Table of Contents
Advertisement
Chapter 2. Using Effects
MFX
24 PHASER
Adds modulation to the sound.
25 STEP PHASER
Varies the pitch of the phaser
sound in stepwise fashion.
26 RING MODULATOR
Gives the sound a metallic
character.
27 STEREOIZER
Creates a pseudo-stereo effect
by delaying either the left or
right side of the sound. Particu-
larly effective when applied to
a monaural sound.
28 SPACE-D
A multi-stage chorus that ap-
plies two phases of modulation
in stereo. This does not create a
sense of movement, but rather
a clear and transparent chorus
effect.
29 LOW BOOST
Boosts the volume of the low-
frequency range to create a
deeper sound.
30 EQUALIZER
Adjusts the volume of each fre-
quency range.
31 RADIO TUNING
Simulates the sound heard
from a radio.
32 VINYL SIMULATOR
Simulates the sound of a vinyl
record.
33 GATE
Uses the volume of the input
source coming into the effect to
cut the release portion of the re-
verberant sound. Use this
when you want to forcibly
shorten the decay of a sound.
34 NOISE GENERATOR
Produces noise.
35 ENHANCER
Controls the overtone structure
of the high-frequency range to
add sparkle to the sound and
improve the definition.
38
CTRL 1
DEPTH
Adjusts the depth of modula-
tion.
RATE
Adjusts the rate of modulation.
FREQ
Adjusts the pitch of the metal-
lic sound.
SHIFT
Adjusts the amount of delay
between left and right. Nega-
tive
(-) settings delay the left, and
positive (+) settings delay the
right side. At the center posi-
tion, there is no delay.
DEPTH
Adjusts the depth of modula-
tion.
BST FREQ
Adjusts the frequency (50–125
Hz) at which the low-frequen-
cy range will be boosted.
LOW
Adjusts the volume of the low-
frequency range.
TUNING
Adjusts the amount of tuning
inaccuracy.
COMP
Adjusts the sense of compres-
sion typical of an analog
record.
THRESHOLD
Adjusts the volume level at
which the gate begins to close.
COLOR
Adjusts the color (tonal charac-
ter) of the "rushing" or "hiss-
ing" noise.
SENS
Adjusts the depth of the en-
hancer effect.
CTRL 2
RATE
Adjusts the speed of modula-
tion.
STEP RATE
Adjusts the rate of pitch change
(*2).
E.LEVEL
Adjusts the volume of the ef-
fect sound.
BALANCE
Adjusts the volume balance be-
tween the direct sound (D) and
effect sound (E).
RATE
Adjusts the rate of modulation.
BST GAIN
Adjusts the amount of boost
applied to the low-frequency
range.
MIDDLE
Adjusts the volume of the mid-
frequency range.
NOISE LV
Adjusts the volume of the
noise.
NOISE LV
Adjusts the volume of the noise
typical of an analog record.
MODE
Selects the type of gate.
GATE:
When the volume of the
input source falls, the gate will
close, cutting the input source.
DUCK:
When the volume of the
input source rises, the gate will
close, cutting the input source.
QUALITY
Adjusts how often scratch
noise (as produced by scratch-
es on a record) will appear.
MIX
Adjusts the volume of the gen-
erated overtones.
CTRL 3
RESO
Adjusts the character of modu-
lation.
RESO
Adjusts the character of modu-
lation.
D.LEVEL
Adjusts the volume of the di-
rect sound.
LEVEL
Adjusts the output volume.
BALANCE
Adjusts the volume balance be-
tween the direct sound (D) and
the effect sound (E).
LEVEL
Adjusts the output volume.
HIGH
Adjusts the volume of the high-
frequency range.
FREQ RNG
Adjusts the tonal character.
WOW/F
Adjusts the rotational instabili-
ty typical of an analog record.
RELEASE
Adjusts the time from when
the gate begins to close after
the hold time has elapsed until
it finishes closing.
LEVEL
Adjusts the volume of the
"rushing" or "hissing" noise.
LEVEL
Adjusts the output volume.
Advertisement
Table of Contents
