RED DSMC EPIC Operation Manual

RED DSMC EPIC Operation Manual

Digital still and motion camera
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O P E R AT I O N G U I D E
E P I C
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S C A R L E T
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V 5 . 2
D R A G O N
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M Y S T E R I U M - X
R E D . C O M

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Summary of Contents for RED DSMC EPIC

  • Page 1 RED DSMC O P E R AT I O N G U I D E E P I C S C A R L E T V 5 . 2 D R A G O N M Y S T E R I U M - X...
  • Page 2: Table Of Contents

    Set Up Motion Control (MoCo) BRAIN Chapter 9: Upgrade DSMC Firmware DSMC Media Modules Verify Current Camera Firmware REDMAG and RED MINI-MAG Systems Upgrade DSMC Firmware DSMC Adaptor Modules Chapter 10: DSMC Maintenance DSMC Power Modules RED Batteries and Chargers...
  • Page 3: Disclaimer

    While thought to be accurate, the informa- code, and product names used in association with the accompa- tion in this document is provided strictly “as is” and RED will not nying product are the copyrights, trademarks or other intellectual be held responsible for issues arising from typographical errors or property owned and controlled exclusively by RED.COM, INC.
  • Page 4: Compliance Statements

    (2) l’utilisateur de l’appareil doit accepter AUSTRALIA AND NEW ZEALAND STATEMENTS tout brouillage radioélectrique subi, même si le brouillage est sus- RED declares that the radio equipment described in this document ceptible d’en compromettre le fonctionnement.Cet appareil numéri- comply with the following international standards.
  • Page 5 Restrictions d’utilisation - Zone géographique où les restrictions s’appliquent : France Pour la France métropolitaine 2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur 2.400 - 2.454 GHz (canaux 1 à 10) autorisé en usage extérieur COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 6: Safety Instructions

    WARNING: Danger of explosion if an incor- and external surfaces. Verify that objects rect battery is charged with the RED Char- that can block the fan intake and ex- ger or is used to power the camera and haust ports do not impede airflow.
  • Page 7: Battery Storage And Handling

    Dangerous Goods, Class 9-certified shipper to assist DO NOT store batteries in extreme hot or cold temperatures. you with a shipment that includes a RED BRICK (or other regulated DO NOT store batteries in direct sunlight. lithium ion batteries). Please note that applicable laws prohibit the shipping of batteries that are physically damaged.
  • Page 8: Chapter 1: Dsmc System Introduction

    EPIC-M RED DRAGON MONOCHROME READ BEFORE YOU SHOOT Read this operation guide carefully and in its entirety before assembling or operating your DSMC or other RED accessories. In addition to this document, RED offers the following operation guides for the DSMC system:...
  • Page 9: Dsmc Brain

    The SCARLET-X BRAIN leaves one-dimensional DSLRs in its wake, letting you capture up to 6K video and stills with the RED DRAGON sensor, or 5K video and stills with the MYSTERIUM-X sensor. The SCARLET-X offers the same raw potential as the EPIC with the .R3D file format that offers unmatched dynamic range, image latitude, and evolving color science.
  • Page 10: Red Digital Sensors

    35mm film in both latitude and image density. The RED DRAGON sensor is a model for image innovation, leading the way in the evolution of digital cinema technology. Boasting an industry-leading 19 megapixels at 6K resolution, the RED DRAGON supports 100+ frames per second (FPS), 16.5+ stops of dynamic range, and advanced color science.
  • Page 11: R3D File Format And Redcode

    NOTE: The MONOCHROME and RED DRAGON MONOCHROME sensors are only available with EPIC BRAINs. R3D FILE FORMAT AND REDCODE The R3D file format was developed by RED to provide an efficient and manageable RAW video data format that promotes advanced post-production editing capabilities. In the R3D file format, the digital image received from the sensor is formatted as a pixel-defect corrected (but in all other aspects unprocessed) 16-bit per pixel RAW data frame.
  • Page 12: Shoot For Video And Stills

    Because of the ability to record at high frame rates and resolution, the DSMC is ideally suited to capture video and still images, simultaneously. Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files. POST-PRODUCTION WITH REDCINE-X PRO...
  • Page 13: Hdrx And Magic Motion

    MAGIC MOTION creates an image that matches the natural motion observed by the human eye. ADDITIONAL RESOURCES The following resources offer additional information about RED, the DSMC system, and the RED community:  RED.com: Check the official RED website for the latest information about RED products.
  • Page 14: Chapter 2: Dsmc System Components

    NOTE: Availability of components listed in this chapter is subject to change at any time. ADDITIONAL RESOURCES For more information on media and power, see the following guides available at www.red.com/downloads: DSMC Media Operation Guide DSMC Power Operation Guide COPYRIGHT ©...
  • Page 15: Brain

    Red flashing (fast) Recording; 5% media left Recording Amber Finalizing Power Status LED (PWR) Both green flashing Firmware update in progress and Record Status LED (REC) Both red flashing Firmware update error COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 16: Dsmc Media Modules

    Rear SSD Module 720-0009 1. The DSMC 1.8” SSD Side Module (DRAGON) is only available with the purchase of a RED DRAGON sensor-based BRAIN. 2. Carbon fiber side SSD modules are only available with the purchase of a carbon fiber BRAIN.
  • Page 17: Rear Ssd Module

    The Rear SSD Module secures to the back of a Module Adaptor or a +1 Adaptor Module to serve as a rear location for recording to a REDMAG 1.8" SSD. For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 18: Redmag And Red Mini-Mag Systems

    RED STATION REDMAG 2.5" 750-0007 1. These REDMAG 1.8" SSDs are no longer available for purchase at red.com, but are still supported by RED. 2. The REDMAG 1.8" SSD (240GB) requires that your DSMC is on firmware v5.1.44 or later.
  • Page 19: Dsmc Adaptor Modules

    WARNING: The Module Adaptor is NOT compatible with the +1 Adaptor Module. WARNING: The +1 Adaptor Module IS NOT compatible with the Module Adaptor. WARNING: DO NOT use the EVF/LCD port if a Pro I/O Module is connected to the BRAIN. RED offers the following DSMC adaptor modules: ITEM PART NUMBER...
  • Page 20 Power Out > +1 PWR. The last power output setting is saved until a firmware upgrade or a factory reset. +1 ADAPTOR MODULE ACCESSORIES For more information, as well as a full list of EVF/LCD cables and other accessory cables, visit www.red.com. ACCESSORY...
  • Page 21: Dsmc Power Modules

