RED WEAPON 6K Operation Manual

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RED DSMC OPERATION GUIDE:

W E A P O N

W E A P O N ( C A r b O N F i b E r )

W E A P O N ( M A g N E s i u M )

V 6 . 1

r E D D r A g O N

R E D . C O M

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Summary of Contents for RED WEAPON 6K

Page 1 RED DSMC OPERATION GUIDE: W E A P O N W E A P O N ( C A r b O N F i b E r ) W E A P O N ( M A g N E s i u M ) V 6 .
Page 2: Table Of Contents
Perform a Stress Test Power Modules General Troubleshooting RED Batteries and Chargers Appendix A: Technical Specifications Displays and Electronic Viewfinders WEAPON 6K (Carbon Fiber) LEMO Adaptors WEAPON 6K (Magnesium) Camera Control Modules WEAPON BRAIN Dimensions Lens Mounts Appendix B: Input/Output Connectors...
Page 3: Disclaimer
While thought to be accurate, the information ation to, is not associated with or sponsored by, and has no express in this document is provided strictly “as is” and RED will not be held rights in third-party trademarks. Adobe is a registered trademark of responsible for issues arising from typographical errors or user’s...
Page 4: Compliance Statements
(2) l’utilisateur de l’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est sus- RED declares that the radio equipment described in this document ceptible d’en compromettre le fonctionnement.Cet appareil numéri- comply with the following international standards.
Page 5 Restrictions d’utilisation - Zone géographique où les restrictions s’appliquent : France Pour la France métropolitaine 2.400 - 2.4835 GHz (Canaux 1 à 16) autorisé en usage intérieur 2.400 - 2.454 GHz (canaux 1 à 10) autorisé en usage extérieur COPYrigHT © 2015 rED.COM, iNC 955-0116_V6.1, rEV-H |...
Page 6: Safety Instructions
WARNING: Danger of explosion if an incor- DO NOT operate or store near any heat sources such as radia- rect battery is charged with the RED Char- tors, heat registers, stoves, or any other apparatus that pro- ger or is used to power the camera and duce heat.
Page 7: Battery Storage And Handling
40% to 60%. If RED batteries. batteries will be stored for long periods of time, RED recommends Store the battery in a location where children cannot reach it. that you check the charge level at least once every six (6) months, If the battery leaks or gives off a bad odor, discontinue use and recharge batteries to a capacity level of 40% to 60%.
Page 8: Chapter 1: Weapon Introduction
“WEAPON Woven CF”. READ BEFORE YOU SHOOT Read this operation guide carefully and in its entirety before assembling or operating your DSMC or other RED accessories. In addition to this document, RED offers the following operation guides for the DSMC system:...
Page 9: Dsmc Brain
, housing the critical image capture electronics ® and digital image sensor. The expansive RED arsenal of DSMC modules, monitors, lens mounts, controllers, power, media, and other accessories supports WEAPON BRAINs. Modular DSMC lens mounts enable you to use your existing Canon ®...
Page 10: R3D File Format And Redcode
35mm film in both latitude and image density. The RED DRAGON (6K) sensor is a model for image innovation, leading the way in the evolution of digital cinema technology. Boasting an industry-leading 19 megapixels at 6K resolution, the RED DRAGON (6K) supports 100+ frames per second (FPS), 16.5+ stops of dynamic range, and advanced color science.
Page 11: Shoot For Video And Stills
The DSMC is equipped with a Stills mode that makes it easier to capture stunning images. With presets optimized for stills and Swipe-Up Shortcuts for the RED Touch display, switching from Motion mode to Stills mode is seamless. Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files.
Page 12: Hdrx And Magic Motion
MAGIC MOTION creates an image that matches the natural motion observed by the human eye. ADDITIONAL RESOURCES The following resources offer additional information about RED, the DSMC system, and the RED community: RED.com: Check the official RED website for the latest information about RED products.
Page 13: Chapter 2: Weapon System Components
NOTE: Availability of components listed in this chapter is subject to change at any time. ADDITIONAL RESOURCES For more information on power and media, see the following guides, available at www.red.com/downloads: DSMC Power Operation Guide DSMC Media Operation Guide COPYRIGHT ©...
Page 14: Brain
® the WEAPON, the T.H.C. needs to be connected to the W.M.D. (either wired or wirelessly). For more information about WEAPON, see the RED 3-Axis System Operation Guide at www.red.com/downloads. BRAIN CONTROL: PWR/REC BUTTON Fully press and hold the PWR/REC button for two (2) seconds to turn on/off.
Page 15 Recording; 25% media left Red flashing (fast) Recording; 5% media left Recording Power Status LED (PWR) Both green flashing Firmware update in progress and Record Status LED (REC) Both red flashing Firmware update error COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 16 Store the focus hook Back Focus Adjustment Screw Adjust back focus 1. The DSMC LEMO Adaptor A allows you to mount other RED displays. ® 2. Shown with the DSMC Top Handle attached. This is the only mounting option for the DSMC Top Handle (it cannot be attached back- ward).
Page 17 Full Press: Record Toggle Half Press: AF Start User Key 2 Programmable key User Key 1 + 2 Press: Eject Media For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 18 Not recording, or media not mounted Recording 1. For more information on how to enable/disable this LED, go to “Indicator” on page 92. If media is not mounted, this LED is off. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 19: Red Mini-Mag System
RED MINI-MAG (120GB) 750-0075 RED STATION RED MINI-MAG 750-0055 1. The RED MINI-MAG 1TB can take up to 20 seconds to mount to a computer or a DSMC. For more information, see the DSMC Media Operation Guide, available at www.red.com/downloads.
Page 20: Expanders
R E D D S M C O P E R AT I O N G U I D E : W E A P O N EXPANDERS NOTE: Only one (1) expander module can be used at a time. RED offers the following DSMC expanders: ITEM...
