Sound Devices 664 User Manual
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Sound Devices 664 User Manual

Field production mixer with integrated recorder
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664
Field Production Mixer
with Integrated Recorder
User Guide

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  • Page 1 ® Field Production Mixer with Integrated Recorder User Guide...

  • Page 2: Manual Conventions

    All other trademarks herein are the property of their respective owners. FCC Notice 664 User Guide • Rev 4-B • February 22, 2017 This device complies with part 15 of the FCC Rules. This document is distributed by Sound Devices, LLC Operation is subject to the following two conditions: in online electronic (printable-PDF) format only.
  • Page 3 Revision History This table provides the revision history and cross-reference links to “what’s new” in this guide. Rev# Date Firmware Description Version June 2016 3.10 Initial reformatted & updated, online only publication; replaces original, old (v2.02) print guides. Updates include: •...
  • Page 4 User Guide...

  • Page 5: Table Of Contents

    Powering the 664 . . . . . . . . . . . . . . . . . . .
  • Page 6 Editing Metadata on the 664 . . . . . . . . . . . . . . . . . .
  • Page 7 Configuring User Programmable Buttons . . . . . . . . . . 172 Adjusting Trim Levels (664 only) . . . . . . . . . . . . . . . . 163 Adjusting CL-12’s LED Brightness .
  • Page 8 Trim Levels (664 only) . . . . . . . . . . . . . . . . . .

  • Page 9: Overview Of Chassis

    Overview of Chassis The 664 chassis is made of light-weight Topics in this section include: and durable carbon-fiber. Front, Top, and Bottom Panels The front panel of the chassis features Left Side Panel several easy-to-reach controls, Right Side Panel switches, LEDs, and a sunlight-visible Back Panel LCD screen.
  • Page 10 AB/C Switch eature escription Power Switch and LED Powers 664 on and off with 3-way switch—left for internal battery power, center for off, and right for external DC power. LED indicates power status. Timecode LED Flashes blue to indicate whether the internal timecode generator (and QuickBoot) is active while the mixer is off.
  • Page 11 PFL is active. Because the CL-6 accessory provides separate PFL switches for inputs 7-12, when the CL-6 is attached to the 664, the dual-functionality of the six PFL switches on the 664 changes. Slide left activates PFL and slide right displays Input Settings for inputs 1-6 only.

  • Page 12: Left Side Panel

    User Guide Left Side Panel XLR Inputs Slate Mic Input TA3 Inputs Headphone Outputs eature escription XLR Inputs Active-balanced analog microphone- or line-level inputs. Inputs 1 and 6 can also accept AES3 or AES42 (Mode 1) signal. [Pin-1 = ground, pin-2 = hot (+), and pin-3 = cold (-)] TA3 Outputs 1-6 / Balanced direct outputs (1-6);...

  • Page 13: Right Side Panel

    SD Card Slot Accepts SD/SDHC/SDXC cards with the notched corner oriented to- ward the top of the 664. High speed class 10 cards are recommended. Insert until it clicks securely in the slot. The card should glide smoothly into the slot. Press to eject.

  • Page 14: Back Panel

    User Guide eature escription Main Outputs Transformer-balanced analog outputs on standard 3-pin XLR-3M con- nectors. Can be set to send AES3 digital signals (1,2 and 3,4 on L and R respectively) in Main menu OUTPUTS section. [Pin 1 = ground; pin 2 = hot (+); pin 3 = cold (-). Unbalance by grounding pin 3 to pin 1.] Battery Compartment Holds five AA (LR6) batteries for backup powering.

  • Page 15: The Lcd And User Interface

    Meter Views The 664 displays important metering information at a glance on its LCD. All meter views provide various combinations of input, track, and return meters. By default, the first of three meter views is shown. This view is known as the Main screen.

  • Page 16: Using Meter Views

    Customizing Meter Views While the 664 provides three meter views by default, all three may be custom- ized to display the information you deem most important. The second and third meter views may also be turned off so that only one meter view is shown as the Main screen at all times.

  • Page 17: Accessing The Main Menu

    For more information on configuring the meters displayed in Meter Views, see Configuring the Meters. Accessing the Main Menu The majority of the 664’s settings are configured with the Main menu. To access the Main menu: MENU Button Press the MENU button.

  • Page 18: Customizing The Lcd And Leds

    Customizing the LCD and LEDs Because the 664 is a portable field mixer, it may be used in a variety of environ- ments, including some where lighting is an issue that requires adjustments to the mixer. With some System settings, you can modify the brightness levels of the LCD, the brightness levels of the LEDs, and even enable or disable the LCD Daylight mode.
  • Page 19 THE LCD AND USER INTERFACE To toggle LCD Daylight mode: SELECT + HP: simultaneously press the SELECT and Headphone encoders.
  • Page 20 User Guide...

  • Page 21: Headphone Monitoring

    Connect headphones to either the 1/4-inch or 3.5mm headphone outputs, lo- cated on the left panel of the 664. ⚠ The 664 can drive headphones to dangerously high vol- umes. Turn down the headphone gain before attaching headphones or selecting a headphone source to prevent accidental high levels.

  • Page 22: Selecting Headphone Source

    User Guide Selecting Headphone Source The default list of headphone presets consists of six predefined headphone sources and 10 customizable presets. The predefined headphone sources are: Hp s ource escription LR ST Master bus in stereo. LR Mono Master bus summed mono to both ears. L Mono Left channel of master bus sent to both ears.

  • Page 23: Defining Custom Headphone Presets

    HEADPHONE MONITORING Preset List. The Headphone Preset List will be displayed; presets with a blue back- ground are visible, and presets with a black background are hidden. Turn and press the Headphone encoder to toggle visibility of each preset. Defining Custom Headphone Presets In addition to the six predefined headphone sources, 10 options are available as custom headphone presets.

  • Page 24: Using Headphone Source Shortcuts

    User Guide Using Headphone Source Shortcuts There are a total of four headphone monitor shortcuts on the 664, go to: RTN A, RTN B, RTN C, and COM RTN. To monitor RTN A: Slide the A B/C switch to the left.

  • Page 25: Power

    Powering the 664 The 664 operates on either external DC power or internal AA battery power. Power LED To turn on the 664: Slide the Power switch to the right for external power.

