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MUSIC SYNTHESIZER
Owner's Manual
EN

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Summary of Contents for Yamaha montage6

  • Page 1 MUSIC SYNTHESIZER Owner’s Manual...
  • Page 2: Special Message Section

    SPECIFICATIONS SUBJECT TO CHANGE: The infor- mation contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
  • Page 3: Important Safety Instructions

    Explanation of Graphical Symbols The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert C A U TI ON the user to the presence of uninsulated RISK OF ELECTRIC SHOCK “dangerous voltage” within the product’s DO NOT OPEN enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
  • Page 4 The above statements apply ONLY to those products distributed harmful to the operation of other electronic devices. Compliance by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B) IMPORTANT NOTICE FOR THE UNITED KINGDOM...
  • Page 5 If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. • Never insert or remove an electric plug with wet hands.
  • Page 6 AC outlet. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use.
  • Page 7 Explication des symboles graphiques L'éclair avec une flèche à l'intérieur d'un triangle ATTENTION équilatéral est destiné à attirer l'attention de RISQUE D'ÉLECTROCUTION l'utilisateur sur la présence d'une « tension NE PAS OUVRIR dangereuse » non isolée à l'intérieur de l'appareil, pouvant être suffisamment élevée pour constituer un risque d'électrocution.
  • Page 8 Si un liquide, tel que de l'eau, pénètre à l'intérieur de l'instrument, mettez immédiatement ce dernier hors tension et débranchez le cordon d'alimentation de la prise secteur. Faites ensuite contrôler l'instrument par un technicien Yamaha qualifié. • N'essayez jamais de retirer ou d'insérer une fiche électrique avec les mains mouillées.
  • Page 9 Si vous n'utilisez pas l'instrument pendant une période prolongée, veillez à débrancher le cordon d'alimentation de la prise murale. Yamaha ne peut être tenu responsable des détériorations causées par une mauvaise manipulation de l'instrument ou par des modifications apportées par l'utilisateur, ni des données perdues ou détruites.
  • Page 10: Saving Data

    54. the trademarks or registered trademarks of their respective companies. Yamaha may from time to time update firmware of the product without notice for improvement in functions and usability. To take full advantage of this instrument, we recommend that you upgrade your instrument to the latest version.
  • Page 11 MEMO MONTAGE Owner’s Manual...
  • Page 12: A Message From The Montage Development Team

    S IZ A message from the MONTAGE Development Team Thank you for purchasing the Yamaha MONTAGE6/7/8 Music Synthesizer. Since the first MOTIF was launched in 2001, the MOTIF series has reached fourth-generation status and has finally been remodeled— for the first time in 15 years—as the new MONTAGE.
  • Page 13: About This Manual

    The Reference Manual, the Synthesizer Parameter Manual, and the Data List are provided as data documents in PDF format. The PDF manuals listed above can be obtained from the Yamaha Downloads web page. To do so, go to the web page using the following URL, enter “MONTAGE”...
  • Page 14: Main Features

     Responsive, expressive keyboard for variably controlling Motions (rhythmical, multi- dimensional sound changes) in real time. This amazingly The MONTAGE6 features a 61-key keyboard, while the powerful feature dramatically and dynamically alters the MONTAGE7 has 76 keys with a high-quality FSX...
  • Page 15: Table Of Contents

    Contents A message from the MONTAGE Development Team ....2 Making Global System Settings About This Manual ..............3 Setting automatic power-on tasks..........45 Accessories................. 3 Setting button lamp behavior ............ 45 Main Features................4 Turning various functions on/off ..........45 Changing the Master Tuning.............
  • Page 16: Controls And Functions