Page 21 This expander is the ideal solution for a variety of production environments, maximizing camera interface and functionality for the most demanding shoots. NOTE: Only one (1) expander module can be used at a time. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 22 DC input supply to turn the BRAIN on and off when the camera is mounted in remote or difficult to maneuver locations. NOTE: Only one (1) expander module can be used at a time. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 23: Power Modules
R E D D S M C O P E R AT I O N G U I D E : W E A P O N POWER MODULES RED offers the following WEAPON power modules: ITEM PART NUMBER DSMC...
Page 24: Displays And Electronic Viewfinders
2. Using this display with a WEAPON camera requires a DSMC LEMO Adaptor A. 3. RED offers multiple mounting solutions for each camera type. For a full list of LCD and EVF user keys and default actions, go to “Default Key Functions” on page 180.
Page 25 LCD PRECAUTIONS WARNING: DO NOT use a RED display as a handle to lift or carry the DSMC. Damage to a RED display or other components of the DSMC system caused by using the display as a handle are not covered under warranty.
Page 26 BOMB EVF FEATURES BOMB EVF (OLED) FEATURE DESCRIPTION EVF connector Custom digital video and power interconnection between the BRAIN and RED EVF; Pinout not published EVF Tally LED When enabled, the LED illuminates red when recording; For more information, go to “Indicator”...
Page 27 1080p OLED micro-display, and improved color accuracy with 30-bit RGB color represenation. View and monitor your RED footage as it is intended with truer colors and deeper blacks in a larger field of view. Engineered with OBSOLESCENCE OBSOLETE...
Page 28: Lemo Adaptors
DSMC LEMO Adaptor A The DSMC LEMO Adaptor A makes your existing RED Touch and RED PRO displays, as well as RED EVFs, fully compatible with the WEAPON camera system. The DSMC LEMO Adaptor A converts the pogo connection on the WEAPON BRAIN to a legacy EVF/LCD LEMO port.
Page 29: Camera Control Modules
R E D D S M C O P E R AT I O N G U I D E : W E A P O N CAMERA CONTROL MODULES This section describes the camera control modules. These devices provide a wide array of programmable buttons, controls, and other features to interact with the camera. RED offers the following remotes and controls: ITEM PART NUMBER DSMC...
Page 30 Top Handle mounts directly to the 1/4-20 mounting points on the top of the WEAPON. With a rubberized grip and new trigger design—the DSMC Top Handle offers the ideal handle and shooting method for your WEAPON. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 31: Lens Mounts
WEAPON RED DRAGON 6K Low Light Optimized OLPF 790-0512 v6.1.6 or later RAILS, MOUNTS, TACTICAL GEAR, AND CABLES RED offers a wide variety of support gear, mounting platforms, cables, accessories, and other equipment. For more information, visit the RED Store at www.red.com/store.
Page 32: Chapter 3: Weapon Basic Operations
The BRAIN draws approximately 3.3 A (50 W) when configured with the DSMC Base Expander, DSMC ® Touch 7.0" LCD, and RED MINI-MAG 512GB. Under typical conditions batteries provide the following operating time: REDVOLT: Powers the BRAIN and accessories for approximately 30 minutes.
Page 33: Configure Your Weapon
The Power Status LED then illuminates green to confirm that the BRAIN is turned on and ready to use. NOTE: The Power Status LED flashes red when there is less than five (5) minutes of operating time remaining. TURN OFF THE BRAIN Use one of the following methods to turn off the BRAIN: Go to Menu >...
Page 34 REQUIRED TOOL: T20 TORX driver 1. Turn off the BRAIN. 2. Loosen the four (4) captive screws in a cross pattern (“X” pattern) using a T20 TORX driver. 3. Remove the expander from the BRAIN. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 35 Top Handle, you MUST turn off the BRAIN. REQUIRED TOOL: 3/16" hex key 1. Turn off the BRAIN. 2. Loosen the two (2) captive screws using a 3/16" hex key. 3. Remove the DSMC Top Handle from the BRAIN. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 36 1. Remove the focus hook from the focus hook storage location on the media bay using a slotted screwdriver. 2. Tighten the focus hook into the focus hook mounting point on the media bay using a slotted screwdriver. WARNING: DO NOT OVERTIGHTEN. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 37: Interchangeable Olpf System
WARNING: DO NOT allow any dirt or debris to enter the optical cavity. WARNING: Use only WEAPON RED DRAGON OLPFs. DO NOT use DSMC OLPFs. For any questions about OLPF compatibility, please contact your Bomb Squad representative.
Page 38: Use A Tripod Or Monopod
WARNING: Ensure that the tripod, monopod, or support system is designed and rated to handle the weight of your WEAPON configuration. RED is not responsible for any damage caused by using a tripod, monopod, mount, or support system that does not provide sufficient support.
Page 39: Record
For more information, go to “Input/Output Connectors” on page 161. You can record simultaneously to an external recorder and a RED SSD. To record simultaneously, follow the instructions below: 1. Attach a DSMC expander that has an HD-SDI or HDMI port.
Page 40 2. Connect the camera to an external recorder with an HD-SDI or HDMI cable. 3. Ensure the SSD is ejected. 4. Go to Menu > Settings > Recording > Mode. 5. Select External from the Storage drop-down menu. 6. Begin recording. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 41: Chapter 4: Basic Menus And Controls
Live camera recording view, overlays, guides, and more. Go to “Live Action Area” on page Lower Status Row Critical camera parameters, record/playback modes, media and power status, and audio meter. Go to “Lower Status Row” on page COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 42: Upper Status Row (Basic Menu)
UPPER STATUS ROW (BASIC MENU) The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row is underlined with a red bar. The Upper Status Row is also known as the Basic Menu. Upper Status Row...
Page 43 For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate. For more information about Advanced Menus, go to “Advanced Menus” on page Select “Advanced...” Button “Advanced...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 44 For example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values to available frame rates. Select “Edit List...” Button “Edit List...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 45 Decreasing the aperture to a lower number decreases the depth of field, but increases the exposure (brightness). RED DSMC PL MOUNT INSTALLED The current aperture of the attached lens displays when a DSMC PL mount is installed and a supported lens ®...