    DSMC power modules attach to a Module Adaptor or +1 Adaptor Module to provide the DSMC with flexible power options for REDVOLT, REDVOLT XL, and RED BRICK batteries. When used in combination with a DSMC AC Power Adaptor or DSMC Side Handle, you can hot-swap batteries without interrupting recording.
  • Page 22: Red Batteries And Chargers

    BRAIN. These batteries provide long-term mobile power and attach to the BRAIN via a DSMC power module or other RED accessory, such as the DSMC Side Handle. RED chargers replenish lost capacity for REDVOLT, REDVOLT XL, and RED BRICK batteries.
  • Page 23: Other Dsmc Modules

     Centralized ports that make it easy to manage connections and cables.  LCD/EVF port that allows you to connect an additional RED LCD or EVF.  Customizable triggers that interface with third-party GPIO and RS232 control devices using Pro I/O cables.
  • Page 24 RED 4K BROADCAST MODULE RED 4K Broadcast Module The RED 4K Broadcast Module allows for live 4K streaming, enabling you to capture and view action in real- time. Compatible with both EPIC DRAGON and SCARLET DRAGON cameras, the 4K Broadcast Module uses four (4) 3G-SDI output connections to broadcast 4K video at up to 60 frames per second.
  • Page 25: Displays And Electronic Viewfinders

    DSMC system caused by using these threads are not covered under warranty. WARNING: DO NOT use a RED display as a handle to lift or carry the DSMC. Damage to a RED display or other components of the DSMC system caused by using the display as a handle are not covered under warranty.
  • Page 26: Dsmc Remotes And Controls

    REDLINK Bridge (REDLINK Development Kit) 720-0028 1. The RED Switchblade-M requires that your DSMC is on firmware v5.2.28 or later. Full functionality requires DSMC firmware v5.3 or later. 2. The REDLINK Bridge requires that your DSMC is on firmware v5.2.8 or later.
  • Page 27: Dsmc Side Handle

    RED SWITCHBLADE-M RED Switchblade-M The RED Switchblade-M is a low-profile and lightweight interface solution that mounts to the side of the DSMC BRAIN. A 1.7” OLED display and full navigation controls, the RED Switchblade-M grants full access to DSMC menus while optimizing the size and weight of y our camera configuration.
  • Page 28 The REDLINK Bridge is part of the REDLINK Development Kit and uses the REDLINK Command Protocol (RCP) to communicate information between the DSMC and your application. For more information, see the REDLINK Bridge Operation Guide, available at www.red.com/downloads. NOTE: The REDLINK Bridge requires DSMC firmware v5.2.8 or later. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 29: Dsmc Lens Mounts

    DSMC Motion Mount Ti PL 725-0012 DSMC Motion Mount Ti Canon 725-0014 1. The DSMC RED MOTION MOUNT requires that your DSMC is on firmware v5.1.14 or later. For more information, go to “Lens Mounts and Lenses” on page 182.
  • Page 30: Dsmc Interchangeable Olpfs

    NOTE: The DSMC Interchangeable OLPF system is only compatible with the DRAGON sensor. RAILS, MOUNTS, TACTICAL GEAR, AND CABLES RED offers a wide variety of support gear, mounting platforms, cables, accessories, and other equipment. For more information, visit the RED Store at www.red.com/store.
  • Page 31: Chapter 3: Dsmc Basic Operations

    Backpack Quickplate NOTE: Additionally, one (1) REDVOLT battery may be used in conjunction with the DSMC Side Handle to provide short term power and support hot-swapping of other power sources. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 32: Power Consumption

    The Power Status LED then illuminates green to confirm that the BRAIN is turned on and ready to use. NOTE: Once turned on, the DSMC Power Status LED flashes red when there is less than five (5) minutes of operating time remaining.
  • Page 33: Configure Your Dsmc

    5. Install the appropriate screw at the bottom of the BRAIN side plate using a T10 Torx driver. DO NOT exceed 70 in-oz, or damage may occur. EPIC side plate screw: M3x0.5 x 8 mm ‒ SCARLET side plate screw: M3x0.5 x 5.5 mm ‒ WARNING: DO NOT OVERTIGHTEN. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 34 3. Rotate the BRAIN side plate upwards to disengage the lip at the top of the side plate from the BRAIN, and remove the BRAIN side plate. 4. Insert the lip on the RED Switchblade-M into the slot where the lip of the BRAIN side plate was installed. Install the RED Switchblade-M 5.
  • Page 35 4. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns each using a T20 Torx driver. DO NOT FULLY TIGHTEN. 5. Fully tighten the four (4) screws in a cross pattern (“X” pattern). DO NOT OVERTIGHTEN. Install Screws COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 36 REQUIRED TOOL: T20 Torx driver 1. Turn off the BRAIN. 2. Remove the REDMOTE, if attached. 3. Position the +1 Adaptor Module over the V-mount on the rear of the BRAIN. Install the +1 Module Adaptor COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 37 2. Use a T20 Torx driver to loosen the four (4) captive mounting screws that attach the +1 Adaptor Module to the BRAIN. 3. Disconnect the HDMI connector from the BRAIN. 4. Remove the +1 Adaptor Module from the BRAIN. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 38 2. Use a T20 Torx driver to turn the lock on the adaptor module counter-clockwise to the Unlock position. 3. Rotate the module upwards and away from the adaptor module to disengage. 4. Remove the module. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 39 REPLACE THE HOOD SCOOP The hood scoop on some EPIC-X and EPIC-M models extends beyond the rear plane of the BRAIN. RED offers shorter hood scoops so that you can attach an LCD or other accessory to the mounting locations on the top of the +1 Adaptor Module.
  • Page 40: Use A Tripod Or Monopod

    WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your DSMC configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support system that does not provide sufficient support.
  • Page 41: Video Monitor Outputs

    4:4:4 RGB. The DSMC offers the following monitor outputs:  EVF/LCD: Supports a RED EVF or LCD display.  HD-SDI: Provides a 720p or 1080p output suitable for monitoring or recording to an external VTR or DDR device. It may be configured for 10-bit LIN (VIDEO) or 10-bit LOG (FILM) encoded data.
  • Page 42: Chapter 4: Basic Menus And Controls