    Keyboard [ASSIGN 1] and [ASSIGN 2] buttons (Assignable switches 1 and 2) The MONTAGE6 features a 61-key keyboard, while the MONTAGE7 has 76 keys and the MONTAGE8 has 88 keys. You can call up the specific Element/Operator of the All are equipped with a touch response feature (both initial selected Performance by pressing each of these buttons touch and aftertouch).
  • Page 17 Controls and Functions The illustration shows the MONTAGE8, but the information applies to all models. A/D INPUT [GAIN] knob (page 44) controlled for only the selected Part by using the Number A [1] – [16] buttons. The selected button will light. Use this to adjust the input gain of the audio signals at the A/D INPUT [L/MONO]/[R] jacks.
  • Page 18 Controls and Functions NOTE Knobs 1 – 8 You can also control the Super Knob by using the foot controller These eight highly versatile knobs let you adjust various (FC7). For details, refer to page 28. important parameters, such as the current Part, Arpeggio tempo, and the Motion Sequencer.
  • Page 19 Controls and Functions [INC/YES] button [SHIFT] button For increasing the value of the currently selected parameter Pressing this button along with another button enables you (INC: increment). This button can also be used to execute a to execute various commands. For details, refer to the “Shift Job or Store operation.
  • Page 20 Controls and Functions (Only in the case of selecting pages in the Live Set display, Number buttons PART [MUTE] PART [MUTE] PART [SOLO] this button can be used even if the lamp is off.) button and PART button ON button ON [SOLO] are OFF Number C [1] –...
  • Page 21: Rear Panel

    Controls and Functions Rear Panel  Left side of Rear Panel The illustration shows the MONTAGE8, but the information applies to all models. USB flash memory device AC outlet Computer  Right side of Rear Panel Headphones Playback equipment Powered speaker External MIDI keyboard FC4, FC3,...
  • Page 22 Controls and Functions  Left side of Rear Panel NOTE • The term “FC3” in this Owner’s Manual refers collectively to the FC3 and other footswitches compatible with the FC3, such as the [STANDBY/ON] switch FC3A. Press to set the power to On or Standby. •...
  • Page 23 Controls and Functions NOTE • A guitar or bass having active pickups can be directly connected. However, when using passive pickups, connect the instrument via an effect device. • The Vocoder/Envelope Follower can be controlled from all Part outputs, and not just the A/D INPUT [L/MONO]/[R] jack. ABS (Audio Beat Sync) is a function for detecting the beat of the audio signal input from these jacks and synchronizing the beat with the Motion Sequencer or Arpeggio.
  • Page 24: Setting Up

    Setting Up Power Supply Connecting Speakers or Headphones Connect the supplied AC power cord in the following order. Make sure the [STANDBY/ON] switch on the instrument is set Since the instrument has no built-in speakers, you will need to the Standby position. to monitor the sound of the instrument by using external equipment.
  • Page 25: Auto Power Off Function

    Setting Up Auto Power Off function Adjusting the Master Volume output To prevent unnecessary power consumption, this instrument features an Auto Power Off function that automatically turns Adjust the overall level of this instrument by using the the power off if the instrument is not operated for a specified [MASTER VOLUME] slider.
  • Page 26: Basic Operation And Displays

    Basic Operation and Displays The MONTAGE features a convenient touch panel display. You can operate various settings and select desired parameters by directly touching the screen. Furthermore, you can use the data dial and other buttons for display operations. Display (touch panel) configuration Touch the desired icon to call up the corresponding quick setup display.
  • Page 27 Basic Operation and Displays Changing (editing) parameter values Inputting using the keys on the keyboard and numeric keypad display Rotating the Data dial to the right (clockwise) increases the value, while rotating it to the left (counter-clockwise) For some parameters, you can also enter the value directly, decreases it.
  • Page 28: Quick Guide - Selecting Performances

    Quick Guide — Selecting Performances The MONTAGE has 16 Parts and basic musical instrument This instrument features Banks for memorizing sounds are assigned to each Part. A single set of these Performances. There are basically four different types of sounds is called a “Performance.” You can change sounds Banks: Preset, User, Library, and GM.
  • Page 29: Selecting A Performance From The Live Set

    Quick Guide — Selecting Performances When you turn on your instrument for the first time, a Live Set Touch the desired Performance on the of the Preset Banks will be displayed in the top display. The screen. Live Set is a list in which Performances can be freely NOTE arranged.
  • Page 30: Using The Category Search Function