Page 46: Live Action Area
The focal length and focal distance values and range vary depending on the attached lens. When the focal length of the lens changes, the current values displays. For more information, go to “Lens Tab” on page COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 47: Lower Status Row
DC voltage in or % of remaining battery capacity; “Power Status” on page 51 tap to access the Power menu Audio Meter Audio input selection and levels; “Audio Meter Levels” on page 131 tap to access the Audio menu COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 48: Camera Mode
Power NOTE: For more information, go to “Swipe-Up Menu” on page Default Motion Preset (RED) STILLS MODE Stills mode optimizes your camera settings for capturing stills. In Stills mode, the camera defaults to 6K 3:2, REDCODE 3:1, Auto Exposure Single Shot, and Multi-Shot mode. Stills mode includes the following features: Stills recording modes: ‒...
Page 49 RAW Clip Meter Also known as “traffic lights”. Provides a visual representation of exposure and sensor data levels for Red, Green, and Blue channels; Circles (traffic lights) will light up when clipping occurs 1. The RAW Level Bars display the amount of pixels in the image that are noisy or clipped in relation to the total number of pixels in the image.
Page 50 Grey: The sensor sync mode is not set to genlock. Red: The sensor sync mode is set to genlock, but is not locked to a genlock signal. This may occur if genlock or sensor sync is lost while recording.
Page 51: Power Status
The remaining capacity is indicated by the following colors: Green: 12.0 V and up Yellow: 11.8 V to 11.9 V Red: 11.6 V to 11.7 V NOTE: The DSMC turns off automatically if the supply voltage drops to 11.5 V. BATTERY TIME REMAINING When using a REDVOLT XL battery, the power status displays the location of the power source and the remaining battery capacity.
Page 52: Navigation Controls
R E D D S M C O P E R AT I O N G U I D E : W E A P O N NAVIGATION CONTROLS This section describes basic controls for navigating the DSMC menus. TOUCHSCREEN NAVIGATION RED Touch displays offer intuitive menu control and four (4) programmable buttons. RED Touch 7.0" LCD RED TOUCH BUTTON DESCRIPTION...
Page 53 R E D D S M C O P E R AT I O N G U I D E : W E A P O N SWIPE-UP MENU The Swipe-Up Menu is available in the Lower Status Row on RED Touch displays and provides Swipe-Up Shortcuts for Motion mode, Stills mode, and Playback.
Page 54: Navigation Group
Press ENTER to select. Press the Up Navigation Key to open the related Advanced Settings menu, if one (1) is available. For more information, go to “Default Key Functions” on page 180. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 55 Sidekick to prevent inadvertent button presses and menu changes. Lock: Press A + D simultaneously. Unlock: Press A + D simultaneously. Alternatively, press and hold ENTER while keys are locked. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 56 Current timecode value Power Status Indicates DC supply voltage or % of remaining battery capacity including current supply voltage Color and Gamma Space Currently selected RED color and gamma space settings Resolution Recording resolution Shutter Speed Integration time or shutter angle Camera sensor sensitivity COPYRIGHT ©...
Page 57: Chapter 5: Advanced Menus
ACCESS THE ADVANCED MENUS Tap the Menu button on the DSMC Sidekick. 2™ Tap the Menu icon on the touchscreen. Select the Advanced... button in any menu from the Upper Status Row. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 58: Settings Menu
Red: Overexposed; indicates sensor exposure levels that are clipping. Purple (underexposure) and red (overexposure) are based on RAW data and show areas that are clipping or close to clipping. The RGB settings (settings in the Look menu) DO NOT affect the Exposure indicators.
Page 59 16: Represents the top stop, and is broken up into 1/8th increments to show highlight roll-off. Each 1/8th stop is represented by a different shade of red, ranging from light red (less light) to dark red (most light). COPYRIGHT © 2015 RED.COM, INC...
Page 60 ® The side-bars are green if the pitch is within +/– 1° of the calibrated zero position, otherwise they are red. The horizon-line is green if the roll is within +/– 1° of the calibrated zero position, otherwise it is red.
Page 61 NOTE: When two (2) touchscreens are attached to the DSMC with the same resolution and one (1) is currently the control surface, set the other to mirror it and give the effect of having two (2) control surfaces. OVERLAY Select which overlay shows on top of the video. RED provides preset overlays, which have “(RED)” in the ®...
Page 62 Enables the false color modes on the monitor. For more information, go to “Tools” on page FLIP/MIRROR UI NOTE: This setting is NOT available on the RED Touch 7.0" LCD. For more information, go to “Flip/Mirror” on page Flip the graphical user interface (GUI) vertically and mirror horizontally (not rotated). Use this setting when mounting a monitor upside down.
Page 63 Control > Monitor tab. Media: Overlays saved to an SSD can be found at On Media: \overlays:. NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported. OVERLAY ACTIONS Create...: Create a new custom overlay using a blank overlay template in the Overlay Editor.
Page 64 If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then re- attach the LCD, then the LCD is the control monitor again. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 65 Lock Touch Screen: Touchscreen control is locked. To unlock, tap the screen and follow the on-screen instructions. Use Small Dialogs on 9" LCD: The dialogs on the RED Touch 9.0" LCD are smaller than the default dialogs. GENLOCK OFFSET NOTE: HD-SDI ports are only available on select DSMC expanders.
Page 66: Display Modes
Input: Displays levels of audio inputs (pre-mixer). (Default) Output: Displays levels of audio outputs (post-mixer). HISTOGRAM RGB: Displays red, green, and blue channels on histogram. (Default) Luma: Displays luma channel on histogram. MEDIA Percentage: Displays media space remaining as a percentage. (Default) Time Remaining: Displays media space remaining as time in hours and minutes (HHH:MM).