  • Page 26: Using External Power

    User Guide Using External Power The 664 uses only one power source at a time, with external DC power taking precedence over internal AA battery power. To connect an external power source: Plug a DC power source (not included) into the 10-18 VDC input on the right panel.

  • Page 27: Configuring Power Settings

    Full Range 11.5 If the external power supply’s voltage drops below the low voltage threshold, the 664 reacts differently, based on the state of the internal recorder. • During recording or playback, the 664 will automatically switch to internal batteries, if available.

  • Page 28: Power Consumption

    User Guide Power Consumption Many factors influence the rate at which the 664 uses battery power (current draw). The following list highlights the larger current drawing functions. • Microphone powering — The main source of extra 664 current draw. 48 V Phantom can draw a large amount of current depending on what model microphone is used.

  • Page 29: Inputs

    Inputs The 664 has 12 analog inputs, including Topics in this section include: six high-bandwidth mic/line inputs on Physical Input Controls XLR-3F connectors. These transformer- Activating an Input less preamps offer analog peak limiters, Accessing the Input Setting Screens high-pass filters, input trim controls, Setting Input Source and direct outputs.

  • Page 30: Activating An Input

    • Blinking Yellow: Input soloed (PFL) in headphone monitors. Activating an Input The 664 has six dedicated Trim controls on the front panel. To activate an input: 1. If the Trim control for an Input is recessed, push it in and it will pop out.

  • Page 31: Setting Input Source

    INPUTS switch, AB/C switch, and Headphone encoder. Channel number Channel name Input level meter Trim gain value Fader gain value ISO setting Input source setting X1 / X2 routing L / R routing Input Settings screen for inputs 2, 4, and, 6 include an INV option for inverting phase.

  • Page 32: Setting Input High-Pass Filters

    Turn the Select encoder to adjust the value. Options include: Off or 150 Hz. The 664’s HPF circuit features an adjustable corner (-3 dB) frequency over a range from 80 to 240 Hz. Below 80 Hz, the filter’s slope is 12 dB/octave. At higher corner frequency settings, the slope is 6 dB/octave.

  • Page 33: Setting L, R, X1, And X2 Routing

    Many microphones have on-board high-pass filters. Use the high-pass filters on the 664 in conjunction with the microphone’s filter to increase the filter’s slope. Setting L, R, X1, and X2 Routing Routing of inputs to L, R, X1, and X2 tracks can be adjusted quickly from the Input Settings screen.

  • Page 34: Inverting The Phase

    Overview Inverting the Phase Phase inversion is available on channels 2, 4 and 6 of the 664. To invert the phase of channels 2, 4 or 6: 1. Slide the PFL switch left to access the Input Settings screen for the chosen input.

  • Page 35: Adjusting Trim - Inputs 7-12

    INPUTS To adjust trim and fade: 1. Access the Input Settings screen for the chosen input. Do one of the following: For inputs 1-6: Set Fader control to 0 dB, the unity gain position. For inputs 7-12: Trim and fader controls are on screen, and can be accessed and adjusted with the Select encoder.

  • Page 36: Accessing Input Settings

    User Guide Accessing Input Settings The Main menu has a sub-menu of settings related to inputs. These may be used to customize the configuration of the 664. To access Inputs sub-menu: 1. Press the MENU button. Turn and press the Headphone encoder to select INPUTS.

  • Page 37: Configuring Phantom Voltage

    2 and pin 3 of an input’s XLR-3F connector, relative to pin 1. In this configuration, there is no voltage difference between signal pins 2 and 3. On the 664, the factory default sets phantom power to 48 volts, but that may be changed.

  • Page 38: Configuring Pfl Mode

    User Guide Configuring PFL Mode On the 664, the PFL switch has two modes for soloing input signal to headphone monitors. By default, the mode is set to pre-fade. However, the PFL switch may be configured so that soloing follows ISO track.

  • Page 39: Configuring Inputs 7-12 As Outputs 1-6

    (7-12). Configuring Inputs 7-12 as Outputs 1-6 The TA3 connections on the left panel of the 664 may be used as line inputs 7 through 12, changed to direct output for its respective 1 through 6 inputs, or turned off entirely.
  • Page 40 User Guide Options include: Line Input, Direct Output, or Off. Press the Headphone encoder to select the DIR.OUT# option. The number (#) shown in the option is the number of the output’s respec- tive input (1-6). To turn off inputs 7-12: 1.

  • Page 41: Outputs

    Output Connections On the 664, there are four pairs of balanced analog output connections for the master bus (XLR-3M, TA3, and two Hirose 10-pin), and one pair of balanced analog output for the auxiliary bus (TA3). Additionally, there are two stereo unbalanced outputs for the master bus (TA3 and 3.5 mm tape outputs).

  • Page 42: Accessing Output Settings

    Accessing Output Settings The Main menu has a sub-menu of settings related to outputs. These may be used to customize the configuration of the 664 outputs. To access Outputs sub-menu: 1. Press the MENU button. Turn and press the Headphone encoder to select OUTPUTS.

  • Page 43: Configuring Output Linking

    OUTPUTS menu escription ptions XLR-L Out Select the nominal level of analog output • Mic or switch the output to send AES3 dig- • Line ital signal on the L XLR-3M output. The • -10 default is Line. • AES 1,2 XLR-R Out Select the nominal level of analog output •...

  • Page 44: Setting Output Type And Nominal Level

    User Guide L/R and X1/X2 pairs can be linked or unlinked from the Main menu. To configure output linking: 1. Press the MENU button. Turn and press the Headphone encoder to select OUTPUTS > Linking. Turn and press the Headphone encoder to adjust linked status or output pairs L/R and X1/X2.

  • Page 45: Output Routing

    OUTPUTS Output Routing Any input (1-12) may be routed post-fade to the auxiliary outputs (X1 and X2). Only inputs 1 and 6 may be routed pre-fade. For more information, see Setting L, R, X1, and X2 Routing. The master L and R tracks are permanently routed to their respective outputs, unless the connections have been set to AES, in which case they use AES out- put routing.

  • Page 46: Routing Tape Output

    Turn and press the Headphone encoder to select either Headphones Only or All Outputs. WAV files recorded on the 664 will play back to tracks as they were recorded. MP3 files recorded on the 664 always play back to the L and R tracks.

