send to the corresponding aux bus is engaged an external equipment connected to the rear- active.

  • Page 18: G/A (Group/Aux) Send 1~8 Block

    NOT E The above descriptions apply when the group/aux buses are used as 8 mono aux buses (the default mode). The functions of the controls will vary depending on the G/A bus mode selected via the group/aux master section – refer to “Group/Aux Switching”...

  • Page 19: Channel [On] Switch

    In such cases it is useful to provide a center channel, the output level of which will be adjusted to reinforce the stereo image and provide more effective coverage.

  • Page 20: Channel Fader Block

    The channel faders determine the level of the channel signal sent to the console’s master buses, and are of primary importance in setting up the balance between the various channels in the mix. The channel faders can also be assigned to specific VCA and mute groups for group level and mute control.

  • Page 21: Channel Grouping

    Input Channel Section Channel Grouping This section will describe how channels can be assigned to VCA and mute groups. VCA Master Section Mute Master Switches VCA Grouping Assigning VCA and Mute Groups The PM5000 provides two methods of “grouping” input...
  • Page 22 Press the ASSIGN MODE [VCA] key to initiate the assignment procedure (the indicator will flash). Engage a VCA master [CUE] switch to specify the VCA master to which a channel or multiple channels are to be assigned. The [CUE] switch will flash. If any input channels are already assigned to the selected VCA master, their corresponding VCA indicators will flash.
  • Page 23 Press the ASSIGN MODE [MUTE] key to initiate the assignment procedure (the indicator will flash). Engage a mute master ([1] ~ [8]) switch to specify the muter master to which a channel or multiple channels are to be assigned. The mute master switch will flash. If any input channels are already assigned to the selected mute master, their corresponding MUTE indicators will flash.

  • Page 24: Vca Master And Master Mute Switch Group Control

    The [VCA MUTE] switches function in a slightly different way than the mute master switches. When a [VCA MUTE] switch is engaged the effect is the same as turning that VCA fader all the way down to -∞. The mute master switches, on the other hand, disengage the channel [ON]...
  • Page 25 NOT E If the mute safe function is on, the channel [RECALL SAFE] switches can be used to prevent specified channels in the group from being muted when the assigned mute master switch is engaged (details on page 66). When the direct recall function is on and the [DIRECT RECALL]...
  • Page 26 Group Mute Channel [ON] Switch Indication Mode When the channels assigned to a MUTE MASTER ([1] ~ [8]) switch are muted, the [ON] switches of the muted channels can be set to either flash or go out entirely. Flashing is the initial default setting.
  • Page 27 N O T E • This setting is retained when the console power is turned off, but is not included in the setup memory and therefore can not be saved to a CF memory card.

  • Page 28: Master Out Section

    Module The master output section is made up of modules housing the masters for 12 stereo aux buses, 8 G/A (group/aux) buses, a stereo bus, and a mono bus. Both the stereo aux and G/A master modules combine pairs of adjacent masters –...

  • Page 29: Basic Signal Routing

    In the same was as the input channel modules, the only real difference between the stereo aux, G/A, stereo, and mono masters is whether they are mono or stereo. The basic routing is the same for all signals, as summarized in the diagrams below.

  • Page 30: Controls Common To All Masters

    Since the basic signal routing is common to the various master modules, all modules also feature many of the same controls. It is the differences that, in a sense, define the character of each module type. The stereo and mono masters have completely independent sets of controls, while the stereo aux and G/A masters each combine two pairs of channels with two identical sets of controls.

  • Page 31: Master Fader

    When the [TB/OSC] switch is engaged the oscillator [MASTER PFL] switch is disengaged the post-fader and/or talkback signal can be sent to any or all of the master signal is sent to the cue bus. console’s master outputs as well as the matrix. The...

  • Page 32: Stereo Aux Master Module

    Master Out Section Stereo Aux Master Module Refer to the preceding “Controls Common To All Masters” section for descriptions of the stereo aux master controls not included in this section. 5 [L+R] Switch Engaging this switch sums the corresponding premixed stereo signal to a mono signal which is then delivered via both the L and R master channel.