Page 67 Metric: Displays lens focus distances in meters. Imperial: Displays lens focus distances in feet and inches. (Default) MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED MOTION MOUNT . For more information, see the RED MOTION MOUNT ®...
Page 68 The Look menu includes: Color, Gain, ISO/FLUT, Sharpness, Curves, Video, Color Temperature, and LGG (Lift, Gamma, Gain). The Look settings affect the look of the monitor path, but do not affect the recorded RAW data. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 69 Control the sharpness of each monitor output. Move to the left for a sharper image; move to the right for a less sharp image. CURVES Define the individual curves for the Luma, Red, Green, and Blue channels. You can only adjust one (1) curve at a time. Select Reset Curve to reset a curve. COPYRIGHT © 2015 RED.COM, INC...
Page 70 NOTE: RED recommends using the most recently released Color Space and Graded Gamma settings. Use legacy settings (such as REDcolor2) only if you need to record footage to match footage that you recorded with that legacy setting.
Page 71 : Export selected 3D LUT from camera to SSD. All : Export all 3D LUTs from camera to SSD. : Import selected 3D LUT from SSD to camera. All: Import all 3D LUTs from SSD to camera. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 73 The Video Path displays the video source and graded gamma space applied to the monitor. NOTE: The Curve drop-down menu is available if the Video Source is set to RLF or ACES. For more information, go to “Video Source” on page COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 74 Alternatively, select Color Temperature > Advanced... from the Upper Status Row. 3. Select Auto White Balance. LGG (LIFT, GAMMA, GAIN) Adjust the lift, gamma, and gain for the Red channel, Blue channel, and Green channel individually. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 75 MAX FRAME RATE (FPS) 6K FF 82.81 3.5K FF 138.94 6K 2:1 85.05 3.5K 2:1 145.39 6K WS 100.67 3.5K WS 172.00 6K HD 83.33 3.5K HD 134.13 6K 6:5 82.81 3.5K 3:2 116.54 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 76 2K 6:5 240.55 4K 3:2 102.08 2K 3:2 202.74 4K 4:3 90.81 2K 4:3 180.49 4K 5:4 85.16 2K 5:4 169.34 4K 4:1 252.55 2K 4:1 400.00 4K 8:1 400.00 2K 8:1 400.00 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 77 Shutter Angle = (Shutter Speed x Frame Rate x 360) Example: (1/48 x 24 x 360) = 180 CONVERT SHUTTER ANGLE TO SHUTTER SPEED Shutter Speed = 1/(Frame Rate x 360/Angle) Example: 1/(24 x 360/180) = 1/48 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 78 Use the Slate menu to add metadata to clips. After configuring the following fields, the information populates in the Media menu when formatting media: Cam ID Cam Pos NOTE: The scene name is limited to eight (8) characters. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 79 5.5K RAW 4:1 5632 1408 5.5K 8:1 5.5K RAW 8:1 5632 5K FF 5K RAW Full Frame 5120 2700 5K 2:1 5K RAW 2:1 5120 2560 5K WS 5K RAW Wide Screen—2.4:1 5120 2160 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 80 3K RAW 2:1 3072 1536 3K WS 3K Wide Screen—2.4:1 3072 1296 3K HD 3K RAW HD—16:9 2880 1620 3K 6:5 3K RAW 6:5 1944 1620 3K 3:2 3K RAW 3:2 2880 1920 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 82 Format menu. Since the camera does not crop the image, you will have additional horizontal area to frame the image. Then, crop or scale the footage to the intended aspect ratio. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 83 The Recording menu includes: Mode, Codec, Frame Processing, Pre-Record, and Indicator. MODE You can select the following recording modes: Continuous Record, Internal Timelapse Timer, Frame Trigger, REDCODE Burst, Speed Ramp Mode, Multi-Shot, and Motion + Stills. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 84 (1) frame period at the current recording frame rate. To completely synchronize frames to an external trigger, set Sensor Sync Mode to MoCo. For more information, go to “Sync” on page COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 85 3. Use the Limit Recording to fields to set the recording to end at a predefined frame limit (optional). 4. Select a Pre Count and Post Count. For more information, go to “Pre Count and Post Count” on page 86 5. Close the menu. 6. Start recording. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 86 Press a Record key to record a one-frame clip. Press and hold a Record key to start a new clip and continuously add frames to that clip. Release the Record key to stop adding frames and end the clip. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 87 6. Press the PWR/REC key on the BRAIN to start recording. 7. Press the Record key on the media bay to mark a frame. 8. Press the PWR/REC key on the BRAIN to stop recording. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 88 “HDRX Menu” on page 115. RED recommends performing a Secure Format before recording Apple ProRes. For more information, see DSMC Media Operation Guide, available at www.red.com/downloads. QuickTime files have the same metadata that is in the REDCODE RAW files. The metadata is per clip, and not per frame.
Page 89 R E D D S M C O P E R AT I O N G U I D E : W E A P O N FILE STRUCTURE OF RECORDED APPLE PRORES FILES When recording REDCODE RAW + QuickTime, this is the file structure of the recorded files on the RED MINI-MAG: .RDM Folder ‒...
Page 90 4. REDCODE RAW: Select a target REDCODE compression ratio from the REDCODE menu. For more information, go to “REDCODE” on page 5. QuickTime: Select a resolution from the Resolution drop-down menu: 2K: Available on WEAPON 6K (Carbon Fiber) and WEAPON 6K (Magnesium) for all Apple ProRes co- ‒ decs. ‒...
Page 91 1/3 sec (16 x 1/48). Frame summing results in a final image that is brighter and possibly blurrier than any of the original frames, so you can use frame summing to achieve the effect of long-exposure. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 92 ‒ Mark Still Frame EVF Tally Light: Select this check box to enable the EVF Record Tally LED on the EVF to illuminate red when recording. SSD Tally Light: Select this check box to enable the Record Tally LED on the media bay to illuminate red when recording.