  • Page 47: Sending Tone To Outputs

    OUTPUTS Sending Tone to Outputs The 664’s internal tone oscillator can be used to send a predefined tone or pulse to the mixer’s outputs to aid setup of proper gain staging with other equipment, such as cameras. The Left Indent pulsing tone is useful for identifying the left or odd Aux channel of the stereo pair on the receiving device.
  • Page 48 User Guide...

  • Page 49: Limiters

    In normal operation, with a properly set gain structure, the threshold of the input limiter is rarely reached. The default threshold of all input limiters on the 664 is 16 dBu (4 dBu below clipping).

  • Page 50: Enabling The Limiters

    (1 dBu increments) Linking Limiters Limiters for L and R channel pairs can be linked on the 664. Anytime two limit- ers are linked, both channels will be limited when signal reaches the threshold in any channel of the pair.

  • Page 51: Recording

    Using Media Before recording anything, install and format the media storage memory cards you intend to use in the 664. The slots for memory cards are located on the right panel behind the Media Door, which is held closed magnetically.

  • Page 52: Using The Transport Control

    User Guide The memory card must be formatted before recording. ⚠ Reformatting a card will erase all data on the card. To (re)format an SD or CF card: 1. Press the MENU button. Transport MENU Control Button Turn and press the Headphone encoder to select File Stor- age.

  • Page 53: Arming Or Disarming Recording Tracks

    Wingman Wireless Interface. Arming or Disarming Recording Tracks The 664 features 16 recording tracks. Each of the 12 inputs is permanently routed to its associated ISO track. Buses L, R, X1, and X2 can also be armed for recording. ISOs for inputs 1-6 can be sent to both pre- and post- fade, while ISOs for in- puts 7-12 are routed post-fade only.

  • Page 54: Accessing Recorder Settings

    Red = armed, Grey = unarmed, and Black = input powered off. Accessing Recorder Settings The Main menu has a sub-menu of settings related to recording. These may be used to customize the configuration of the 664’s Record settings. To access the Recorder sub-menu: 1. Press the MENU button Turn and press the Headphone encoder to select RECORDER.

  • Page 55: Setting File Type And Media Track Assignment

    Phone. Setting File Type and Media Track Assignment The 664 supports simultaneous recording to CF and SD media. By default, all armed tracks are recorded to both cards as a polyphonic WAV file. It is possible to record only the armed ISO tracks, only the armed L and R tracks, or only the armed X1 and X2 tracks to either media.

  • Page 56: Changing The Mp3 Bit Rate

    User Guide Changing the MP3 Bit Rate The 664 records MP3 files at a default bit rate of 320kbs, but that bit rate may be changed. A high bit rate MP3 file preserves more audio information with an increased file size. A low bit rate MP3 file preserves less audio information with a decreased file size.

  • Page 57: Setting The Bit Depth

    MP3 recording is not allowed in “F mode”. Setting the Bit Depth The 664 records 24 bit WAV files by default. Bit depth defines the digital word length used to represent a given sample and correlates to the maximum dynamic range that is represented by the digital signal. Larger bit depths accommodate a wide dynamic range.

  • Page 58: Using The Slate Microphone

    Returns. Playing Back Active Takes Playback may be initiated at any time except when the 664 is recording. Unless playback is initiated from the Take List or File List, the active take will be played from the current playback card. The active take is whichever take was record- ed or played most recently.

  • Page 59: Viewing Approved Media List Via Smart Phone

    (Play) Viewing Approved Media List via Smart Phone The 664 provides QR codes on screen for smart phone access to product-related documentation, including the Approved Media List, available online. Accessing documentation via a QR code requires the installation on your smart phone of a code reader application—many of which are available as free downloads...
  • Page 60 User Guide...

  • Page 61: Comms And Returns

    The 664 incorporates a built-in slate mic and a TA3 connector for an external slate mic. The built-in mic is the default. Its audio performance is not suitable for critical recording applications;...

  • Page 62: Setting External Slate Mic Gain

    Monitoring Returns The 664 is equipped with three stereo returns (RTN A, B, C) for monitoring camera audio. RTN audio levels can be metered and quickly monitored on the 664 headphone output with a toggle of the A B/C switch. For more information...

  • Page 63: Setting Up Com Send Program

    Behavior. Using the Slate Mic for Notation On the 664, the slate mic signal is routed to all outputs and tracks, and all pro- grams routed to them are muted when slate is activated. The following procedures describe default behavior of the MIC/TONE switch;...

  • Page 64: Private Communications

    The same mic used for slate is also used to send comms. Activating Comms On the 664, comms are sent to the COM Send output and right headphone out- put, but not to any other outputs. Comms will never go to record tracks or affect recordings.

  • Page 65: Monitoring Com Rtn

    Comms / Returns Settings The 664 has a COMMS/RETURNS menu to allow for various setting adjustments. Most of these settings are described in greater detail in other sections of this guide, where applicable. The menu’s entire sub-menu listing and options are provided in the following reference table as a convenience.

  • Page 66: Adjusting Com Return Gain

    By default, the program routed to the COM Send output is muted when private comms are activated. This helps the boom operator, for instance, hear the voice of the 664 operator. This muting behavior can be changed, however, so that all sources sent to COM Send are mixed together.

  • Page 67: Setting Mic/Tone And A B/C Switches

    COMMS AND RETURNS Setting MIC/TONE and A B/C Switches The primary and secondary actions of the MIC/TONE switch and the A B/C switch may be altered to fit the needs of the specific workflow. The primary ac- tions are those that occur when the switch alone is used. Secondary actions are those when the SELECT encoder is used in combination with the switch.
  • Page 68 User Guide...

  • Page 69: Timecode And Sync

    Ion timecode battery. This timecode Setting the Timecode Generator battery is charged whenever the 664 Setting User Bits is powered on or by plugging the 664’s Setting Display Mode USB connector into a USB power source. Synchronizing the Word Clock...

  • Page 70: Setting The Timecode Mode

    Timecode is derived from external timecode sources. Ext-TC Auto-Rec Reader Timecode is based on external timecode sources, and allows recording on the 664 to be triggered via external timecode starting and stopping. Ext-TC/Cont Reader/ Timecode is based on external timecode sources.

  • Page 71: Setting The Frame Rate

    Setting the Frame Rate By default, the 664’s frame rate for the timecode generator is set to 30nd. The frame rate value is stored in the Frame Rate field of metadata. When using an external timecode mode, ensure the mixer’s frame rate is equal to (or cross-jam compatible to) the external frame rate.