    Lower Status Row Critical camera parameters, record/playback modes, media and power status, and audio meter. Go to “Lower Status Row” on page For more information, go to “Video Monitor Outputs” on page COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 43: Upper Status Row (Basic Menu)

    UPPER STATUS ROW (BASIC MENU) The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row is underlined with a red bar. The Upper Status Row is also known as the Basic Menu. Upper Status Row...
  • Page 44 For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate. For more information about Advanced Menus, go to “Advanced Menus” on page Select “Advanced...” Button “Advanced...” Menu COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 45 For example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values to available frame rates. Select “Edit List...” Button “Edit List...” Menu COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 46 HDRx mode, media, or the target REDCODE compression ratio.  MYSTERIUM-X: Range is 3:1 to 18:1. Default is 8:1.  RED DRAGON: Range is 2:1 to 22:1. Default is 8:1. For maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads.
  • Page 47: Live Action Area

    This section describes the lens information displays when a supported lens is attached. PL LENSES Displays the focal length and focal distance when a RED DSMC Ti PL Mount is installed and a lens with Cooke’s S4/i system (or equivalent) is attached. For more information, go to “Lens Tab”...
  • Page 48: Lower Status Row

    DC voltage in or % of remaining battery “Power Status” on page 50 capacity; tap to access the Power menu Audio Meter Audio input selection and levels; “Audio Meter Levels” on page 132 tap to access the Audio menu COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 49 (noise) RGB Histogram Provides a visual representation of exposure and sensor data levels for Red, Green, and Blue channels; meter is affected by White Balance, ISO, and VIEW/LOOK settings RAW Level Bar (right) Also known as a “goal post”. Displays the amount of pixels in the image...
  • Page 50: Power Status

     Gray: The sensor sync mode is not set to genlock.  Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or sensor sync is lost while recording.
  • Page 51: Navigation Controls

    R E D D S M C O P E R AT I O N G U I D E NAVIGATION CONTROLS This section describes basic controls for navigating the DSMC menus. TOUCHSCREEN NAVIGATION RED Touch displays offer intuitive menu control and four (4) user programmable buttons. RED Touch 7.0" LCD RED TOUCH BUTTON DESCRIPTION...
  • Page 52: Default Key Functions" On Page

    R E D D S M C O P E R AT I O N G U I D E NAVIGATION GROUP The Navigation Group is the primary control interface on the DSMC Side Handle, RED Switchblade-M, and REDMOTE. Navigation Group...
  • Page 53 1. Press User Keys 1 + 4 simultaneously to lock/unlock DSMC Side Handle buttons to prevent inadvertent menu changes. NOTE: DSMC Side Handle keys are user programmable. For more information, go to “Key Mapping” on page COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 54 Exposure time or shutter angle MENU Access to Advanced Menus Media Status Displays media location and remaining media capacity Power Status Indicates DC supply voltage or % of remaining battery capacity including current supply voltage COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 55 Mounting Thumbscrew Install and remove the RED Switchblade-M 1. Press User Keys A + D simultaneously to lock/unlock RED Switchblade-M buttons to prevent inadvertent menu changes. NOTE: RED Switchblade-M keys are user programmable. For more information, go to “Key Mapping” on page OPERATION MODES The RED Switchblade-M OLED display reflects the currently selected mode.
  • Page 56 R E D D S M C O P E R AT I O N G U I D E RED SWITCHBLADE-M DISPLAY The RED Switchblade-M OLED display provides basic camera parameters during operation. RED Switchblade-M OLED (Local Mode) The RED Switchblade-M displays the following camera parameters:...
  • Page 57: Chapter 5: Advanced Menus

     Press the Menu button on the DSMC Side Handle or REDMOTE. ®  Press the Menu icon on the touchscreen.  Select the Advanced... button in any menu from the Upper Status Row (except the REDCODE menu). COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 58: Settings Menu

    DISPLAY The Display menu includes: Tools, Zebra, Monitor Control, Modes, Guides, Test Signals, and 4K Broadcast (the 4K Broadcast menu is only accessible when a RED 4K Broadcast Module is installed). TOOLS The Tools menu provides access to false color and display modes.
  • Page 59  Red: Overexposed; indicates sensor exposure levels that are clipping. Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to clipping. The RGB settings (settings in the Look menu) DO NOT affect the Exposure indicators.
  • Page 60 BRAIN. The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.
  • Page 61 R E D D S M C O P E R AT I O N G U I D E For more information, see the Exposure with RED Cameras: False Color & Zebra Tools article available at www. red.com/learn/red-101/exposure-false-color-zebra-tools. ENABLE ZEBRA INDICATORS 1.
  • Page 62 R E D D S M C O P E R AT I O N G U I D E OVERLAY Select which overlay shows on top of the video. RED provides preset overlays, which have “(RED)” in the overlay name. Create custom overlays in the Overlay tab. For more information, go to “Overlay”...
  • Page 63  Press the Menu button on the DSMC Side Handle.  Tap the touchscreen. NOTE: Enabling this option on a non-control surface results in the menus never displaying on that monitor. Auto Hide Menus COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 64 Control > Monitor tab.  Media: Overlays saved to an SSD can be found at S-SSD\Overlays. NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported. OVERLAY ACTIONS  Create...: Create a new custom overlay using a blank overlay template in the Overlay Editor.
  • Page 65 If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then re- attach the LCD, then the LCD is the control monitor again. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 66 Control the brightness of each LCD and EVF. Move to the right for a brighter display; move to the left for a dimmer display. NOTE: A rear LCD/EVF is an LCD/EVF that is plugged into any rear RED module, such as the +1 Adaptor Module or the Pro I/O Module.
  • Page 67: Display Modes