Page 93 For example, on a multi-rig 3D shoot, you can send commands to an individual camera (Example: Set CAM_A_L to 1/48 exposure), to a group of cameras (Example: Set 3DRIG_A to 48 FPS), or to all cameras (Example: Start Recording on all cameras). COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 94 GIG-E). Select one of the following protocols from the Serial Protocol drop-down menu: None (Default) Element Technica 3ality SPC 7XXX REDLINK Command Protocol COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 95 NOTE: The WiFi antenna is integrated into the fan grill (top side of camera). For optimal WiFi performance, do not obstruct the antenna with any accessory, mounting plate, or mounting rail. Do Not Obstruct WiFi Antenna (Marked in Red) COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 96 Settings > Wi-Fi > Devices, and select the camera name. The camera name displays on the WiFi screen in-camera. NOTE: If you created a passphrase for the network, you will need to enter that passphrase. The camera and your device are now connected. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 97 The camera can connect to access points that are either not encrypted or use WPA or WPA2 encryption. If an encrypted access point is selected a passphrase field will appear to enter the password. 7. Select the wireless network that your device is connected to. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 98 11. To ensure that your app can communicate with the camera, ensure that there is a way to connect your app to a specific camera. Since there may be multiple cameras in the area, select your specific camera in the app itself. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 99 When selecting a fan mode, first take into consideration how each fan mode behaves, and then select a fan mode that fits the needs of your project. Regardless of sensor type and fan mode, you will get the best image quality by performing a black shading COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 100 Select a speed for the fans in both record and standby modes. The fans self-adjusts to maintain the selected speeds. The default Maximum Record Speed is 75% and the default Maximum Preview Speed is 75%. The range for both Maximum Record Speed and Maximum Preview Speed is 25–100%. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 101 RED MOTION MOUNT Operation Guide, available at www.red.com/downloads. MOTOR CONTROL Use the Motor Control menu to set up the RED 3-Axis Lens Control System. For more information, see the 3-Axis Lens Control System Operation Guide, available at www.red.com/downloads. MAINTENANCE The Maintenance menu includes: Save Log, Upgrade, Calibrate, Self Test, Restore System, Rediscover, System Status, and OLPF.
Page 102 R E D D S M C O P E R AT I O N G U I D E : W E A P O N SAVE A LOG FILE A LOG file is a detailed text file of the processes and operations performed by the DSMC. If you contact RED for support, you may be asked to send a LOG file.
Page 103 The system initializes and then makes multiple passes through the following phases of the calibration: ‒ Capturing ‒ Analyzing ‒ Erasing ‒ Programming 7. When the Calibration Successful dialog displays, select OK to complete black shading. The new calibration map is automatically selected. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 104 NOTE: If you mount an SSD with calibration files to your computer, each calibration map displays as a sub- folder in a folder called Calibration. To save a calibration map to your hard drive, copy the entire sub-folder (for example, 48_32C_20140128122150) to your drive. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 105 The calibration process creates a calibration file for the current focal length of the electronic lens. Calibrate the lens at each available focal length to create a full lens calibration file. 1. Attach a DSMC Canon Mount or DSMC Nikon Mount to the BRAIN. 2. Attach an electronic lens. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 106 3. You can perform any of the following actions: ‒ Add Cal @ xx...: Calibrate the current focal length; “xx” is the current focal length. ‒ Remove Cal: Remove the calibration for the selected focal length. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 107 1. Go to Menu > Settings > Maintenance > Self Test. 2. Select Touchscreen. A grid of green squares displays on the touchscreen. 3. Touch each box with your finger. Each green box turns blue. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 108 1. Go to Menu > Settings > Maintenance. 2. Select Restore System. 3. Select Yes on the screen that asks you to confirm the System Restore. The BRAIN turns off. 4. Turn on the BRAIN. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 109: Media Menu
NOTE: When an SSD is not attached, the Media Info tab displays “No Active Media is Present”. ATTACHED MODULES Lists the attached RED modules, lens mounts, and expanders. This screen does not list attached displays, media modules, and lenses. MEDIA MENU The Media Menu allows you to format and eject an SSD and to view and load clips on the SSD.
Page 110 R E D D S M C O P E R AT I O N G U I D E : W E A P O N DEVICE Format and eject (unmount) the SSD. CLIPS View and load clips on the SSD in thumbnail view. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 111: Playback Menu
Displays the metadata for the selected clip. PLAYBACK STATUS BAR Displays the progress of the clip during playback. When using the touchscreen, swipe your finger right and left to fast-forward and rewind the clip, respectively. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 112 R E D D S M C O P E R AT I O N G U I D E : W E A P O N PLAYBACK CONTROLS Playback Controls 10 11 Playback Controls 14 15 17 18 Playback Controls COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 113 Out Point, Previous Marker, and Next Marker. In Point Sets a red In Point marker in the Playback Status Bar. Use an In Point marker in conjunction with an Out Point marker to play only a certain portion of a clip. The In/Out Point markers help when the clip is long and you want to focus on a particular segment.
Page 114: Power Menu