  • Page 72: Jamming The Timecode

    User Guide If a pre-roll time is set, it will be applied. Pre-roll will only capture audio from the initial detection of a timecode signal. If no pre-roll is selected, the file will begin af- ter the Hold Off period expires. It is best practice to set pre-roll to a value greater than the specified Hold Off value.

  • Page 73: Setting User Bits

    A fourth mode allows user bits to be derived from an external source. If that mode is to be used, ensure the external source for timecode user bits is at- tached to the 664 via the 5-pin LEMO connector on the mixer’s right panel be- fore setting the mode.

  • Page 74: Setting Display Mode

    However, the Word Clock BNC input connection on the back panel may be used to clock from an external signal. The 664 internal word clock may also be used as clock master by connecting its output connection to external audio devices.

  • Page 75: Setting Word Clock Sensitivity

    Turn and press the Headphone encoder to select TIMECODE/SYNC > Sync Reference. Set the sync reference to Word Clock. When the 664 is locked to external word clock, it is indicated by WCK in yellow text at the bottom of the Main screen. Wordclock value If no valid external word clock is present, the word UNLOCK blinks yellow and red on the Main screen.
  • Page 76 User Guide...

  • Page 77: File Storage

    S01T01_3.WAV scene number extension take number track designator The track designators are associated with the 664 tracks. This differs from track names which may be edited and are covered in depth in the Metadata section of this guide.

  • Page 78: Transferring Files To Pc

    When finished recording, and the media remaining time on the Main screen is white, you may remove the SD or CF card(s) from the 664 and mount them to any computer and transfer your recorded files using a card reader or card slot.

  • Page 79: Take List And File List

    FILE STORAGE Take List and File List A file is an individual file stored on attached media. A take is a single recording that can consist of multiple files on one or both media. The Take List displays a list of takes and provides functions for deleting, renaming, and editing informa- tion in metadata fields.

  • Page 80: Deleting Files Or Folders

    User Guide File list of SD root File list within a folder (named “Dune”) Turn the Headphone encoder to highlight a chosen file or folder. Information pertaining to your selection appears on the right. Slide the A B/C switch to access options. The OPTION menu will vary de- pending on the file or folder selected.

  • Page 81: File Storage Settings

    • Daily Folder Change • Either Scene or Daily File Playback Mode Determines what (if any) playback action • Play Once the 664 will perform upon reaching the • Play All end of a file during playback. • Repeat One • Repeat All...

  • Page 82: Setting Folder Options

    User Guide menu escription ptions Erase/Format CF Formats CF card to FAT32 (32 GB or less) or exFAT (greater than 32 GB) file system. Erase/Format SD Formats SD card to FAT32 (32 GB or less) or exFAT (greater than 32 GB) file system.

  • Page 83: Generating Sound Reports

    When the Mid-level folder is set to <Daily>, a folder will be created auto- matically and named according to the date. Whenever a new day occurs, the 664 will prompt the user to confirm the creation of a new daily folder. •...

  • Page 84: Changing The Take Designator

    User Guide Turn and press the Headphone encoder to select Create a Sound Report. A .csv file will be created in the folder with a name of: [FOLDER NAME]_REPORT.CSV. When prompted for confirmation, press the Headphone encoder to confirm. Sound reports may also be initiated from the Wingman app on mixers with the WM-Connect Bluetooth Smart USB accessory.

  • Page 85: Setting Scene Increment Mode

    FILE STORAGE Setting Scene Increment Mode The 664 provides a Scene Increment shortcut, but it is disabled by default. Scene names will not increment unless the Scene Increment mode is enabled. Shortcuts for a description of all time-saving shortcuts. To enable Scene Increment mode: 1.

  • Page 86: Setting File Playback Mode

    User Guide Setting File Playback Mode When playback is initiated, the selected file will play to the end and then stop— unless, of course, playback is stopped prematurely by manually pressing the Transport control in twice. This default behavior is called Play Once, but it may be modified so that all files in the folder will be played (Play All), the selected file will play in a loop until stopped (Repeat One), or all files in the folder will be played in a loop until manually stopped (Repeat All).

  • Page 87: Erasing / Formatting Media

    FILE STORAGE Erasing / Formatting Media Before recording to CF or SD media, cards must be formatted by the 664. To format media: 1. Press the MENU button. Turn and press the Headphone encoder to select FILE STORAGE. Do either of the following: Select Erase/Format CF to reformat a CompactFlash card.
  • Page 88 User Guide...

  • Page 89: Metadata And Take List

    Renaming or Deleting Previous Takes iXML data will display the metadata of Editing Metadata in Other Programs files generated by the 664. Metadata can also be used to generate a Sound Report in CSV file format directly from the 664.

  • Page 90: Accessing The Take List

    Push down the Transport control to begin playback. The Main screen is dis- played, and playback begins. Editing Metadata on the 664 Notes, Scene, Take, Circle Status, Folder (tape), Project, and all track names may be edited directly from the Take List for next or previous takes.

  • Page 91: Using A Phrase List

    Using a Phrase List Often, the same word or phrase is used in the Notes on many different takes. To save time on metadata entry, the 664 provides the ability to create a phrase list for rapid retrieval and usage.

  • Page 92: Clearing Scene List

    User Guide Slide the A B/C switch right to select OK and save the new entry. To edit or delete a phrase list entry: 1. Access the Phrase List screen. Turn the Headphone encoder to highlight an entry. Do either of the following: Slide the MIC/TONE switch left to delete the chosen entry.

  • Page 93: Metadata Overview

    Metadata is included in MP3 files inside the ID3 tags. Metadata in MP3 files can not be edited with the 664. The following table shows the ID3 fields that meta- data is stored in and the format in which it is stored.

  • Page 94: Renaming Or Deleting Previous Takes

    Editing Metadata in Other Programs Since Sound Devices recorders write metadata to WAV files using the Broadcast Wave File standard, many professional applications can read and edit this meta- data. Sometimes, it is useful to edit metadata in bulk after recording and before...

  • Page 95: System

    Updating Firmware already covered elsewhere. Setting up Tones and Bells The 664’s internal tone oscillator, used for sending tone to outputs and tracks, has several settings to accommodate different workflows. Activating tone is explained in more detail in the Sending Tone to Outputs sec- tion of this guide.