     Input: Displays levels of audio inputs (pre-mixer). (Default)  Output: Displays levels of audio outputs (post-mixer). HISTOGRAM NOTE: The Histogram setting is not accessible on BRAINs with MONOCHROME or RED DRAGON MONOCHROME sensors.  RGB: Displays red, green, and blue channels on histogram. (Default)  Luma: Displays luma channel on histogram.
  • Page 68  Absolute: Guide is defined by absolute pixel dimensions rather than aspect ratio and scale. When you select Absolute, the Width/Height fields replace the Scale field. SCALE Percentage to scale guide from its maximum possible size. Available range is 0–100%. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 69 NOTE: Test signals are not recordable; they are provided to help align external HD-SDI and HDMI monitors. 4K BROADCAST The 4K Broadcast menu is only accessible when a RED 4K Broadcast Module is installed. LOOK The Look menu includes: Color, Gain, FLUT, Curves, Color/Gamma, and Color Temperature.
  • Page 70 RED recommends setting the ISO to the default, then adjust the F stop, lighting, and ND filters to match. The ISO can later be adjusted around one (1) stop for fine-tuning.
  • Page 71 R E D D S M C O P E R AT I O N G U I D E COLOR SPACE AND GAMMA SPACE RED recommends using the most recently released Color Space and Gamma settings. Use legacy settings (such as REDcolor2) only if you need to record footage to match footage that you recorded with that legacy setting.
  • Page 72 When a sensor frame rate other than the current project time base is selected, the FPS text turns yellow and the word Varispeed replaces the Audio Meter in the lower right corner of the display. Audio is not recorded in Varispeed mode. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 73 2.5K 4:1 395.13 4.5K 8:1 400.00 2.5K 8:1 400.00 4K FF 121.05 2K FF 240.55 4K 2:1 127.62 2K 2:1 253.52 4K WS 151.07 2K WS 301.10 4K HD 121.05 2K HD 240.55 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 74 4K 3:2 102.24 2K 3:2 203.37 4K 4:3 90.932 2K 4:3 180.99 4K 5:4 85.27 2K 5:4 169.78 4K 4:1 253.52 2K 4:1 400.00 4K 8:1 400.00 2K 8:1 400.00 3.5K FF 139.24 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 75 4K 6:5 60.74 3K FF 67.86 3K 2:1 71.54 3K WS 84.67 3K HD 72.31 3K 6:5 81.22 2K FF 121.83 2K 2:1 128.49 2K WS 2K HD 121.83 2K 6:5 121.83 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 76 4K FF 120.83 4K WS 152.47 4K HD 120.83 3K FF 159.88 3K WS 200.88 3K HD 159.88 2K FF 239.67 2K WS 301.79 2K HD 239.67 1K HD 356.58 1K WS COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 77  MYSTERIUM-X: Slowest speed is 1/sensor frame rate. For 24 FPS, the slowest speed is 1/24 sec.  RED DRAGON: Slowest speed is 1/8 sec, regardless of the sensor frame rate. The fastest speed is 1/131,579 sec. Default is 1/48 sec.
  • Page 78 Frame values for Head Slate and Tail Slate on the Auto Slate tab, these values only show in-camera. The Head Slate and Tail Slate metadata values are currently disabled in REDCINE-X PRO. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 79 4.5K RAW 4608 2412 4.5K 2:1 4.5K RAW 2:1 4608 2304 4.5K WS 4.5K RAW Wide Screen—2.4:1 4608 1944 4.5K HD 4.5K RAW HD—16:9 4224 2376 4.5K 3:2 4.5K RAW 3:2 4320 2880 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 80 2.5K RAW Full Frame 2560 1340 2.5K 2:1 2.5K RAW 2:1 2560 1280 2.5K WS 2.5K Wide Screen—2.4:1 2560 1080 2.5K HD 2.5K RAW HD—16:9 2304 1296 2.5K 3:2 2.5K RAW 3:2 2400 1600 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 81 2K 4:3 2K RAW 4:3 1920 1440 2K 5:4 2K RAW 5:4 1920 1536 2K 6:5 2K RAW 6:5 1296 1080 2K 4:1 2K RAW 4:1 2048 2K 8:1 2K RAW 8:1 2048 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 82 2K RAW Full Frame 2048 1080 2K 2:1 2K RAW 2:1 2048 1024 2K WS 2K RAW Wide Screen—2.4:1 2048 2K HD 2K RAW HD—16:9 1920 1080 2K 6:5 2K RAW 6:5 1296 1080 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 83  For a list of SCARLET DRAGON resolutions, go to “SCARLET DRAGON Formats” on page  For a list of EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X resolutions, go to “EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X Formats” on page COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 84 Format menu. Since the camera does not crop the image, you will have additional horizontal area to frame the image. Then, crop or scale the footage to the intended aspect ratio. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 85 Lookaround. The UHD menu is only accessible when a RED 4K Broadcast Module is installed. AUDIO The Audio menu lets you configure the audio subsystem. For more information, go to “Record and Monitor...
  • Page 86 3. Use the Limit Recording to fields to set the recording to end at a predefined frame limit (optional). 4. Select a Pre Count and Post Count. For more information, go to “Pre Count and Post Count” on page COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 87 NOTE: If using speed ramp mode, select an exposure that is valid for each ramp target frame rate. If the camera ramps to a frame rate that is incompatible with the current exposure, the exposure changes to the longest exposure possible for the frame rate. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 88 1/48 sec, along with the effect of long-exposure. You can use frame averaging to achieve the effect of long-exposure along with the benefits of reduced noise. However, frame averaging does affect motion blur characteristics. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 89 Record Stop ‒ Mark Still Frame  EVF Tally Light: Select this check box to enable the Record Tally LED on the EVF to illuminate red when recording. SETUP The Setup menu includes: Keys, Date/Time, Communication, REDmote, GPIO/Sync, Fan Control, Lens, and Motor Control.
  • Page 90 For example, on a multi-rig 3D shoot, you can send commands to an individual camera (Example: Set CAM_A_L to 1/48 exposure), to a group of cameras (Example: Set 3DRIG_A to 48 FPS), or to all cameras (Example: Start Recording on all cameras). COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 91 GIG-E or the REDLINK Bridge). Select one of the following protocols from the Serial Protocol drop-down menu:  None (default)  Element Technica  3ality SPC 7XXX  REDLINK Command Protocol  RCP 3D Metadata COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 92  REDLINK Channel: Select the communication channel for the REDLINK wireless connection in the event of interference from other wireless devices. GPIO/SYNC SYNC Use the Sync menu to set up genlock and Motion Control (MoCo). For more information, go to “Timecode, Genlock, Multi-Camera Setup” on page 143. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 93 The Lower Status Row of the camera display has GEN and SYNC indicators, which change color based on the current genlock and sync statuses. For more information, go to “System Status Indicators” on page COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 94 For example, if you connect a start/stop trigger to the GPIO connector on the Pro I/O Module and keep the default GPIO A High and Low settings (Key Disabled and Record: Toggle, respectively), then pressing the trigger starts/stops recording. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 95: Fan And Temperature Management