“Turn Off the BRAIN” on page 1. Go to Menu > Power. 2. Select Shutdown. The Shutting Down... message displays and the camera turns off. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 115: Hdrx Menu
A Track: This track shows the video with the selected aperture and exposure settings applied. ‒ X Track: This track shows the video with the additional stops applied. ‒ NOTE: For more information, see the High Dynamic Range Video with HDRx article, available at www.red.com/ learn/red-101/hdrx-high-dynamic-range-video. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 116: Focus Menu
Manual: When selected, all focus operations are manual. Confirm: Enables the Center or Spot focus target. This mode provides additional focus assistance by using red, yellow, and green color changes to the focus spot window. Inadequate subject illumination and/or contrast may interfere using Confirm mode.
Page 117 Tap and hold the touchscreen on the location you want to relocate the Spot target. Tap and hold the touchscreen where the Spot target currently is, and drag the Spot target. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 118 1. Go to the main screen. 2. Press the Down Arrow in the Navigation Group. The Spot target line weight increases and the red cursor under Menu dims slightly. 3. Use the directional arrows to move the Spot target to the desired location.
Page 119 R E D D S M C O P E R AT I O N G U I D E : W E A P O N 8. Close the Focus menu. The target displays on the touchscreen, and the monitor that you selected for the Enhanced A/F feature is in Clean mode. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 120 7. Select the number of rack points (1–4) from the Rack Points drop-down menu. 8. To reset the focus distance to the value calculated by the autofocus algorithm, select Re-Autofocus. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 122: Exposure Assist
The AE feature is different than traditional AE, in that RED AE only controls the amount of light that hits the sensor, either by adjusting aperture or exposure. RED AE analyzes RAW data before the ISO curve, and ensures that the sensor matches the user-selected brightness.
Page 123: Metering Mode
When the AE feature is able to match the sensor brightness, the overlay turns yellow. If the brightness fluctuates more than half of a stop, the overlay turns red. When AE is enabled, the “AE” indicator displays before the aperture and exposure parameters in the Upper Status Row.
Page 124: Presets Menu
You cannot update factory-installed presets, which end with “(RED)”. Clone...: Create a new preset using the selected preset as a template. Delete: Delete the selected preset. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 125 : Import selected Look from SSD to camera. All: Import all Looks from SSD to camera. ‒ For more information, see the “REDCINE-X PRO: Saving Looks to Camera” video tutorial, available at www.red. com/learn/workflow/redcine-x-saving-looks-camera. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 126: Auto Presets
On Enter Preview: The selected preset is applied every time the camera enters Preview mode, including at startup and when exiting Playback mode. On Enter Playback: The selected preset is applied every time the camera enters Playback mode. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 127: Chapter 6: Record And Monitor Audio
To set up audio, go to Menu > Settings > Audio. To adjust the input, pre-amplifier, and headphone settings, select Control. To adjust the mix settings, select Mix. CONTROL To adjust the input, pre-amplifier, and headphone settings, select Control. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 128 Audio Meter, but are not included in the clip metadata. For more information, go to “Audio Meter (VU Meter)” on page 130. MODE Match the channel mode to the incoming audio signal. MODE SOURCE DESCRIPTION NONE NONE Audio recording disabled. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 129: Headphone Volume
1. Go to Menu > Settings > Audio > Control > Headphone Volume. 2. Move the Left and Right sliders up and down to adjust the volume. 3. To toggle mute/unmute, select Mute. NOTE: To link the volume for Left and Right, select Link. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 130: Mix
The Audio Meter displays at the bottom-right corner of the viewfinder, and displays either the incoming audio channels (default), or the outgoing audio (Headphone Mix, Audio Out Mix, and Monitor Mix). For more information, go to “VU Meter” on page COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 131: Audio During Playback
0 dBFS Audio is clipping (if signal exceeds –1 dBFS, the whole bar is red) NOTE: In the American broadcast and post production systems, –20 dBFS roughly corresponds to 0 VU and 4 dBu. In a digital system, dBu is an approximation; the correct unit for digital audio levels is dBFS.
Page 132: Chapter 7: Timecode, Genlock, Multi-Camera Setup
Edge: Edge timecode is continuous between clips, meaning that when recording starts, timecode begins. and when recording stops, timecode stops. By default, Edge timecode default begins at 01:00:00:00, but can be configured in the Media menu (Menu > Media > Device > Format). COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 133 4. Use the additional controls to sync TOD timecode with the RTC or set manually. Alternatively, go to Menu > Media > Device > Format Media... to set Edge timecode manually. The TC indicator in the Lower Status Row remains grey when internal timecode is enabled. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 134 The TC indicator in the Lower Status Row turns green when an external timecode source is locked. Source: External: BRAIN NOTE: When an external source is selected but not present, timecode displays User Provided settings. REQUIRED CABLE 790-0154: 3BNC-to-00 LEMO Sync Cable COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 135: Genlock
Monitor Sync is achieved automatically when a genlock signal is provided that is compatible with the current monitor output frequency. When Monitor Sync is achieved, the GEN indicator in the Lower Status Row illuminates green. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 136 The GEN indicator in the Lower Status Row turns green when a compatible genlock signal is present and genlock is enabled. The SYNC indicator in the Lower Status Row turns green when Sensor Sync is achieved. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 137: Set Up Motion Control (Moco)