    Quick Guide — Selecting Performances Using the Category Search Touch and select the desired sub category function This calls up the Performance lists of the selected The Performances are conveniently divided into specific category (6). Categories, irrespective of their bank locations. The NOTE categories are divided based on the general instrument type You can also select the desired sub category by using the...
  • Page 31: Playback Audition Phrase

    Quick Guide — Selecting Performances Playback Audition phrase Selecting an Initialized Performance You can hear a sample of Performance sounds. The sample Follow the steps below to select an Initialized Performance. sound is referred to as “Audition phrase.” Touch [Init] of the main category in the Touch [Audition] in the Category Search Category Search display.
  • Page 32: Quick Guide - Playing The Keyboard

    Quick Guide — Playing the Keyboard You can mix several different parts together in a layer, or split them across the keyboard, or even set up a combination layer/ split. Each Performance can contain up to eight different Parts. Press the [PERFORMANCE] button before playing the keyboard. Performance Play display In this condition, playing the keyboard sounds the Performance indicated in the display.
  • Page 33: Switching A Part On/Off

    Quick Guide — Playing the Keyboard Switching a Part on/off Press any of the dimly lit Number A [1] – [16] buttons. The pressed button will fully light You can turn the eight Parts of the current Performance on or again and the Mute function for that Part will off as desired.
  • Page 34: Using The Arpeggio Function

    Quick Guide — Playing the Keyboard Using the Arpeggio function Press the [PERFORMANCE CONTROL] button. This function lets you trigger rhythm patterns, riffs and The [PERFORMANCE CONTROL] button lights, phrases using the current Part by simply playing notes on indicating that Arpeggios can be selected by using the the keyboard.
  • Page 35: Using The Motion Sequencer Function

    Quick Guide — Playing the Keyboard Using the Motion Sequencer Press the Number B [1] – [8] buttons to change the Motion Sequences. function Select the desired Motion Sequence type assigned to The powerful Motion Sequencer feature lets you dynamically each Number B button.
  • Page 36: Using Controllers To Change The Sound

    Quick Guide — Playing the Keyboard Using controllers to change the sound The MONTAGE gives you an amazing amount of control options. In addition to the conventional Pitch Bend and Modulation Wheels, it also features an extensive array of special real time controls—including the Knobs, Super Knob, Sliders, Ribbon Controller and Assignable Switch buttons.
  • Page 37: Using The Knobs To Change The Sound

    Quick Guide — Playing the Keyboard Using the Knobs to change the sound Knobs 1 – 8 let you adjust a variety of parameters for the current Performance or Part, such as effect depth, attack/release characteristics, timbre, and others. The functions assigned to each Knob can be alternatively selected via the Knob Function buttons, the Multi Part Control button, or the Assign buttons.
  • Page 38: Using The Super Knob To Change The Sound

    Quick Guide — Playing the Keyboard Using the Super Knob to change Mixing the sound Each Mixing can contain up to 16 Parts and a separate Mixing can be created for each Part. You can adjust the The Super Knob lets you simultaneously control all various mixing related parameters for each Part: volume, parameter values of the functions assigned to Knobs 1 –...
  • Page 39: Using The Scene Function

    Quick Guide — Playing the Keyboard Using the Scene function You can store all parameter settings such as Arpeggio type, Motion Sequencer type, and the Part parameter values together as a “Scene.” There are eight Scenes and you can select them by pressing the [SCENE] button. This is useful for simultaneously and drastically changing the Arpeggio type and the Motion Sequencer type while you are playing a single Performance.
  • Page 40: Quick Guide - Creating Your Own Live Sets

    Quick Guide — Creating Your Own Live Sets The Live Set is ideal for live performance situations since it lets you instantly switch among desired Performances. You can create your own Live Set by simply grouping together your favorite Performances. Registering a Performance to a Live Set display The performance registered in the slot...
  • Page 41 Quick Guide — Creating Your Own Live Sets Switching Performances stored in a Live Set by using the footswitch You can switch the Performances by using a connected footswitch (FC4 or FC5). The setting for this operation is as follows. Connect the footswitch (FC4 or FC5) to the FOOT SWITCH [ASSIGNABLE] jack.
  • Page 42: Quick Guide - Editing The Settings