    Regardless of sensor type and fan mode, you will get the best image quality by performing a black shading calibration at the temperature you want to use for your shoot. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 96 75%. The range for both Maximum Record Speed and Maximum Standby Speed is 25–100%. POST RECORD DELAY Select the amount of time that it takes for the bottom fan to switch from record to standby mode. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 97 Status, and OLPF. SAVE A LOG FILE A LOG file is a detailed text file of the processes and operations performed by the DSMC. If you contact RED for support, you may be asked to send a LOG file. To save a LOG file, follow the instructions below: 1.
  • Page 98: Calibrate

    Preferably, take off the lens, and install the front body cap. ‒ If you cannot take off the lens, put a lens cap on the lens. (Not all lens caps completely block IR. Lens COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 99 The system initializes and then makes two (2) passes through the following phases of the calibration: ‒ Capturing ‒ Analyzing ‒ Erasing ‒ Programming 12. When the Calibration Successful dialog displays, select OK to complete black shading. The new calibration map is automatically selected. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 100 : Export selected calibration map from camera to SSD. : Import selected calibration map from SSD to camera. This overwrites the user HS calibration map. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 101 NOTE: The camera may not be able to calibrate some electronic lenses. NOTE: The camera does not create calibration files for lenses that are already electronically supported. For a full list of supported lenses, go to “Lens Mounts and Lenses” on page 182. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 102 When you attach a lens that the camera does not recognize, the “Unsupported Lens Found” dialog box displays and asks if you want to calibrate the lens. Select Create Custom Lens Config. ‒ Go to Menu > Settings > Maintenance > Calibrate > Lens and select Create..COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 103 6. To calibrate the next focal length, follow the instructions below: A. Go to Menu > Settings > Maintenance > Calibrate > Lens. B. Select the calibration file name in the Camera list and select Edit..COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 104 DO NOT touch the lens, since that may cause incorrect calibration. 7. Repeat Step 6 for each focal length of the lens. The lens calibration file remains on the camera after system restores and firmware upgrades. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 105 3. You can perform any of the following actions: ‒ Add Cal @ xx...: Calibrate the current focal length; “xx” is the current focal length. ‒ Remove Cal: Remove the calibration for the selected focal length. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 106  Prompt for calibration of unsupported lenses: Select this check box to ensure that the “Unsupported Lens Found” dialog box displays every time the camera detects an unsupported electronic lens at boot-up. Deselect this check box to disable the “Unsupported Lens Found” dialog box. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 107 3. Select Yes on the screen that asks you to confirm the System Restore. The camera turns off. 4. Turn on the camera. NOTE: After performing a system restore, pair the REDMOTE to the camera again. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 108  Media Space Available for Recording: Total capacity left on the SSD that can be recorded to.  Maximum Data Rate: The maximum data rate when writing files to the SSD. NOTE: When an SSD is not attached, the Media Info tab displays “No Active Media is Present”. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 109 R E D D S M C O P E R AT I O N G U I D E OLPF RED offers multiple optical low-pass filters (OLPFs) for EPIC DRAGON and SCARLET DRAGON. Each OLPF optimizes certain characteristics to take full advantage and control of each shooting environment. The camera checks the OLPF type, and adjusts the color scienced based on the selected OLPF.
  • Page 110: Media Menu

    Displays the metadata for the selected clip. PLAYBACK STATUS BAR Displays the progress of the clip during playback. When using the touchscreen, swipe your finger right and left to fast-forward and rewind the clip, respectively. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 111 R E D D S M C O P E R AT I O N G U I D E PLAYBACK CONTROLS The images below show the Playback controls. 14 20 Playback Controls Play Options Marker Options COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 112 Out Point, Previous Marker, and Next Marker. In Point Sets a red In Point marker in the Playback Status Bar. Use an In Point marker in conjunction with an Out Point marker to play only a certain portion of a clip. The In/Out Point markers help when the clip is long and you want to focus on a particular segment.
  • Page 113: Power Menu

    “Turn Off the BRAIN” on page 1. Go to Menu > Power. 2. Select Shutdown. The Shutting Down... message displays and the camera turns off. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 114: Hdr Menu

    A Track: This track shows the video with the selected F stop and exposure settings applied. ‒ X Track: This track shows the video with the additional stops applied. ‒ NOTE: For more information, see the High Dynamic Range Video with HDRx article available at www.red.com/ learn/red-101/hdrx-high-dynamic-range-video. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 115: Focus Menu

     Manual: When selected, all focus operations are manual.  Confirm: Enables the Center or Spot focus target. This mode provides additional focus assistance by using red, yellow, and green color changes to the focus spot window. Inadequate subject illumination and/or contrast may interfere using Confirm mode.
  • Page 116 Objects are in focus CENTER Provides a large target square for focus that is centered in the recording area. SPOT Provides a small target for precise focus that you can move around the recording area. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 117 1. Go to the main screen. 2. Press the Down Arrow in the Navigation Group. The Spot target line weight increases and the red cursor under Menu dims slightly. 3. Use the directional arrows to move the Spot target to the desired location.
  • Page 118 2. Go to Menu > Focus > Mode. 3. Select Rack from the Mode drop-down menu. Spot is automatically selected from the Zone drop-down menu, since rack focus only works with Spot zone. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 119 A line for each rack point displays, indicated by the letters A, B, C, and D. The focus distance displays for each rack point. 8. To reset the focus distance to the value calculated by the autofocus algorithm, select Re-Autofocus. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 120 “Keys” on page You can map the following actions:  AF: Start  AF: Rack to A  AF: Rack to B  AF: Rack to C  AF: Rack to D COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 121: Exposure Assist

    The AE feature is different than traditional AE, in that RED AE only controls the amount of light that hits the sensor, either by adjusting F stop or exposure. RED AE analyzes RAW data before the ISO curve, and ensures that the sensor matches the user-selected brightness.
  • Page 122 When the AE feature is able to match the sensor brightness, the overlay turns yellow. If the brightness fluctuates more than half of a stop, the overlay turns red. When AE is enabled, the “AE” indicator displays before the F stop and exposure parameters in the Upper Status Row.
  • Page 123: Presets Menu