Base Expander. 2. Go to Menu > Settings > Setup > GPIO/Sync > Sync. 3. Select MoCo from the Sensor Sync Mode drop-down menu. MoCo GPIO/Sync Settings 4. Select the BRAIN GPIO tab. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 138 Supply a pulse from the Motion Control device to sync the shutter to the rising edge of the sync input. For more information, refer to the manufacturer’s instructions for the Motion Control device. REQUIRED CABLE 790-0154: 3BNC-to-00 LEMO Sync Cable (required per SYNC and CTRL port used) COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 139: Compatible Devices
R E D D S M C O P E R AT I O N G U I D E : W E A P O N COMPATIBLE DEVICES The following timecode and genlock devices are compatible with the camera. Additional timecode devices may be compatible, but have not yet been tested by RED ® COMPATIBLE TIMECODE DEVICES...
Page 140: Chapter 8: Upgrade Dsmc Firmware
1. If you have user-generated preset files on your camera, follow the instructions below to save the files to an SSD: A. Turn on the camera, insert an SSD (RED MINI-MAG ) into the camera, and format the SSD. ®...
Page 141 C. Go to Menu > Settings > Display > Monitor Control > Overlays and copy user-generated Overlay files from the SSD to the camera. 15. After offloading firmware upgrade files and preset files from an SSD, reformat the SSD before recording. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 142: Chapter 9: Dsmc Maintenance
® so may expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or repairs made to the BRAIN, lens, or other accessory, except by a RED authorized service facility, voids the all warranties. BRAIN AND ACCESSORY EXTERIOR SURFACES Use a gas duster to clean around the top and bottom fans and other recesses on the exterior of the BRAIN.
Page 143: Water Damage
142. SCREEN STORAGE Store any RED device with a screen in a RED Microfiber bag. Storing devices in a RED Microfiber bag preserves the superior quality of the specialized AR and AS coatings on the LCDs. Hand wash and air-dry the RED Microfiber bag regularly.
Page 144: Chapter 10: Troubleshoot Your Dsmc
SSDs. 10. If any errors occur, save a log file and submit a Technical Support request at https://support.red.com. NOTE: Problems or dropped frames found during the stress test display as “Errors” in the bottom of the user interface.
Page 145: Preset Could Not Be Applied
109. Upgrade your camera firmware. For more information, go to “Upgrade DSMC Firmware” on page 140. Perform a System Restore. For more information, go to “Restore System” on page 108. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 146: Camera Does Not Recognize Lens
SCREEN FREEZES OR DOES NOT DISPLAY SYMPTOM The screen freezes or does not display. POTENTIAL RESOLUTION Perform a Hard Restore. For more information, go to “Perform a Hard Restore” on page 148. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 147 When you upgrade or turn on the camera, the display shows a message with the phrase “Critical Failure” or “Serious Error”. POTENTIAL RESOLUTIONS Update the camera firmware to the latest release build available for download at www.red.com/downloads. Submit a Technical Support request at https://support.red.com. Include the following with the request: ‒...
Page 148 R E D D S M C O P E R AT I O N G U I D E : W E A P O N ERROR 0X00000020 SYMPTOM The display shows a message with the phrase “Error 0x00000020. Please save log and send to RED support.” POTENTIAL RESOLUTIONS Perform a secure format of the SSD. For more information, see the...
Page 149: Image Appears Grainy
The camera color temperature is off and the image looks warmer or cooler than normal. POTENTIAL RESOLUTIONS Perform an auto white-balance. For more information, go to “Color Temperature” on page Perform a black shade calibration. For more information, go to “Calibrate” on page 102. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 150 POTENTIAL RESOLUTIONS Ensure RED MINI-MAG is fully inserted in the media bay. Perform a system restore. Reformat the RED MINI-MAG on the computer. For more information, see the DSMC Media Operation Guide at www.red.com/downloads. Remove and reinstall the media bay. For more information, go to “Remove the Media Bay”...
Page 151: Appendix A: Technical Specifications
Apple ProRes 2K (2048x1080), 422 up to 120 FPS Apple ProRes 2K (2048x1080), 422 LT up to 120 FPS Delivery Formats 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime , JPEG, Avid AAF, MXF ®...
Page 152 Digital Media (SSD) RED MINI-MAG 1TB, 300 MB/s max data rate ® RED MINI-MAG 512GB, 300 MB/s max data rate RED MINI-MAG 240GB, 225 MB/s max data rate RED MINI-MAG 120GB, 225 MB/s max data rate Audio Integrated dual channel digital stereo microphones, uncompressed, 24-bit,...
Page 153: Weapon 6K (Magnesium)
Apple ProRes 2K (2048x1080), 422 up to 60 FPS Apple ProRes 2K (2048x1080), 422 LT up to 60 FPS Delivery Formats 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, Avid AAF, MXF 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4...
Page 154 User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing Digital Media (SSD) RED MINI-MAG1TB, 225 MB/s max data rate RED MINI-MAG 512GB, 225 MB/s max data rate RED MINI-MAG 240GB, 225 MB/s max data rate RED MINI-MAG 120GB, 225 MB/s max data rate Audio...
Page 155: Weapon Brain Dimensions
R E D D S M C O P E R AT I O N G U I D E : W E A P O N WEAPON brAiN DiMENSiONS NOTE: Dimensions are shown in mm. FrONT ViEW COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 161: Appendix B: Input/Output Connectors
DSMC Jetpack Expander NOTE: When connecting a cable to a connector, align the key and red marker on the cable connector with the corresponding key and marker on the device connection. NOTE: Connector diagram images are for reference only. Diagrams are not to scale.
Page 162: Dsmc 2 Base Expander
“CTRL (RS232 Control)” on page 168 HDMI HDMI “HDMI Out” on page 166 ® HD-SDI “3G-SDI (HD-SDI) Out” on page 165 DC IN 6-pin 1B LEMO “DC IN (Power Input)” on page 170 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 163: Dsmc 2 Redvolt Expander