    Quick Guide — Editing the Settings This instrument has various edit displays for Parts, Performances, effects, and Arpeggios. This chapter explains how to create an original Performance by combining multiple Parts. Performance Editing Press the [STORE] button to call up the Store display.
  • Page 43: Part Editing

    Quick Guide — Editing the Settings Part Editing Drum Part Edit “Part Editing” refers to the process of creating a Part by There are two types of Drum Part Edit displays: Key changing the parameters that make up the Part. This can be Common Edit display, for editing the settings that apply to all done in the Element Common/Key Common/Operator Drum keys;...
  • Page 44: Part Effect Editing

    Quick Guide — Editing the Settings  Element Common Edit display Part Effect Editing Indicates that the Element Common Edit display is active. This instrument features a wide variety of Effects, letting you add Variation and Reverb processing to the selected Part for your keyboard performance.
  • Page 45: How Parts Are Assigned To A Performance

    Quick Guide — Editing the Settings How Parts are assigned to a Touch the [Ins A] tab at the left side of the screen. Performance The display for editing effect parameters selected in By default (when shipped from the factory), various types of Step 4 appears.
  • Page 46: Creating A Performance By Combining Parts

    Quick Guide — Editing the Settings Creating a Performance by Performance Structure Using Arpeggios combining Parts With this method, you can play all the parts of a band by yourself. This type of Performance also uses different After checking out the pre-programmed Performances in the Preset Banks, try creating your own original Performance.
  • Page 47 Quick Guide — Editing the Settings Split Turn the [PART CONTROL] button on and adjust the volume settings of Parts 1 and 2 by You can play different Parts with the left and right hands by using Control Sliders 1 and 2. assigning one Part to Part 1, with a note range in the lower section of the keyboard, and a different Part to Part 2, with a note range in the higher section of the keyboard.
  • Page 48 Quick Guide — Editing the Settings [Common] tab Touch the [Individual] tab to call up the setting display for each Arpeggio Type. Touch the Arpeggio type and select the [Search] menu at the left side of the screen. (Alternately, you can press the [CATEGORY SEARCH] button.) The Category determines the instrument type and the Sub Category determines the music type.
  • Page 49: Recording And Playback

    Recording and Playback You can record MIDI data as Songs on this instrument itself or record your performance (audio data) on a USB flash memory device plugged into the MONTAGE. Terminology Press the [I] (Record) button. The Record Setup display appears. NOTE Song Alternately, you can simply press the [I] (Record) button in the...
  • Page 50 Recording and Playback 3 Punch Out: 006:01 Recording with the click Recording ends at this point and normal playback of Follow the steps below to use the click during MIDI the recording Track starts. recording. Press the [UTILITY] button and touch [Tempo Settings] on the screen to call up the Tempo setting display.
  • Page 51: Playing A Song

    Recording and Playback Playing a Song Recording your performance as audio In this section, you’ll learn how to use convenient mute/solo functions while playing back a recorded song. Your performances on the MONTAGE can be recorded as WAV format (44.1-kHz, 24-bit, stereo) audio files to a USB flash memory device.
  • Page 52: Playing An Audio File

    Recording and Playback Playing an audio file Press the [R] (Play) button. If you have set the trigger level to “manual,” recording As described below, the MONTAGE can play audio files will begin immediately right after you press the [R] (Play) (.wav) from a USB flash memory device, regardless of button.
  • Page 53: Using As A Master Keyboard

    Using as a Master Keyboard The Master Keyboard function lets you assign up to eight separate Zones in each Performance for use as a master keyboard controller. You can call up the settings for controlling an external MIDI device instantly anytime you need by combining with the Live Sets. Accordingly, you can change and control the connected external MIDI tone generator in sequence while performing live.
  • Page 54: Connecting A Microphone Or Audio Equipment

    Connecting a Microphone or Audio Equipment Playing the keyboard along with Set the “Mic/Line” parameter according to the particular equipment connected to the A/D the sound input from the A/D INPUT [L/MONO]/[R] jacks. INPUT [L/MONO]/[R] jacks When connecting equipment of low output level such as a microphone, set this parameter to “Mic.”...
  • Page 55: Making Global System Settings