  • Page 33: G/A (Group/Aux) Master Module

    Master Out Section G/A (Group/Aux) Master Module Refer to the preceding “Controls Common To All Masters” section for descriptions of the G/A master controls not included in this section. ) [TO ST] Switch ! [PAN] Control @ [TO MONO] Switch...

  • Page 34: Group/Aux Switching

    NOT E When the G/A bus mode is set to GROUP POST PAN or GROUP PRE PAN or when the mode is set to AUX and the input channel [PRE FADER] switch is off the channel fader level affects the G/A bus send level. In such a case the send from channels assigned to a VCA or mute group will...
  • Page 35 GROUP PRE PAN or AUX mode is selected adjacent G/A master channels function independently and the same signal is sent to both the L and R cue buses when cue is engaged. When the GROUP POST PAN mode is...

  • Page 36: Stereo And Mono Master Modules

    The stereo master controls on the left side of the module correspond approximately to one half of the controls on a stereo aux module (i.e. the controls for one stereo pair). For maximum convenience in practical applications, however, independent [TB/OSC] switches are provided for the left and right channels so that the talkback or oscillator signal can be applied independently to one channel or the other, or to both if required.

  • Page 37: Matrix Send And Master Out Section

    The matrix send section is located at the top of the console’s master out section. From the hardware standpoint it is a “matrix send block” fed by the outputs of the various master modules, but from an operational perspective it is a separate section to which the signals from the master modules are assigned via their respective [TO MATRIX] switches.
  • Page 38 MONO The level and balance of signals sent from the mono masters (group/ aux, mono) a stereo matrix can be adjusted via the inner and outer controls, respectively. Stereo signals from stereo masters (stereo aux, stereo) sent to a mono matrix are internally mixed to mono at the matrix input and then routed to the appropriate mono matrix bus.

  • Page 39: Matrix Master Out Section

    (ST MATRIX 1 ~ 4) and mono matrices (MATRIX 1 ~ 8). Since the only function of this section is to control output of the signals from each matrix bus its control complement is quite simple, with no visible difference between the stereo and mono matrices (the L and R channels of stereo matrices are controlled simultaneously).

  • Page 40: Oscillator And Talkback Section

    TB bus, while the talkback section can be used to send the audio signal from the talkback mic via the TB bus. The [TB/OSC] switches provided on each master and matrix bus allow the talback/oscillator signal to be routed as required.

  • Page 41: Oscillator/Talkback Signal Output

    Oscillator and Talkback Section Oscillator/Talkback Signal Output The oscillator is capable of producing continuous or burst-output pink noise, or sine wave signals from 20 Hz through 20 kHz. Engage the oscillator section [PINK] switch to generate To deliver a talkback signal via the TB bus an pink noise.

  • Page 42: Monitor Control Section

    Signal master. N OTE If the console is set up so that the stereo master signal is not normally output (see page 67), only the cue signals will appear at the MONITOR outputs. The monitor out section controls output to the consoles two monitor outputs (MONITOR A &...

  • Page 43: The Monitor Outputs

    R channels from MONITOR A. Engage the [L+R] switch to sum the L and R channels to form a mono mix which will be delivered via both the L and R outputs. If...
  • Page 44 Only channels 1 and 5 can be sent to the MONITOR outputs It is thus possible to monitor the PFL or AFL signal from each input channel, but a considerable shift in level may occur when switching from one to the other. Cue trim controls are provided to compensate for this: the [INPUT CUE TRIM] adjusts the PFL cue signal level while the [VCA CUE TRIM] control adjusts the AFL cue signal level.
  • Page 45 NOT E All active [CUE] switches will be disengaged when switching between the MIX CUE and LAST CUE modes. A neat “trick” to disengage all cues at once, therefore, is to engage and then immediately disengage the [LAST CUE] switch.