    You cannot update factory-installed presets, which end with “(RED)”.  Clone...: Create a new preset using the selected preset as a template.  Delete...: Delete the selected preset. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 124 : Import selected Look from SSD to camera. ‒ All: Import all Looks from SSD to camera. For more information, see the “REDCINE-X PRO: Saving Looks to Camera” video tutorial, available at www.red. com/learn/workflow/redcine-x-saving-looks-camera. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 125: Auto Presets

     On Enter Preview: The selected preset is applied every time the camera enters Preview mode, including at startup and when exiting Playback mode.  On Enter Playback: The selected preset is applied every time the camera enters Playback mode. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 126: Chapter 6: Record And Monitor Audio

    PRO I/O PRO I/O LINE 2 AES 3 PRO I/O AES 4 MONITOR LINE 1 4 CH TO 2 CH PEAK MIXER MONITOR LINE 2 POST-MIXER PRE-MIXER RECORDING PEAK METER PEAK METER COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 127: Set Up Audio

    PRO I/O AES A/B (DIGITAL INPUT) The AES connector on the Pro I/O Module allows an input of 24-bit, 48 KHz AES digital audio. NOTE: Digital input audio is only available via the Pro I/O Module. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 128: Channel Modes

    Use the limiter in dynamic environments where external mixers are not practical for controlling signal strength. The limiter is only available with analog audio input. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 129 NOTE: To link the amplification for each channel, go to Menu > Settings > Audio > Channel and select the Gain Sliders check box. For more information, go to “Link” on page 128. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 130: Audio Output Options

    Channel 1 to an output at 100%, and then mix Channel 2 into the same output, the level of Channel 1 decreases to 50%. Assign each audio channel to the Left, Middle, or Right side of the stereo mix. Move the sliders up and down to adjust the volume. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 131: Audio Meter (Vu Meter)

    When you select Output as the VU Meter Source, the Audio Meter displays the Cam Mix, Rear Mix, and Monitor Mix levels. For more information, go to “VU Meter Source” on page When recording to an external device, use the Output levels to help accurately monitor recorded audio. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 132: Audio During Playback

    0 dBFS Audio is clipping (if signal exceeds –1 dBFS, the whole bar is red) NOTE: In the American broadcast and post-production systems, –20 dBFS roughly corresponds to 0 VU and 4 dBu. In a digital system, dBu is an approximation; the correct unit for digital audio levels is dBFS.
  • Page 133: Chapter 7: Redmote Operation

    50 ft. The REDMOTE supports 16 (0-15) wireless channels ranging from 2.4GHz to 2.4835GHz. The default channel is 0. IMPORTANT: To operate properly, upgrade both REDMOTE and DSMC firmware to the most recent version. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 134: Controls, Connectors, And Leds

    For a full list of default user key actions for the REDMOTE, go to “Default Key Functions” on page 191. COMPATIBLE CABLE  790-0230: RED Mini-USB-to-USB cable REDMOTE LEDS There are two (2) status LED indicators located above the rocker switch on the left side of the LCD display. REDMOTE LED...
  • Page 135 Shutdown menu.  Lock keys: Move the switch to the up position to prevent unintentional operation. “KEYS LOCKED” display above the Primary Soft Menu Buttons when lock is enabled. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 136: Redmote Basics

    Power/Lock Switch, a slight power draw remains and continues to drain the battery. RECORD START/STOP  Start Record: Press and release the REC button. The Power/Recording LED illuminates red and the Timecode value on the LCD display changes to red text.
  • Page 137 On loss of wireless communication, the REDMOTE scans for the camera it was last paired with. If the REDMOTE is unable to reconnect after 30 seconds, the manual Scan menu opens. DISCONNECT THE REDMOTE FROM A PAIRED DSMC 1. Press Button 1. 2. Select DISCONNECT. 3. Press ENTER. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 138  Green: The battery has a sufficient charge, or is fully charged.  Yellow: The battery is somewhat depleted and should be recharged soon.  Red: The battery is nearly discharged and should be recharged immediately. Wireless communication is at risk of being lost when the battery indicator is red.
  • Page 139: Redmote Lcd Display Menu

    Audio input selection and levels Power Status Indicates DC supply voltage or % of remaining battery capacity including current supply voltage Camera ID Displays camera ID Wireless Status Displays signal strength when connected wirelessly COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 140: Upgrade Redmote Firmware

    This section describes the REDMOTE firmware upgrade process using a Mac. INSTALL REDMOTE UPGRADE UTILITY (MACINTOSH) The REDMOTE Upgrade Utility enables you to upgrade REDMOTE firmware from your computer. 1. Download the REDMOTE Upgrade Utility, available at www.red.com/downloads. 2. Uncompress and open the zip file. 3. Open the REDMOTE_Upgrade_Utility folder.
  • Page 141 UPGRADE REDMOTE (WINDOWS) This section describes the REDMOTE firmware upgrade process using Windows. INSTALL REDMOTE UPGRADE UTILITY (WINDOWS) 1. Download the REDMOTE Upgrade Utility, available at www.red.com/downloads. 2. Uncompress and open the zip file. 3. Open the REDMOTE_Upgrade_Utility folder. 4. Open the Win folder.
  • Page 142 For additional assistance, contact RED SUPPORT at https://support.red.com. 2. Open the REDMOTE_update program from the Start Menu folder you created the shortcut for.
  • Page 143: Chapter 8: Timecode, Genlock, Multi-Camera Setup

     Edge: Edge timecode is continuous between clips, meaning that when recording starts, timecode begins. and when recording stops, timecode stops. Edge timecode default begins at 01:00:00:00, but can be configured in the Media menu. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 144 4. Use the additional controls to sync TOD timecode with the RTC or set manually. Alternatively, go to Menu > Media > Format Media... to set Edge timecode manually. The TC indicator in the Lower Status Row remains gray when internal timecode is enabled. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 145 The TC indicator in the Lower Status Row turns green when an external timecode source is locked. Source: External: BRAIN NOTE: When an external source is selected but not present, timecode displays User Provided settings. REQUIRED CABLE  790-0154: 3BNC-to-00 LEMO Sync Cable COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 146: Genlock