    Making Global System Settings You can set various parameters in the Utility display. In particular, you can set the parameters that apply to the entire system of this instrument by touching the [Settings] tab. The changes you make in the Utility display are activated once you press the [EXIT] button to return to the original display.
  • Page 56: Changing The Master Tuning

    Making Global System Settings Turning the beep sound on/off Changing the Master Tuning You can adjust the tuning of the MONTAGE. This is useful You can turn the beep sound (that confirms operations, when playing in an ensemble to match the pitch of other menu/parameter selection, etc.) on/off as follows.
  • Page 57: Changing The Velocity Curve

    Making Global System Settings Changing the Velocity Curve When the parameter of the Velocity Curve is These five curves determine how the actual velocity will be set to “Fixed” generated and transmitted according to the velocity The velocity of the note you play is fixed at the value set (strength) with which you play notes on the keyboard.
  • Page 58: Connecting External Midi Instruments

    Connecting External MIDI Instruments With a standard MIDI cable (available separately), you can connect an external MIDI instrument, and control it from the MONTAGE. Likewise, you can use an external MIDI device (such as a keyboard or sequencer) to control the sounds on the MONTAGE.
  • Page 59: Using A Connected Computer

    Connecting to a computer Set “MIDI IN/OUT” to “USB.” Make sure that the [USB TO HOST] terminal of this A USB cable and the Yamaha Steinberg USB Driver are instrument is enabled. necessary to connect the MONTAGE to the computer. Follow the instructions below.
  • Page 60 Using a Connected Computer The MIDI data received over Port 3 via the MIDI [IN] Precautions when using the [USB TO HOST] terminal will be re-transmitted to an external device terminal (computer, etc.) via the [USB TO HOST] terminal. When When connecting the computer to the [USB TO HOST] using a USB connection, make sure to match the MIDI terminal, make sure to observe the following points.
  • Page 61: Creating A Song With A Computer

    Using a Connected Computer Creating a Song with a computer MONTAGE will sound the MIDI data generated by playing the keyboard as MIDI data from channel 3. By using the MONTAGE with DAW software on a computer connected to the MONTAGE, you can take advantage of the [USB TO HOST] terminal following functions and applications.
  • Page 62 Using a Connected Computer Song playback from a computer using the MONTAGE as a tone generator The instructions below show how to use this instrument as a MIDI tone generator. In this case, actual MIDI sequence data is transmitted from DAW software on the computer, letting you take advantage of the dynamic sounds of the MONTAGE, while giving you the added benefit of saving processing power on your computer by avoiding the use of...
  • Page 63: Saving/Loading Data

    Saving/Loading Data The Utility display provides tools for transferring the entire system setting and data (such as Performances and Live Sets) between the MONTAGE and an external USB flash memory device connected to the [USB TO DEVICE] terminal. This section explains how to save/load all the data on the user memory of this instrument as a “User” file. Saving the settings to a USB flash The Text input display appears.
  • Page 64: Precautions When Using The [Usb To Device] Terminal

    The instrument does not necessarily support all The format operation overwrites any previously existing data. commercially available USB devices. Yamaha cannot Make sure that the USB flash drive you are formatting does not guarantee operation of USB devices that you purchase.
  • Page 65: Shift Function List

    Shift Function List Some of the important functions and operations on the instrument can be executed with convenient panel control shortcuts. Simply hold down the [SHIFT] button and press the indicated button (as described below). Operation Function [SHIFT] + KNOB POSITION [1] Stores Assign 1 –...
  • Page 66: Display Messages

    Display Messages LCD indication Description ** will be deleted. This message appears when the specified operation you are about to execute will cause the specified data to be deleted. ** will be overwritten. This message appears when a file/folder having the same name as the one you are about to save already exists.
  • Page 67 Display Messages LCD indication Description No read/write authority to the file. Indicates that you do not have the authority to read/write the file. Now initializing all data… Indicates this synthesizer is restoring the factory-programmed settings. Now initializing… Indicates that the specified data is being initialized. Now loading...
  • Page 68: Troubleshooting