  • Page 96: Configuring Record/Stop And Warning Bells

    User Guide arameter escription ptions Tone Mode The option chosen for this mode becomes the • Continuous primary action of the MIC/TONE switch, with • L Ident the other option not chosen becoming the secondary action. • The primary action defines what happens when the MIC/TONE switch is slid to the right.

  • Page 97: Configuring The Meters

    SYSTEM To turn on or off the Record/Stop bells: 1. Press the MENU button. Turn and press the Headphone encoder to select SYSTEM > Record/Stop Bell. Turn and press the Headphone encoder to enable or disable the bell. Op- tions include: On or Off. Disabling Record/Stop bells does not apply to Warning bells.

  • Page 98: Setting Meter Ballistics And Peak Hold

    User Guide ption escription xampLe Left Positions track names on the lower end of the meter scale. The example shows solid meters. Left w/ramp Applies a gradient to the background color, and positions track names on the lower end of the meter scale. Right Positions track names on the higher end of the meter scale.

  • Page 99: Setting Peak Hold

    Setting the correct GMT time zone and daylight savings values is also vital for correct data stamping on the exFAT file system. The 664 has several System settings related to date and time parameters: arameter escription...
  • Page 100 User Guide arameter escription ptions Set Time/Date Displays the Set Time/Date screen used to set the time and date. Time Zone Sets the time zone, based on Greenwich Mean • GMT-1:00 – -12.00 Time (GMT). • GMT • GMT+1:00 – +13:00 Daylight Savings Sets whether or not daylight savings is in effect.

  • Page 101: Calibrating Faders & Pans

    To disable, turn and press the encoder to select Off. Calibrating Faders & Pans The 664 Faders and Pan pots come pre-calibrated to center. However, should they ever need to be recalibrated, that can be done via a System settings sub- menu option.

  • Page 102: Using A Usb Keyboard

    User Guide Using a USB Keyboard Included with the 664 is a USB 2.0 A (Female to Female) connector and a USB A to B cable, which may be used to connect a standard USB keyboard to the 664 mixer.

  • Page 103: Viewing Version Information

    Updating Firmware Periodically, Sound Devices releases firmware updates to improve system per- formance and expand the 664 feature set, which may be downloaded from the website and used to update the firmware on the mixer. It is highly recommended that users update to the latest version of firmware available as soon as possible.
  • Page 104 User Guide Follow the on-screen instructions. After the update is complete, the mixer power cycles. When it reboots, the updated version number will appear briefly on the splash screen, and the mixer displays a message confirming the firmware update.

  • Page 105: Saving Settings

    Saving Settings After you have configured the 664’s settings via the Main menu and Input Set- tings screens, you can save the configuration as a Quick Setup file. To save settings as a Quick Setup file: 1.

  • Page 106: Copying Quick Setup Files

    User Guide Name your Quick Setup file. When saving to CF or SD cards, if a file with the entered name already exists, that previous file will be overwritten by the new file you save. Slide the A B/C switch to select OK and save your Quick Setup file. All Quick Setup files are saved as XML files.

  • Page 107: Loading Previously Saved Settings

    Slide the A B/C switch to access OPTION. Select Delete. Loading Previously Saved Settings For fast reconfiguring of the 664, previously stored Quick Setup files may be easily loaded from internal locations or memory cards inserted into the mixer. To load a Quick Setup file: 1.
  • Page 108 User Guide...

  • Page 109: Mixer Linking

    552 must be adjusted to compensate. When the 664 is linked with another 664 or a 552, all inputs appear at both mixer’s outputs. The stereo mix from the other mixer is routed to the 664’s ste- reo master bus and recorded on tracks L and R.

  • Page 110: Linking To A 442 Or 302

    The XL-TA35 cable does not provide for linking the headphone buses. When the 664 is linked with a 442 or 302, all input channels will be present on the stereo master bus of the 664. Return audio and PFL only occur on the head- phone output of the mixer on which it is performed.
  • Page 111 1. Use the Sound Devices XL-TA25—a 20-inch, TA5F to 3.5 mm TRS accessory cable, as shown—to connect the Link I/O of the 664 to the Tape Out connector on the MixPre-D. This sends the stereo mix of both mixers directly to the stereo master bus of the 664.
  • Page 112 User Guide...

  • Page 113: Front Panel Shortcuts

    Shortcuts The 664 features numerous shortcuts to Topics in this section include: help speed navigation. Front Panel Shortcuts The shortcuts require either USB Keyboard Shortcuts simultaneously pressing combinations of front panel controls or using keystroke combinations when a USB keyboard is attached to the mixer.
  • Page 114 User Guide unction equence ction Toggle Playback Card HP + Play: Press and hold the Headphone encoder then push the Transport control downward (Play). This toggles the playback media card between SD or CF. Target media is indicated by a green back- ground on the Main screen.

  • Page 115: Usb Keyboard Shortcuts

    A standard USB keyboard connects to the 664 to ease navigation and data en- try. Attach the keyboard to the 664 USB port using a USB A to USB A adapter (included). Anytime the QWERTY pop up keyboard is displayed, the USB key- board can be used to enter data.
  • Page 116 User Guide eystrokes ction Alt + Enter Main screen: Toggles arming of selected track. Ctrl + Enter Access gain adjustment for highlighted L, R, X1, X2, or RTN track. Ctrl + Up/Down Arrows Main screen: Select tracks. Input Settings screen: Adjusts trim gain for inputs 7-12. Ctrl + Left Arrow Input Settings screen: Change X1 assignment.

  • Page 117: Wingman Wireless Interface

    Track View on iPhone or iPod Touch Start Guide, shipped with the hardware and offered as a free PDF download from the Sound Devices website. Starting Wingman Before starting the application, ensure the WM-Connect hardware accessory (shown at right) is attached to your 6-Series mixer, that Bluetooth is turned on (on your mobile device), and the mixer is both powered on and running firmware version 4.00 or later.
  • Page 118 User Guide Status Bar Viewing Area Tab Bar...

  • Page 119: Transport View

    This section (shown below) provides the current file name, as well as a bar with the following information: • a large Timecode display • a Connection icon bearing the Sound Devices logo • a smaller ABS time display • the timecode frame rate When recording, the background color of the bar turns red.