  • Page 46: Solo Mode

    In the PM5000 and most other sound-reinforcement consoles, however, “CUE” is a signal sent to the operator’s monitor speakers while “SOLO” is a signal sent to the speakers fed by the console’s master or matrix outs. Since solo monitoring in the PM5000 is handled in essentially the same way as cue monitoring, the term “cue/solo function”...

  • Page 47: Basic Operation

    The solo mode can be activated by holding the [SOLO MODE] switch on the meter bridge for more than two seconds – the [SOLO MODE] switch will flash. For reasons why you might not be able to switch to the solo mode, see page 66. Recorder...

  • Page 48: Master Solo Select

    L & R speakers will be soloed. If the stereo master [CUE] switch is also engaged the main L & R speakers will also be soloed. All this time MONO the channel 1 signal is being sent to the recording gear via stereo aux 1.

  • Page 49: Meter Bridge

    OSC LED at the bottom of the meter will light). PEAK PEAK STEREO AUX TB/OSC STEREO MATRIX N OT E Since there are only four stereo matrices, meters 5 ~ 12 are not active when the meters are switched to stereo matrix level display.
  • Page 50 The FAN CAUTION indicator if one or more of the PM5000’s internal cooling fans ceases to operate. In either case have the unit(s) checked by qualified service personnel as soon as possible.

  • Page 51: Digital Control Section

    Digital Control Section Digital Control Section Control Functions The digital control section includes the majority of functions used for digital control of the PM5000 scene memory and utility features.

  • Page 52: Alpha-Numeric Keypad

    When the PM5000 power is turned on the last panel setup before it was turned off is automatically recalled (scene memory “000” ! MONITOR DELAY Indicator will be recalled the first time the power is turned on after the console is initially shipped). This indicator will light when the PM5000’s digital delay has been applied to the monitor outputs via the corresponding utility function (page 68).

  • Page 53: Scene Memory Functions

    Overview A “scene” is a set of panel settings stored in one of the PM5000’s 1,000 internal scene memories (000 ~ 999). Any stored scene can be instantly recalled at any time for fast efficient changes. The first 10 scene memories (000 ~ 009) contain preset data for common basic setups.

  • Page 54: Fade Time

    N OTE When a scene containing a fade time setting is recalled, “FADE” will appear on the message display while the scene fade is in progress (unless another message is being displayed at the same time).

  • Page 55: Scene Store

    RECALL switches can also be used for direct scene recall (page 71). Settings cannot be stored in protected scenes. If the protect function is active, it must be turned off before new data can be stored in the scene (page 62). N OTE Normally the channel and VCA faders will physically move to the recalled settings via the console’s motor drive system.

  • Page 56: Title Edit

    DEC key CLEAR/EXIT key NOT E Select the scene for which you want to enter or edit a The [RECALL UNDO] switch will have no effect immediately title (010 ~ 999). To edit the title of the current scene after the console power has been turned on, before any recall operations have been performed.

  • Page 57: The Preview Function

    Number Non-numeric Characters (selected sequentially by the key) ! “ # $ % & ‘ ( ) * + , - . \ : ; < = > ? @ [ The preview function is sort of an “offline editing A B C a b c function”...

  • Page 58: Utility Functions

    The utility mode cannot be engaged while a scene title is being be lost. edited (page 54). If the title edit mode is active it will be necessary to disengage the [TITLE] switch and return to normal • Press the [RECALL] switch: The current preview...

  • Page 59: Common Operations

    MIDI PGM CHANGE TABLE numeric keypad. The parameter numbers will appears as “U01” through “U28” on the display. * In addition to storing the above parameters in the internal PM5000 setup memory, they can be saved externally on CompactFlash memory cards.

  • Page 60: Basic Functions

    (display pages are switched automatically). You can press the [ENTER] or [CLEAR/EXIT] key a number of times to step forward or backward to the value to be edited. B A T T . C H E C K Repeat steps 2 through 4 to check or edit the required parameters.

  • Page 61: Date/Time

    [ENTER]. 1 5 : 4 5 : 3 2 NOT E If the backup battery runs out the date and time will be reset to 2001/1/1, 0:00:00, and will begin keeping time from that value.