    Monitor Sync is achieved automatically when a genlock signal is provided that is compatible with the current monitor output frequency. When Monitor Sync is achieved, the GEN indicator in the Lower Status Row illuminates green. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 147 The GEN indicator in the Lower Status Row turns green when a compatible genlock signal is present and genlock is enabled. The SYNC indicator in the Lower Status Row turns green when Sensor Sync is achieved. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 148: Master/Slave Operation

    3. On the Slave camera(s), follow the instructions below: A. Go to Menu > Settings > Setup > Communication. B. Type a name for the camera (Example: CAM B, RIGHT, SLAVE, etc) in the Name field. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 149 The LAN indicator in the Lower Status Row illuminates green. NOTE: Cameras can also be set up in Master/Master configuration. To set as Master/Master, set Target to All on both cameras, allowing either camera to make changes and control record start/stop. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 150 The only exception is the camera-generated wildcard characters. For example:  Master: A001_C001_0503B6.R3D  Slave: A001_C001_0503R7.R3D NOTE: Reel No, Cam ID, and Cam Pos can be set when formatting media at Menu > Media. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 151: Set Up Stereo/3D Configuration

    “Set Reel Number, Camera ID, and Camera Position” on page to prepare media and camera settings. REQUIRED CABLES  790-0163: Master/Slave Gig-E Cable  790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera) COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 152: Set Up A Camera Array

    “Set Reel Number, Camera ID, and Camera Position” on page to prepare media and camera settings. REQUIRED CABLES  790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera)  790-0159: LEMO-To-CAT5E Ethernet Cable (9') (required per camera) COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 153: Set Up Motion Control (Moco)

    CTRL port on the BRAIN. 2. Go to Menu > Settings > Setup > GPIO/Sync. 3. On the Sync tab, set Sensor Sync Mode to MoCo. MoCo GPIO/Sync Settings 4. Set Genlock Source to Brain. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 154 Supply a pulse from the Motion Control device to sync the shutter to the rising edge of the sync input. For more information, refer to the Motion Control manufacturer’s instructions. REQUIRED CABLE  790-0154: 3BNC-to-00 LEMO Sync Cable (required per SYNC and CTRL port used) COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 155: Chapter 9: Upgrade Dsmc Firmware

    1. If you have user-generated preset files on your camera, follow the instructions below to save the files to an SSD: A. Turn on the camera, insert an SSD (RED MINI-MAG or RED STATION REDMAG 1.8") into the camera, and format the SSD.
  • Page 156 “Sensor Calibration” on page NOTE: You must black shade an EPIC DRAGON or SCARLET DRAGON after upgrading it. 16. After offloading firmware upgrade files and preset files from an SSD, reformat the SSD before recording. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 157: Chapter 10: Dsmc Maintenance

    The camera sensor and optical low-pass filter) are EXTREMELY sensitive to dust, debris, and contamination. As with all optical glass, any type of physical contact with the OLPF may scratch or damage the surface. RED recommends that you clean the camera sensor or OLPF using physical contact ONLY if absolutely necessary.
  • Page 158: Lcd And Evf Screens

    158. SCREEN STORAGE Store any RED device with a screen in a RED Microfiber bag. Storing devices in a RED Microfiber bag preserves the superior quality of the specialized AR and AS coatings on the LCDs. Hand wash and air-dry the RED Microfiber bag regularly.
  • Page 159: Chapter 11: Troubleshoot Your Dsmc

    SSDs. 10. If any errors occur, save a log file and submit a Technical Support request at https://support.red.com. NOTE: Problems or dropped frames found during the stress test display as “Errors” in the bottom of the user interface.
  • Page 160: Cannot Control Camera Externally

     Ensure display does not show the message “REDLINK Upgrade Required”. CANNOT SEE MENUS ON LCD TOUCHSCREEN SYMPTOM The LCD touchscreen does not display menus. POTENTIAL RESOLUTION Double-tap the LCD touchscreen to exit Clean mode. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 161: Screen Freezes Or Does Not Display

     Go to Menu > Settings > Look > Color, and check the Saturation setting. If the Saturation setting is set to a low value, change the Saturation to a higher value.  Perform a System Restore. For more information, go to “Restore System” on page 107. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 162: Incorrect Color Temperature

    In both situations, the expected R3D file is also in the RDC folder, and is completely intact. POTENTIAL RESOLUTION Delete the “phantom” file from the RDC folder on your computer. After deleting the file, your clips will load correctly in REDCINE-X PRO. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 163: Appendix A: Technical Specifications

    23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.
  • Page 164 R E D D S M C O P E R AT I O N G U I D E EPIC DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Operating Temperature Range 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 165: Scarlet Dragon

    Project Frame Rates 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.
  • Page 166 –20˚C to 50˚C (–4˚F to 122˚F) 1. Go to “SCARLET DRAGON Formats” on page 82 for a full list. 2. To see all of the maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 167: Epic Mysterium-X

    23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.
  • Page 168: Scarlet Mysterium-X

    23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 FPS, all resolutions Delivery Formats 4K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K : DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG Avid AAF, MXF.
  • Page 169: Brain Dimensions

    R E D D S M C O P E R AT I O N G U I D E BRAIN DIMENSIONS NOTE: Dimensions are shown in mm. EPIC BRAIN DIMENSIONS FRONT VIEW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 170: Side View

    R E D D S M C O P E R AT I O N G U I D E SIDE VIEW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 171: Top View

    R E D D S M C O P E R AT I O N G U I D E TOP VIEW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 172 R E D D S M C O P E R AT I O N G U I D E BOTTOM VIEW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 173: Back View

    R E D D S M C O P E R AT I O N G U I D E BACK VIEW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 174: Appendix B: Input/Output Connectors

    9-pin 0B LEMO “GIG-E (Ethernet)” on page 179 DC IN 6-pin 1B LEMO “DC IN (Power Input)” on page 180 MIC-1, MIC-2 (Front) 3.5 mm stereo “MIC-1, MIC-2 (Microphone Audio)” on page 181 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 175: Hd-Sdi Out

    If you have a drop frame project time base (such as 23.98), you can select only drop frame frequencies. 75 OHM BNC CONNECTOR (HD-SDI) SIGNAL DESCRIPTION DIRECTION Center HD-SDI SMPTE ST 424 HD-SDI Shield/Screen GROUND Camera ground COMPATIBLE CABLE  790-0341: RED HD-SDI Cable (6') COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 176: Hdmi Out