  • Page 120: Connecting To A 6-Series Mixer

    When running Wingman on an iPad, iPhone or iPod Touch, the Connection icon is located left of the Timecode display and bears the Sound Devices logo. The color of the icon is significant, because it changes based on the connection...
  • Page 121 WINGMAN WIRELESS INTERFACE Use the Devices Found list to select a 6-Series mixer with a WM-Connect attached within range. Mixers that are within range but already connected to other Wingman applications are not visible in the Devices Found list. To switch connection to a different 6-Series mixer: 1.

  • Page 122: Using Transport Controls

    User Guide Using Transport Controls When recording is in progress, the Transport view changes slightly. For instance, the background of the Timecode display appears red as does the center dot on the Record button. Stop Button To begin recording: Tap the Record button. To stop recording: Record Button Tap the Stop button.

  • Page 123: Using Meter Views

    In most cases, meters appear vertically in the Transport view; however, on the 688 or 664 as shown below, when the left and right bus tracks are displayed with ISOs, only the ISOs (1-12) are vertical, while the left and right bus tracks (LR) are positioned horizontally.

  • Page 124: Editing Track Names

    User Guide The three available meter views vary depending on the model of mixer to which Wingman is connected; however, the procedure for toggling through the available meter views is the same. To change the meter view: Slide a fingertip vertically up or down over the meters. The following table explains which pre-configured meter views are available for each model in the 6-Series mixer/recorder line.

  • Page 125: Arming/Disarming Tracks

    WINGMAN WIRELESS INTERFACE Arming/Disarming Tracks The color of the meter label changes based on whether a track is armed (red) or disarmed (gray), which may be done via Wingman. If the input is turned off, however, the background color of the label is black. Turning an input on or off cannot be done via Wingman;...

  • Page 126: Take List View

    User Guide Take List View The Take List displays the next take, the current take, and up to 50 previous takes as a list of filenames and start timecode values. If applicable, notes and circled status are also displayed.

  • Page 127: Editing A Take's Metadata

    WINGMAN WIRELESS INTERFACE Whether a take is circled will be indicated in the list with a large @ symbol, while the next and current takes are always at the top of the list and identified by unique icons. escription Next Designates the next take, which is always located at the top of the Take List.

  • Page 128: Reports View

    User Guide Reports View All 6-Series mixers generate sound reports as comma separated values (CSV) files. These files, stored on CompactFlash or SD cards inserted into the mixer, may be opened and edited by many common spreadsheet applications.
  • Page 129 WINGMAN WIRELESS INTERFACE From the Reports view in Wingman, you can modify sound report options, define the headers used in sound reports, and create sound reports. Settings in the mixer’s File Storage > Folder Options determine which files are used to generate the report and the current record directory in which the generated report is saved.

  • Page 130: Creating Sound Reports

    Also included are interactive links to the following online resources: • The WM-Connect Quick Start Guide • The Wingman User Guide • The connected 6-Series mixer’s User Guide • Link to file a Support Query with Sound Devices Technical Support...

  • Page 131: Track View On Iphone Or Ipod Touch

    WINGMAN WIRELESS INTERFACE Track View on iPhone or iPod Touch Because iPhone and iPod Touch mobile devices have smaller screens, the Wingman’s user interface appears slightly different from the application when run on an iPad. The main differences lie with the Transport view, which on smaller screens does not display track names or the Metadata section.
  • Page 132 User Guide Use the virtual on-screen keyboard to modify the track name. Tap Done when finished to save the changes. Tap anywhere on screen other than the keyboard to exit without saving changes. To arm/disarm a track: 1. While viewing Transport, swipe left or right to display the Track view. Tap the meter label, located left of the meter for the track you want to arm or disarm.

  • Page 133: Third-Party Remote Control

    iOS Wireless Remote Control and Timecode Systems—Sound Devices Web-based Wireless Remote Control offers wireless remote control of any 6-Series mixer (688, 664, and 633) via iOS and web-based mobile devices. This section outlines the benefits and what is required for iOS and web-based wireless remote control integration.
  • Page 134 User Guide iOS Wireless Remote Control All 6-Series mixers support wireless remote control from iOS mobile devices, such as iPhone, iPad, or iPod Touch. This integration does require the following third-party hardware and software: arDware oFtware escription :wave The :wave by Timecode Systems is a highly accurate timecode and genlock generator with integrated RF transceiver and WiFi.

  • Page 135: Ios Remote Control Connection Diagrams

    THIRD-PARTY REMOTE CONTROL iOS Remote Control Connection Diagrams The following diagram shows a direct-to-mixer connection. The following diagram shows a direct-to-CL-12 connection. The CL-12 linear fader controller is an optional accessory for the 6-Series. See the CL-12 Quick Start Guide for information on connecting a CL-12 to a mixer.

  • Page 136: Ios Remote Control Examples

    User Guide iOS Remote Control Examples Here is an example of what the app looks like on an iPhone: Here is an example of what the app looks like on an iPad:...

  • Page 137: Web-Based Wireless Remote Control

    THIRD-PARTY REMOTE CONTROL Web-based Wireless Remote Control All 6-Series mixers support web-based wireless remote control via PC or Mac computers and mobile devices, such as Android or iOS smart phones or tablets, that have a web interface. This integration does require the following third-party hardware and software: arDware oFtware escription...

  • Page 138: Web-Based Remote Control Connection Diagrams

    User Guide Web-based Remote Control Connection Diagrams The following diagram shows a direct-to-mixer connection. The following diagram shows a direct-to-CL-12 connection.

  • Page 139: Web-Based Remote Control Connection Diagrams 138 Web-Based Remote Control Examples

    THIRD-PARTY REMOTE CONTROL Web-based Remote Control Examples Here is an example of what the web interface looks like on a smart phone: Here is an example of what the web interface looks like on a PC:...
  • Page 140 User Guide...

  • Page 141: Specifications

    · XLR Line: Active-balanced for use with ≤2k ohm outputs · RTN A, B, C (3.5 mm/10-pin): Unbalanced stereo for use with ≤2k ohm out- puts · Link I/O: Unbalanced stereo for linking to Sound Devices 664, MixPre-D, 302, 442, and 552. Input Impedance (ohms ·...