  • Page 62: Data Save

    PM5000 format function to minimize the possibility of load errors. If a file with the same name already exists the message will confirm that it is OK to overwrite the existing file – “SURE” in the above will appear as “OVWR”. ● Data Save Press the alpha-numeric [1] key to begin saving to the card, or [3] to abort the operation.

  • Page 63: Lock Mode

    L O C K M O D E D E L : O L D _ D A T A Press [ENTER] after selecting the above display and When you have selected the file to be deleted press one of the displays shown below will appear: either the [ENTER] key.

  • Page 64: Memory Protect

    Using this function you can change the order of stored scene memory from being overwritten (only the recall scenes (010 ~ 999) to match the flow and sequence of a operation is available). music or theatrical production. By then using the “theater mode”...

  • Page 65: Bus Mode

    The difference between the two group modes Protects the specified target (“trg”) scene from being is that in mono mode the send is pre-pan (i.e. before the changed by copy and clear operations. [PAN/BAL] control), while in the stereo mode the send is post-pan.

  • Page 66: Stereo Matrix Mode

    NOT E Asterisks in the “ALL” display, as shown above, indicate that the G/A buses are set to different modes. If all buses are set to the same mode “GRP POST”, “GRP PRE”, or “AUX” will appear. M A T R I X...

  • Page 67: Safety And Protection Functions

    These settings are saved in the console’s setup memory, and are common to all scenes. G / A A S N .

  • Page 68: Recall Safe Select

    N OTE If the solo mode is engaged it will not be possible to change the setting to “DISABLE”. If the solo mode is disengaged “ENABLE” will begin flashing on the display and it will be possible to change the setting as required.

  • Page 69: Input Solo Safe

    The three monitor functions described in this section are The input solo safe function can be applied to specified stored in the PM5000 setup memory and are common to input channels so that they are not muted when the solo all scenes. function is engaged.

  • Page 70: Monitor Delay

    N OTE delay between the two sources can severely reduce the If the unit type is changed after the delay value is set, the delay intelligibility of the sound. In such situations the value will be recalculated and displayed according to the unit PM5000’s internal digital delay system can be used to...

  • Page 71: Master Cue Afl Position

    [ON] switch. If the cue signal is taken prevent accidental operation. These settings are stored in from before the master [ON] switch it will appear at the the PM5000 setup memory.

  • Page 72: Fader Mode

    “AUTOMODE OFF” will appear on the parameter display while the scene memory is turned off. Even when the scene memory is When the motor faders are turned off level changes will result in a disabled the channel [RECALL SAFE] switches can be used for mismatch between the internal fader levels and the physical fader mute safe operation (page 66).

  • Page 73: Direct Recall/ Mute Master

    [ENTER] key. When the scene number parameter (rightmost) parameter begins flashing use the [INC] D . R C L / M . M S T R and [DEC] keys or the alpha-numeric keypad to enter the number of the scene to be recalled by that switch, and press [ENTER] again.

  • Page 74: Gpi

    GPI Out (Parameter No. U22) This function makes it possible to specify the GPI outputs to be used for fader start control (a signal is sent The PM5000’s rear-panel GPI port provides 3 input and when a fader is raised above –60 dB or lowered to -∞) 8 output channels for GPI pulse communication with and for scene linking.

  • Page 75: Fader Start

    –60 dB (“STR”). Use the [INC] and [DEC] keys or the alpha-numeric C H 3 4 : S T R : G P 3 keypad to select the GPI output to be used for scene linking of the current scene, and then press [ENTER].

  • Page 76: Cascade

    The two cascade connection types cannot be used simultaneously. If both types of connection are made the type A connection will take priority. By connecting the master outs and matrix outs of the slave console to the master out and matrix out SUB IN connectors of the master PM5000 console the slave console can be used as an “expansion”...
  • Page 77 NOT E If cue is engaged on the slave PM4000/3500 the PM5000 cue groups are input channel only. Further, since the number of VCA groups is different VCA group 9~12 operations on the PM5000 have no effect on the slave PM4000/3500.