    Many problems can be solved by executing Data Initialization (page 15), after backing up your data to an USB flash memory device (page 53). If the problem persists, consult your Yamaha dealer. Touch panel does not respond correctly.
  • Page 69 Troubleshooting  Are the volume or expression settings too low? [UTILITY]  [Settings]  [Sound]  Tone Generator “Volume” [EDIT]  PART [COMMON]  [General]  “Volume” [EDIT]  Part selection  ELEMENT/OPERATOR [COMMON]  [Part Settings]  [General]  “Volume” [EDIT] ...
  • Page 70 Troubleshooting Playback continues without stopping.  When the [ARP ON/OFF] button is turned on, press it so that the button is turned off.  When in the Song display, press the [J] (Stop) button.  When the effect sound such as Delay continues, check the effect setting or select the Performance again. ...
  • Page 71 Troubleshooting  When the Part produces a wrong pitch, is the appropriate tuning system selected from the Micro Tuning parameter? • In case of Normal Part (AWM2) and Drum Part [EDIT]  Part selection  ELEMENT/OPERATOR [COMMON]  [Part Settings]  [Pitch]  “Micro Tuning Name” •...
  • Page 72 USB flash memory device indicated at the right top of the display. [UTILITY]  [Contents]  [Load]/[Store/Save]  Is operation of the particular USB flash memory device guaranteed by Yamaha? For details, see page 54. In the display, there are some black points (unlit) or white points (always lit).
  • Page 73: Specifications

    AC Power cord, Owner’s Manual (this book), Cubase AI Download Information Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer.
  • Page 74: Index

    Index FOOT CONTROLLER [1]/[2] jack..........12 FOOT SWITCH [ASSIGNABLE]/[SUSTAIN] jacks .....12 A/D INPUT [GAIN] knob ............. 7 Format ..................54 A/D INPUT [L/MONO]/[R] jacks.......... 12, 44 A/D INPUT [ON/OFF] button............7 ABS (Audio Beat Sync)............12, 13 GM Bank..................18 [AC IN] (AC Power Cord Socket)..........12 [ARP ON/OFF] (Arpeggio on/off) button.......
  • Page 75 OCTAVE [-] and [+] button ............8 Volume..................15 Operator Common Edit............. 33 Operator Edit ................33 Operators.................. 33 Yamaha Steinberg USB Driver ..........49 OUTPUT (BALANCED) [L/MONO] and [R] jacks (TRS balanced output).............. 12 Part.................... 23 PART [COMMON] button............10 [PART CONTROL] button ............9 Part Editing ................
  • Page 76 GNU GENERAL PUBLIC LICENSE Version 2, June 1991 Copyright © 1989, 1991 Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble You may modify your copy or copies of the Program or any portion of it, thus forming a work based on the Program, and copy and...
  • Page 77 You may not copy, modify, sublicense, or distribute the Program NO WARRANTY except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE void, and will automatically terminate your rights under this License.
  • Page 78 GNU LESSER GENERAL PUBLIC LICENSE Version 2.1, February 1999 Copyright © 1991, 1999 Free Software Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. [This is the first released version of the Lesser GPL.
  • Page 79 the facility still operates, and performs whatever part of its You must give prominent notice with each copy of the work that the purpose remains meaningful. Library is used in it and that the Library and its use are covered by this License.
  • Page 80 If, as a consequence of a court judgment or allegation of patent How to Apply These Terms to Your New infringement or for any other reason (not limited to patent issues), Libraries conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not If you develop a new library, and you want it to be of the greatest possible excuse you from the conditions of this License.
  • Page 81 The source code will be provided at no charge; however, we may require Guy Eric Schalnat you to reimburse Yamaha for the cost of delivering the source code to you. Paul Schmidt • Note that we shall bear no responsibility whatsoever for any damage...
  • Page 85 MEMO...
  • Page 86 Man al De elopment Department © 2016 Yamaha Corporation lished 01/2016 M TO-A0 Printed in Japan ZR61040 ZR61040...

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