  • Page 142: Digital Inputs

    User Guide High-Pass Filters Sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz 6 dB/octave at 240 Hz Microphone Powering · Dynamic (no power applied) (each analog Input se- · 12 V Phantom: through 680 ohm resistors, 10 mA per mic available lectable) ·...

  • Page 143: Digital Outputs/Recorder

    SPECIFICATIONS Maximum Gain Typical (Trim, Fader, Master, Phones, RTN A, RTN B, RTN C fully up) MIC Level LINE Level Input Input A/B/C Master Outs (XLR-3M, 10-pin, TA3) @ LINE 93 dB 53 dB Master Outs (XLR-3M, 10-pin, TA3) @ -10 79 dB 39 dB Master Outs (XLR-3M, 10-pin, TA3) @ MIC...

  • Page 144: Timecode And Sync

    User Guide Timecode and Sync escription Modes Supported · Off · Free Run · External · Rec Run · 24h Run Frame Rates · 23.976 · 29.97DF · 30DF · 24 · 29.97ND · 30ND · 25 Accuracy · Ambient Generator: ±0.2ppm (0.5 frames per 24 hours) ·...

  • Page 145: Dimensions And Weight

    SPECIFICATIONS Dimensions and Weight escription Size (H x W x D) · 2.1 in x 12.6 in x 7.8 in · 5.3 cm x 32 cm x 19.8 cm Weight · 4 lbs 12 oz (unpackaged, without batteries) · 2.15 kg (unpackaged, without batteries)
  • Page 146 User Guide...

  • Page 147: Electronic Accessories

    CL-12 Linear Fader Controller. CL-6 This optional input controller attaches to the top or bottom of the 664 and adds six full-sized tactile fader controls, sunlight-viewable LED metering and big, back-lit Record and Stop controls. For more information, see CL-6 Input...

  • Page 148: Cables And Connectors

    (stereo return A and C) breakout cable; includes in-line 20-foot extension cable. The XL-10 is a high-quality multi-pin breakout and extension cable designed specifically for Sound Devices field production mixers. It provides easy access to the balanced outputs and to unbalanced stereo return A and C input for headphone monitoring.
  • Page 149 XL-TA25 TA5F to 3.5 mm TRS, 20-inch cable, used to con- nect a 664 TA5M Link I/O to the MixPre D or 442 Tape Out/Mix Out 3.5 mm jack for mixer linking. XL-TA35 TA5F to TA3F, 12-inch cable, used to connect a 664 TA5M Link I/O to the 302 or 442 Tape Out/ Mix Out TA3M connector for mixer linking.

  • Page 150: Software

    User Guide Software ccessory Hoto escription Wave Agent Sound Devices Wave Agent, a file librarian for computers, provides a comprehensive range of tools for preparing audio files for problem-free passage through complex production workflows. For more a free download, visit: www.waveagent.com...

  • Page 151: Cl-12 Linear Fader Controller

    CL-12. Additional power via a micro Arming L, R, X1, X2 Tracks USB cable is required when connecting Using the 3-Band Equalizer (688 only) the CL-12 to a 664 or 633. Using High-pass Filters Procedures for attaching the CL-12 Naming Tracks...
  • Page 152 DC Boost Input Connect a micro USB power cord (not included with the CL-12) to this port (5V) on the CL-12 is required for connecting a CL-12 to either a 664 or 633. When using a CL-12 with a 688, this port is optional, but recommended for providing additional DC power when necessary, such as for powering a high-current-draw USB keyboard.
  • Page 153 CL-12 LINEAR FADER CONTROLLER Top Panel Side Panel To fully explain each feature of the CL-12’s top panel, the mixing surface is divided into three areas: • Top – comprised of the EQ and OUTPUTS sections • Left – comprised of the Channel Strip section •...

  • Page 154: Top: Eq & Outputs Sections

    User Guide Top: EQ & Output Sections Right: Transport Controls Channel Select Tools Metadata Left: Channel Controls Strip Section Fast Access Buttons Com & Returns Sections Meters & Menu Headphone Encoder Top: EQ & OUTPUTS Sections The area that spans the top edge of the mixing surface has rotary controls for EQ and Outputs, as well as LED metering and the Power LED.

  • Page 155: Left: Channel Strip Section

    CL-12 LINEAR FADER CONTROLLER eature escription LED Output Meters Displays 22-segment metering levels, as well as both ARM and LIM (limiter) LEDs for L, R, X1, and X2. LED meters may be configured to display either output or track levels. For more information, see Configuring Output Meters (688 only).
  • Page 156 User Guide eature escription R Routing Indicator Illuminates when the input channel has been routed to the right bus. • Off = not routed • Yellow = post-fade routing X2 Routing Indicator Illuminates when the input channel has been routed to the X2 output. •...

  • Page 157: Right: Buttons And Hp Encoder

    CL-12 LINEAR FADER CONTROLLER Right: Buttons and HP Encoder The area that spans the right side of the mixing surface has transport controls and numerous buttons for quick access to many key features. For convenience, the buttons are grouped in sections according to common functionality. Not all features described here are available with every mixer.
  • Page 158 User Guide ection uttons escription Metadata Use the on-screen, virtual keyboard or a USB key- board plugged into the back panel of the CL-12 to Controls edit metadata. All edits update the relevant embedded metadata within the file and file name. SCENE While recording, press to display and edit the current scene name.

  • Page 159: Altered Functionality

      INPUTS > PFL Toggle Mode submenu is disabled    On the 664, the submenu is called INPUTS > Input Mode. Rotary faders (1-6) disabled    Rotary faders (7-12) become trim controls for (7-12) —...

  • Page 160: Sub-Menu

    Main menu. Options in the menu will vary based on the mixer’s model. For instance, the left image, shown below, is the menu as it appears on a 688. The right image is the menu as it appears on a 664 or 633. ption...

  • Page 161: Selecting One Or More Input Channels

    CL-12 LINEAR FADER CONTROLLER ption escription User Button 3 Set function of U3 button. For more information, see Configuring User Programmable Buttons. LED Brightness Set brightness of CL-12 LEDs. For more information, see Adjusting CL-12’s LED Brightness. SEL follows PFL Enables or disables automatic selection of an input channel when its PFL button is pressed.