  • Page 78: Cascade

    S T R : O N SLAVE selection has been completed, the following parameters turn function linking on or off the instant they are set. If a link is turned OFF it may be impossible to reproduce the previous slave settings.

  • Page 79: Midi

    PM5000. On the other hand faders and switches. if the MIDI OUT of the external device is connected to the MIDI IN of the PM5000, the external device can MIDI provides a greater range and degree of control than remotely control the PM5000.

  • Page 80: Program Change

    Also part of the standard MIDI implementation is an “OMNI” mode which, when enabled, allows commands to be received on any or all 16 MIDI channels. When the OMNI mode is disable MIDI commands can only be received via the device’s specified MIDI channel(s). The...

  • Page 81: Control Change

    MIDI devices. For example the SINGLE mode (OMNI OFF, BANK OFF) allows some control even with external MIDI devices that have limited capabilities. If an external MIDI device is capable of bank number transmission it can be used to recall scenes on the PM5000. If the PM5000 OMNI mode is enabled scene recall can be effected from multiple external MIDI devices.

  • Page 82: Midi Program Change

    (page 71), MUTE MASTER control via control change transmitted when a successful scene recall operation commands will be ignored. If the preview mode is active any has been executed, but no data will be transmitted received control change or NRPN commands will affect the when an empty “NO DATA”...

  • Page 83: Midi Control Change

    S E T T I N G Press [ENTER] after selecting the above display and a display like the one shown below will appear. Use Press [ENTER] after selecting the above display and the [INC] and [DEC] keys to select the required a display like the one shown below will appear.

  • Page 84: Midi Echo Back

    NRPN and scene number INC/DEC transmission and reception, change messages received at the MIDI IN connector and it is necessary to set the transmit and receive channels of the external MIDI device to match those of the PM5000. transmitted via the MIDI OUT connector.

  • Page 85: Midi Program Change Table

    M I D I P G M T B L In this table one scene number is assigned to each combination of MIDI channel/bank number and program number. Any scene number (000 ~ 999) can be assigned to each program change...

  • Page 86: Mono And Stereo Input Modules

    Exercise caution when removing the modules so as not to damage the wiring. Once the module being removed is free of the top panel, gently lay it on its side on the top panel, without placing undue strain on the wiring.
  • Page 87 Carefully pull the wiring and connectors through the rear-panel opening, making Module sure that the connectors don’t catch on any part of the frame Press the snap button console frame.

  • Page 88: Input Transformer Installation

    When a module and/or rear-panel unit has been sent out for repair Transformer Transformer mounting bracket and the module slot is likely to be empty for a while, it is a good idea to install the blank module panels (BLM5000) to prevent objects from falling into the console and potentially causing Attach the transformer to the bottom stay of the damage.
  • Page 89 That completes transformer installation. One circuit board is used for each transformer on Be careful that the leads don’t get caught on any part of stereo modules. The leads must be soldered to the the console when installing or later removing the circuit board as shown in the illustration below.

  • Page 90: Internal Switch Settings For Each Module

    Internal Switch Settings For Each module As you tell from the PM5000 block diagram, each module has a number of internal switch settings. These settings can be changed to “customize” the PM5000 signal flow to most ideally suit your mixing requirements.

  • Page 91: Mono Input Module

    Appendix Internal Switch Locations On Each module Mono Input Module Remove these screws and the bracket. Replace after making the required switch settings. POST POST POST Stereo Input Module SW105 POST Remove these screws and L&R L-ONLY the bracket. Replace after making the required switch Ø...
  • Page 92 Appendix Stereo/Aux Master Module STAUX.GA (ODD) STAUX.GA (EVEN) Printing MATRIX SW102 SW103 SW105 SW106 Switches SW102 SW103 SW105 SW106 G/A Master Module GA (ODD) GA (EVEN) POST POST TO ST ON SW ON SW SW101 SW104 STAUX.GA (ODD) STAUX.GA (EVEN)
  • Page 93 Appendix Stereo/Mono Master Module TO MATRIX MONO MASTER MASTER Printing SW102 SW103 SW105 SW106 Switches SW102 SW103 SW105 SW106...