6-pin 1B LEMO GENLOCK TIMECODE 5-pin 0B LEMO AUX PWR 2-pin 0B LEMO SERIAL 7-pin 0B LEMO USB 2.0 Type A (power only) AUDIO 1 and 2 3-pin full-size XLR Headphone Jack 3.5mm stereo COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 164: Dsmc 2 Jetpack Expander
NOTE: Detailed pinout information for the DSMC Jetpack Expander is not currently published. DSMC Jetpack Expander CONNECTOR CONNECTOR TYPE CTRL 4-pin 00B LEMO HDMI Dongle Port HDMI DC IN 6-pin 1B LEMO SYNC 4-pin 00B LEMO USB 2.0 COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 165: Record/Monitor Out Ports
If you have a drop frame project time base (such as 23.98), you can select only drop frame frequencies. 75 OHM BNC CONNECTOR SIGNAL DESCRIPTION DIRECTION Center 3G-SDI SMPTE ST 424 Shield/Screen GROUND Camera ground COMPATIBLE CABLE 790-0341: RED HD-SDI Cable (6') ® COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 166: Communication Ports
1. Ensure you select a frequency supported by your monitor. 2. The HDMI output is progressive scan (p); it does not support progressive segmented frame (PsF) or interlaced (i) scan formats. COMPATIBLE CABLE 790-0331: RED HDMI Cable (5') COMMUNICATION PORTS SYNC (VIDEO SYNC IN) The DSMC Base Expander features a SYNC connector.
Page 167 COMPATIBLE CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable 790-0187: 4-Pin 00 LEMO-to-Flying Lead 790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC) 790-0428: RED Start/Stop Cable (14-Pin to 00B SYNC) COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 168 RS232 TX NOTE: Mating connector is FGG.00.304.CLAD27Z. COMPATIBLE CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable 790-0187: 4-Pin 00 LEMO-to-Flying Lead 790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC) COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 169: Audio Ports
The 3.5mm stereo jack provides two (2) channels of audio for monitoring. For maximum quality, use high impedance headphones. HEADPHONE JACK SIGNAL DESCRIPTION DIRECTION LEFT Left channel audio RING RIGHT Right channel audio SLEEVE Camera ground COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 170: Power Ports
Power return (camera ground) SDA-BATT Serial battery bus data NOTE: Mating connector is FGJ.1B.306.CWLD72Z. COMPATIBLE CABLES 790-0138: 2B-to-1B LEMO Power Adaptor Cable 790-0164: XLR Power Cable (10') 790-0165: XLR Power Cable (30") COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 171: Appendix C: Lens Mounts And Lenses
The ND filter also includes a linear polarizer and IR filter for improved image color and contrast. For more information, see the MOTION MOUNT Operation Guide, available at www.red.com/downloads. NOTE: HDRx is not available while the MOTION MOUNT is installed. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 172 NOTE: Screw removal may require a large handle T20 TORX driver and additional leverage. 6. Remove the lens mount from the DSMC. INSTALL A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in a dust-free environment. REQUIRED TOOL: T20 TORX driver 1.
Page 173: Lenses
DSMC PL MOUNT SUPPORTED LENSES The DSMC Mg PL Mount 2.0, DSMC TI PL Mount, and the RED MOTION MOUNT Ti PL are compatible with most standard PL mount cinema lenses and devices. For information about the compatibility of the RED...
Page 174 3. Remove the rear lens cap. 4. Align the red dot on the lens with the red dot on the DSMC Canon Mount and position the lens in the mount. 5. Turn the lens clockwise until it clicks into place.
Page 175 Canon EF 100mm f/2.8L Macro IS USM Canon EF 100-400mm f/4.5-5.6L IS Canon EF 135mm f/2.0L Canon EF 135mm f/2.8 Soft Focus Canon EF 180mm f/3.5L Macro Canon EF 200mm f/2.0L IS COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 176 Sigma APO Sigma APO 120-300mm f/2.8 EX DG OS HSM Sigma APO 180mm f/2.8 Macro EX DG OS HSM Tamron Tamron SP 10-24mm f/3.5-4.5 Di II Tamron SP 24-70mm f/2.8 Di VC USD COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 177 2. Press and hold the lens release button. While holding the lens release button, turn the lens clockwise until it stops and remove it from the DSMC mount. 3. Replace the rear lens cap and DSMC mount cap when items are not in use. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 178 Zeiss Distagon T* 21mm f/2.8 ZF.2 ® Zeiss Distagon T* 35mm f/1.4 ZF.2 Zeiss Planar Zeiss Planar T* 50mm f/1.4 ZF.2 Zeiss Planar T* 85mm f/1.4 ZF.2 1. Iris control only, no AF. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 180: Appendix D: Default Key Functions
Nav West Press Navigation: Left Nav Enter Press Navigation: Select Rotary CW Navigation: CW Rotary CCW Navigation: CCW DSMC Top Handle Record Full Press Record: Toggle/Multi-Shot Start Record Full Release Record: Multi-Shot Stop COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 181: Appendix E: Menu Map
See the menu map on the following page. The menu map is applicable to the following WEAPON cameras, except as noted throughout this guide: ® WEAPON 6K (Carbon Fiber) WEAPON 6K (Magnesium) COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 182 } Type Motor Control } Auto White } General Balance } Focus } Iris } Lift } Zoom } Wireless } Gamma } Gain 1. Only available when a MOTION MOUNT is attached. COPYRIGHT © 2015 RED.COM, INC 955-0116_V6.1, REV-H |...
Page 183 RED DIGITAL CINEMA COPYRIGHT© 2015 RED.COM, INC. All trademarks, trade names, logos, icons, images, written material, code and product names used in association with the accompanying product are the copyrights, trademarks or other intellectual property owned and controlled exclusively by RED.COM, INC.

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Weapon 8k Dragon 6k Dragon 8k

RED WEAPON 6K Operation Manual

Chapter 1: WEAPON Introduction

Chapter 2: WEAPON System Components

Chapter 3: WEAPON Basic Operations

Chapter 4: Basic Menus and Controls

Chapter 5: Advanced Menus

Chapter 6: Record and Monitor Audio

Chapter 7: Timecode, Genlock, Multi-Camera Setup

Chapter 8: Upgrade DSMC Firmware

Chapter 9: DSMC Maintenance

Chapter 10: Troubleshoot Your DSMC

Appendix A: Technical Specifications

Appendix B: Input/Output Connectors

Appendix C: Lens Mounts and Lenses

Appendix D: Default Key Functions

Appendix E: Menu Map

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