  • Page 162: Activating Pfl Of An Input

    7 of a 688 is not the same as adjusting trim on input 7 of a 664. The following sub-sections provide details and procedures for adjusting trim levels on inputs 7-12 on the 688, inputs 7-12 on the 664, and inputs 4-6 on the 633.

  • Page 163: Adjusting Trim Levels (688 Only)

    Settings screen. Adjusting Trim Levels (664 only) When the CL-12 is attached to the 664, the mixer’s SELECT encoder may be used to adjust trim for inputs 7-12 via the Input Settings screen. To adjust the trim level for inputs 7-12: 1.

  • Page 164: Routing Input Channels

    CL-12 and how the controls are configured. On the 633 and 664, the CL-12’s Output controls are used for adjusting track levels for L, R, X1, and X2.

  • Page 165: Configuring Output Meters (688 Only)

    CL-12 LINEAR FADER CONTROLLER When L and R are linked, L controls level for the L/R output pair. When X1 and X2 are linked, X1 controls level for both. Also, when linked, the R and X2 controls are disabled. (Output linking control is in the OUTPUT menu.) Configuring Output Meters (688 only) On a 688, the LED output meters on the CL-12 may be configured to meter L, R, X1, and X2 output or track levels.

  • Page 166: Using The 3-Band Equalizer (688 Only)

    User Guide Using the 3-Band Equalizer (688 only) The CL-12 adds 3-band EQ to the 688. EQ is only available when sample rate is 48.048 kHz or less, and it is only available for adjustment when CL-12 is connected. • LF is a fixed 100 Hz EQ by default, with +/- 12 dB gain adjustment.

  • Page 167: Accessing The Eq Submenu

    CL-12 LINEAR FADER CONTROLLER When EQ is applied to a selected input, the EQ screen also appears for the selected input on the mixer’s LCD. For instance, in the following example, EQ is applied to channel 1 (CH-1); LF is set at 10 dB and HF is set to -10 dB, while MID frequency and gain are bypassed.
  • Page 168 User Guide ption escription Q-Factor Set to one of four values: 0.707, 1.0, 1.414, 2.0. This affects all EQ bands. For more information, see Setting the Q-Factor. LF Freq Values range from 60 Hz to 300 Hz. Default is 100 Hz. This may be adjusted individually for each channel.

  • Page 169: Bypassing Eq

    CL-12 LINEAR FADER CONTROLLER Bypassing EQ When necessary, it is possible to temporarily and quickly bypass the application of EQ without altering the current non-zero gain value. The label BYPASSED is shown on the EQ screen for any band that is bypassed. To bypass EQ do any of the following: Press the LF encoder.

  • Page 170: Setting Lf And Hf Frequency Defaults

    User Guide Setting LF and HF Frequency Defaults The default for LF is 100 Hz and the default for HF is 10 kHz, but both may be adjusted for each individual input via setting in the EQ submenu. To adjust LF and HF Freq. defaults: 1.

  • Page 171: Setting Eq Routing

    1. Select an input, using the input’s SEL button. Press the HPF button. If inputs 1-6 are selected on the 664 when the CL-12’s HPF button is pressed, a message will appear: “Use the low-cut control on the 664 front panel.”...

  • Page 172: Configuring User Programmable Buttons

    User Guide To enter or edit track names: 1. With a single input selected, press the NAME button. The Track Name List appears over the Meters View. Do any of the following: Select Edit Entry to edit the current entry. Select Add New Entry to enter a new track name.

  • Page 173: Adjusting Cl-12'S Led Brightness

    The following specifications apply to the CL-12. escription External Power · Powered by the mixer via USB cable · 5V micro USB DC boost input (required for use with 664 or 633) Current Draw · 90mA @5V typical Light · 100 mA (when powered by 688) ·...
  • Page 174 User Guide...

  • Page 175: Cl-6 Input Controller

    The CL-6 input controller is an optional, Topics in this section include: input-expansion accessory available for Front Panel use with Sound Devices 688 or 664. Top and Bottom Panels The CL-6 adds dedicated front panel Trim Levels (688 only) controls, including six full-sized fader...

  • Page 176: Top And Bottom Panels

    User Guide eature escription L Mix Indicator Illuminates blue when the input has been routed to the left bus. Input LED Indicates input signal activity. Illuminates in various colors and inten- sities to show signal level and activity. • Green = signal presence (pre-fader) •...

  • Page 177: Trim Levels (688 Only)

    LCD via the Input Settings screen. Trim Levels (664 only) When the CL-6 is attached to the 664, the mixer’s SELECT encoder may be used to adjust trim for inputs 7-12 via the Input Settings screen. To adjust the trim level for inputs 7-12: 1.

  • Page 178: Quick Routing Of L And R Tracks

    User Guide Quick Routing of L and R Tracks With the CL-6, you can quickly route an input to the left or right mix bus. To route an input to L or R mix bus: 1. Hold down the input’s High-pass Filter button. Then, with that button held down, do either of the following: Slide the Input Select switch left to route the input to the L mix bus.
  • Page 179 · 32.4 cm x 16.5 cm x 20.3 cm Weight · 4.6 lbs · 2.1 kg Published in Reedsburg, WI USA • www.sounddevices.com • Tel: (608) 524-0625 • Email: support@sounddevices.com Copyright © 2016 • Sound Devices, LLC • All rights reserved.
  • Page 180 CS-688...

  • Page 181: Limited Warranty

    SOFTWARE PRODUCT remains with you. No liability for damages. In no event shall Sound Devices, LLC or its suppliers be liable for any damages whatsoever (including, without limitation, damages for loss of business profits, business interruption, loss...
  • Page 182 User Guide Devices, LLC product, even if Sound Devices, LLC has been advised of the possibility of such damages. In any case, Sound Devices, LLC’s entire liability under any provision of this evaluation license shall be limited to the greater of the amount actually paid by you for the SOFTWARE PRODUCT or U.S. $5.00. Because some states/jurisdictions do not allow the exclusion or limitation of liability for consequential or incidental damag- es, the above limitation may not apply to you.
  • Page 183 ® Sound Devices, LLC Customer Support Product Information E7556 Road 23 and 33 For more information about products Reedsburg, Wisconsin 53959 Toll Free: (800) 505-0625 and accessories, visit us on the web at www.sounddevices.com. Email: support@sounddevices.com Phone: +1 (608) 524-0625 http://www.sounddevices.com/support...

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