  • Page 94: Connector Pin Assignments

    (D-sub 25-pin Connector) MIDI VCA CTRL SLAVE 13 12 11 10 Pin # Function 25 24 23 22 21 20 19 18 17 16 15 14 VCA EXT 1 MASTER VCA EXT 2 CUE SOLO PM 3000 VCA EXT 3...

  • Page 95: Pm5000 Self-Diagnostic Function

    The scene memory, setup memory, and MIDI program change table are all initialized by this operation. If you want to keep any of the data be sure to save it to an external memory card before initializing the memory. Turn the console power ON while holding the [STORE] key to start the initialization procedure.

  • Page 96: Error Messages

    Appendix Error Messages Any of the following messages appearing on the 4-character message display indicate that an error has occurred. Refer to the information listed below in combination with the “Troubleshooting” section on next page. Error Message Meaning Action The system cannot be started. Contact your Yamaha dealer or service [H.ER]...

  • Page 97: Troubleshooting

    • Is the PW5000 [POWER ON/OFF] switch in the ON position? • Is the [PANEL LED DIMMER] control on the meter bridge turned all the way down? • If all of the above check out OK and the power still won’t turn on, contact your Yamaha dealer or service center.

  • Page 98: Specifications

    9-points (PEAK/+12/+6/+3/0/-3/-6/-12/-25dB) LED level meter built into each MONO-IN and ST- IN module. PEAK LED (red) turns on when pre-EQ level or post-EQ level or pre-Fader level reaches 3dB below clipping. +12/+6/+3/0 LED (yellow) turns on when pre-Fader level reaches +12/+6/+3/0dB.

  • Page 99: Inputs/Outputs

    *3 0dBu is referenced to 0.775Vrms. *4 Sensitivity is the lowest level that will produce an output of +4dBu (1.23V), or the nominal output level when the unit is set to maximum level. *5 Only 28ch version does not have STEREO AUX SUB IN and GROUP/AUX SUB IN.

  • Page 100: Others

    75mW 150mW *1 24ch, 32ch, 48ch *2 All XLR connectors are balanced, Phone Jacks (TRS) are balanced (T=+, R=-, S=GND). Phone Jacks (STEREO) are unbalanced. *3 0dBu is referenced to 0.775Vrms. 2.3 Others CASCADE TYPE A / PC (for PM5000 or PC)

  • Page 101: Midi Data Format

    MSB Value In SINGLE mode when BANK is ON, this message can be 00110110 26 DATA ENTRY LSB received if the Rx CH matches. This will specify the bank for a 0vvvvvvv vv LSB Value subsequently received program change. <Transmission>...
  • Page 102 Appendix 2. TRANSMISSION CONDITION BANK ON CONTROL CHANGE BANK SELECT $BnH MIDI Tx CH? NRPN ON CONTROL CHANGE NRPN $BnH ASSIGN ON CONTROL CHANGE $BnH MIDI OUT PGM ON MIDI Tx CH? PROGRAM CHANGE $CnH MULTI ON ECHO ON MIDI IN 3.
  • Page 103 Messages All Notes OFF Active Sense Reset Notes *1 See Control Change parameter assign chart. Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : YES Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO...

  • Page 104: Hpf Block

    Matrix Master Out Section ............37 Expansion: Connecting to External Equipment ....14 Matrix Out ................13 External Expansion Connectors ........... 13 Matrix Send and Master Out Section ......11 Matrix Send Section ..............35 Memory Card Slot ..............12 Memory Protect ..............62 Message Display ..............50...

  • Page 105: Vca Grouping

    VCA Grouping ..............21 Recall Safe Select ..............66 VCA Indicators 1~12 ............20 [RECALL SAFE] Switch ..........20 VCA Master and Master Mute Switch Group Control ..24 Recall Undo ................54 VCA Master Section .............11 [RECALL UNDO] Switch ........... 50 VCA Section .................24 [RECALL] Switch ..............
  • Page 106 Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.

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