    2. The HDMI output is progressive scan (p); it does not support progressive segmented frame (PsF) or interlaced (i) scan formats. COMPATIBLE CABLE  790-0331: RED HDMI Cable (5') HEADPHONE The 3.5mm stereo jack provides two (2) channels of adjustable line level analog audio for monitoring. For maximum quality, use high impedance headphones.
  • Page 177: Sync (Video Sync In)

    Batteries: 6.3 V min. 2x AA or AAA 3x AA or AAA 68 ohm 1/4 W Trigger Button Circuit Diagram NOTE: In the diagram above, values are approximate. Use standard values. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 178: Ctrl (Rs232 Control)

    ‒ Green BNC: RS170A Genlock  790-0187: 4-Pin 00 LEMO-to-Flying Lead  790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC)  790-0428: RED Start/Stop Cable (14-Pin to 00 SYNC) CTRL (RS232 CONTROL) The 4-pin 00B LEMO CTRL connector supports RS232 remote control for 3D camera communication and third- party metadata ingest applications.
  • Page 179: Gig-E (Ethernet)

    Data Pair A+ B1_DB+ Data Pair B+ B1_DB- Data Pair B- Do Not Connect 1. Mating connector: FGG.0B.309.CLAD32Z COMPATIBLE CABLES  790-0159: LEMO-to-CAT5E Ethernet Cable (9')  790-0163: Master/Slave Gig-E Cable (4') COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 180: Dc In (Power Input)

    GROUND SCA-BATT Serial Battery Bus Data 1. Mating connector: LEMO FGJ.1B.306.CWLD72Z COMPATIBLE CABLES  790-0138: 2B-to-1B LEMO Power Adaptor Cable  790-0164: XLR Power Cable (10')  790-0165: XLR Power Cable (30") COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 181: Microphone Audio)

     790-0229: XLR Microphone Cable (20") SSD MODULE CONNECTORS The connectors for the side SSD modules and the REAR SSD MODULE are described in the RED DSMC Media Operation Guide, available at www.red.com/downloads. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 182: Appendix C: Lens Mounts And Lenses

    DSMC MOTION MOUNTS The DSMC RED Motion Mount is a revolutionary and adjustable lens mount system for your DSMC. By integrating a global shutter, temporal anti-aliasing soft shutter, and variable neutral density (ND) system into a single lens mount, the Motion Mount delivers on-the-fly shutter adjustments to reduce motion blur and temporal aliasing.
  • Page 183 R E D D S M C O P E R AT I O N G U I D E REMOVE LENS MOUNTS NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in dust-free environment.
  • Page 184 R E D D S M C O P E R AT I O N G U I D E INSTALL LENS MOUNTS NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in dust-free environment.
  • Page 185: Lenses

    DSMC PL MOUNT SUPPORTED LENSES The DSMC TI PL Mount, DSMC PL Mount (Magnesium), and the DSMC RED Motion Mount Ti PL are compatible with most standard PL mount cinema lenses and devices. For information about the compatibility of the DSMC...
  • Page 186 3. Remove the rear lens cap. 4. Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount. 5. Turn the lens clockwise until it clicks into place.
  • Page 187 2. Press and hold the lens release button. While holding the lens release button, turn the lens clockwise until it stops and remove it from the DSMC mount. 3. Replace the rear lens cap and DSMC mount cap when items are not in use. COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 188 Canon EF 300mm f/4L IS Canon EF 400mm f/2.8 IS II USM Canon EF 400mm f/2.8L IS Canon EF 400mm f/2.8L IS with 1.4x Extender Canon EF 400mm f/2.8L IS with 2x Extender COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 189 Tamron SP 24-70mm f/2.8 Di VC USD Tokina Tokina AT-X 116 Pro DX, 11-16mm f/2.8 SD IF DX Tokina AT-X 116 Pro DX-II, 11-16mm f/2.8 SD IF DX Zeiss Otus Zeiss Otus 55mm f/1.4 COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 190: Dsmc Nikon Mount Supported Lenses

    1. Iris control only, no AF. DSMC LEICA-M MOUNT LENSES The RED DSMC Leica-M Mount is compatible with all Leica M-series lenses with focal lengths of 50mm and greater, EXCEPT for the 50mm f2.0 Dual-Range Summicron. The 50mm Dual-Range Summicron has a protruding lug on the exterior of the lens body for mounting a supplementary finder, and this lug interferes with the locking ring on the DSMC Leica-M Mount.
  • Page 191: Appendix D: Default Key Functions

    User 1+2 Release Key Disabled EVF (BRAIN AND REAR) FUNCTION FUNCTION User 1 Press Magnify: Toggle User 1 Release Key Disabled User 2 Press Exposure Check: Toggle User 2 Release Key Disabled COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 192 Key Disabled Nav East Press Navigation: Right Nav East Release Key Disabled Nav Enter Press Navigation: Select Nav Enter Release Key Disabled Rotary Jog CW Navigation: CW Rotary Jog CCW Navigation: CCW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 193 Nav West Release Key Disabled Nav East Press Navigation: Right Nav East Release Key Disabled Nav Enter Press Navigation: Select Nav Enter Release Key Disabled Rotary CW Navigation: CW Rotary CCW Navigation: CCW COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 194 Record: Toggle GPI B High Key Disabled GPI B Low Record: Toggle SW 1 High Key Disabled SW 1 Low Go to: Playback SW 2 High Key Disabled SW 2 Low Record: Toggle COPYRIGHT © 2014 RED.COM, INC 955-0020_V5.2, REV-G |...
  • Page 195: Appendix E: Menu Map

    MENU See the menu map on the following page. The menu map is applicable to the following cameras, except as noted in the this guide:  EPIC-M RED DRAGON™ (CARBON FIBER)  EPIC-M RED DRAGON  EPIC-X RED DRAGON  SCARLET DRAGON...
  • Page 196: Copyright © 2014 Red.com, Inc

    } General 1. Only available when a 4K Broadcast Module is attached. } Focus 2. Not available on any BRAIN with a MONOCHROME or RED DRAGON MONOCHROME sensor. } Iris 3. Not accessible on any EPIC DRAGON or SCARLET DRAGON.
  • Page 197 RED DIGITAL CINEMA COPYRIGHT© 2014 RED.COM, INC. All trademarks, trade names, logos, icons, images, written material, code and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by RED.COM, INC.

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