The Line Submixer Section - DigiDesign Control 24 Reference Manual

Output Connections for Stereo
Mode
Output connections for Stereo Mode include
Main and Alternate Speaker connections and
Headphones.
Main and Alternate Speaker
Connections
Connect your main (primary) control room
monitor/amp to the Control 24 Control Room
Output Left and Right outputs on the Speaker
Out Connections 25-pin D-Sub harness (break-
out cables 1 & 2). The level to these speakers is
adjusted with the MAIN MONITOR LEVEL con-
trol.
Connect your secondary reference moni-
tors/amp (if any) to the Control 24 Control
Room Output, ALT Left and Right outputs on
the Speaker Out Connections 25-pin D-Sub har-
ness (breakout cables 7 & 8). The level to these
speakers is adjusted with the ALT MONITOR
control.
The Communication/Headphones section also
provides level controls and basic monitor rout-
ing controls for Headphone, Aux, Listen Mic
and Talkback Mic levels.
Headphones
Control 24 provides a stereo headphone jack in
the Control room Monitor section. A discrete
feed of the main stereo Control 24 mix, the
Headphone output does not follow Control
Room Mono, Mute or Dim functions.
44 Control 24 Reference Guide
Footswitch
The SW 1 and SW 2 jacks can be assigned to any
of three available Footswitch functions:
• Play/stop
• Record (punch in/out)
• Remote Talkback on/off
Polarity is selectable for these switch ports, en-
abling you to use virtually any momentary foot-
switch to control these functions.

The Line Submixer Section

Control 24's built-in submixer consists of eight
stereo input channels. Each channel is individu-
ally adjustable with its respective Input Gain
control, and all channels are governed by the
Submixer Master control.
This submixer can serve a variety of purposes.
Submixing returns from MDMs, routing synthe-
sizers, samplers, or drum machines, or returning
additional auxiliary busses are just a few exam-
ples of ways that this simple mixer can be used.
You can also use this high-quality submixer to
bring multiple channels down to stereo, to be
routed into a pair of Pro Tools audio interface
inputs.