Table of Contents
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Chapter 2. Using Effects
MFX
6 COMPRESSOR
Makes the sound levels more
consistent.
7 LO-FI PROCESSOR
Produces a "lo-fi" sound.
8 GUITAR AMP SIM
Simulates a guitar amp
9 OVERDRIVE
Mildly distorts the sound.
10 PITCH SHIFTER
Changes the pitch.
11 FEEDBACK RIPPER
This effect periodically cuts the
sound and sends the cut por-
tion to a delay. You can create
new phrases by applying this
effect to a phrase (e.g., drum
phrase).
12 REVERSE
Adds a reversed copy to the
original sound.
13 TUMBLING
Adds a "rotating" delay sound.
Particularly effective when ap-
plied to drum sounds.
14 FLANGER
Produces a twisting modula-
tion effect reminiscent of a jet
aircraft taking off and landing.
15 STEP FLANGER
Varies the pitch of the flanger
sound in stepwise fashion. The
interval of the pitch change can
also be specified as a note value
relative to the specified tempo.
36
CTRL 1
SUSTAIN
Adjusts the amount of com-
pression.
SMPL RATE
Adjusts the sampling rate. (*3)
AMP TYPE
Selects the type of guitar amp.
OFF, JC-120, Clean Twin,
Match Drive, BG Lead,
MS1959 I, MS1959 II,
MS1959 I+II, SLDN Lead,
Metal 5150, Metal Lead,
OD-1, OD-2 Turbo,
Distortion, Fuzz
DRIVE
Adjusts the amount of distor-
tion.
PITCH
Changes the pitch over a +/-2
octave range.
RATE
Adjusts the interval (*2) at
which the effect is applied.
THRESHOLD
Adjusts the volume level at
which the reverse begins.
TIME
Adjusts Time "A" in the dia-
gram.
Level
original tone
Time
A
DEPTH
Adjusts the depth of modula-
tion.
RATE
Adjusts the rate of modulation.
CTRL 2
ATTACK
Adjusts the sense of attack.
BIT
Adjusts the bit depth (2–14 BIT,
OFF)
AMP VOL
Adjusts the output volume.
TONE
Adjusts the tone.
FEEDBACK
Adjusts the amount of feed-
back for the pitch-shifted
sound.
DLY TIME
Adjusts the delay time (*2)
from when the original sound
is heard until the delay sound
is heard.
TIME
Adjusts the delay time (*2)
from when the original sound
is heard until the reverse sound
is heard.
PAN
Adjusts the left/right panning.
RATE
Adjusts the speed of modula-
tion.
STEP RATE
Adjusts the rate (*2) of pitch
change.
CTRL 3
LEVEL
Adjusts the volume.
FILTER
Adjusts the filter depth.
SPEAKER
Selects the speaker type. (*4)
LEVEL
Adjusts the volume.
BALANCE
Adjusts the balance between
the effect sound and the direct
sound.
FEEDBACK
Adjusts the proportion of de-
layed sound that is returned to
the input.
BALANCE
Adjusts the volume balance be-
tween the direct sound (D) and
effect sound (E).
BALANCE
Adjusts the volume balance be-
tween the direct sound (D) and
effect sound (E).
RESO
Adjusts the character of the
modulation.
RESO
Adjusts the character of the
modulation.
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