Auxiliary Outputs - Midas VERONA Operator's Manual

48V -15
power pad
+30 +45
+15 +60
mic gain
O ins
mic
80Hz
hi-pass
0
+20
line gain
stereo
console.
mono wide
image
treble
Pre-Fade
(and EQ if the Aux Pre EQ switch is depressed). As a result, the actual level sent to the aux buss is proportional to
-15 +15
the aux send control only.
-15 +15
3k
1k5
Post-Fade
hi-mid
level sent to the aux buss is proportional to the aux send control AND the channel fader.
600 8k
300 500
lo-mid
100 1k2
Typical uses of auxiliaries are:
-15 +15
bass
-15 +15
aux pre
eq eq
off on
0
aux 1
+6
0
aux 2
+6
0
aux 3
+6
0
aux 4
+6
0
aux 5
+6
0
aux 6
+6
0
aux 7
pre
+6
0
aux 8
pre
Aux sends 1 through 6 are always globally switchable pre or post fader. However, Aux 7 and 8 may individually be
+6
groups
sourced either Post Fader or Pre Fader using the selector switch on the channel and can not be pre-EQ.
1-2
3-4
Please note that, for illustration puposes, auxiliary 1 through 4 sends have been omitted but work in the same
5-6
7-8
mono stereo
c
aux 5
l r
pan
groups
pan
MUTE
aux 6
stereo
SOLO
aux 7
18
10
12 pre
0
5
-18
0
aux 8
5
pre
mute 1
10
15
mute 2
20
mute 3
30
40 mute 4
MIDAS
auxiliary (aux) 1-6 sends are sourced after the channel Insert, Mute and EQ but before the channel fader
aux sends are sourced after the channel Insert, Mute, EQ and channel Fader. As a result, the actual
Application Pre/Post Fade
Stage Monitors Pre (Post-EQ)
Effects Sends Post
Multi Track Recording Pre (Pre-EQ)
Mixed Recording Post (Post-EQ)
manner as auxiliary 6 (illustrated).
0
+6
Aux Send Level
0
+6
Aux 7/8 Pre
0
auxiliary is sourced pre-fader (i.e. the channel fader has no effect upon the level of the
signal sent to the auxiliary).
+6
0
NOTE: Stereo modules can equally be used for mono signals (plugged in via the
microphone socket). The EQ on the stereo channels has fixed frequency high and low
sections which are optimised for vocals.
+6
Multi Function Input Channels Multi Function Input Channels

Auxiliary Outputs

Note: Multifunction L and R channel signals are summed into a
signal to be routed to the auxiliary busses by the channel aux sends.
The Verona has eight (8) auxiliary outputs which can be used for
effects sends, monitor sends or as extra assignable outputs from the
Reason
The level in the monitor stays constant so that
the engineer can change the FOH level without
affecting the performer.
The level sent to the effects is proportional to the
level on the fader so the balance between wet
(processed) and dry (un-processed) sound
stays the same even when the channel level is
changed
The recording is made at constant level without
any equalisation so that changes in the mix level
and EQ can be set in post-production. (You can
also use the Direct Out for this but the output will
be at unity).
If the aux is set to unity, the FOH mix is
replicated on the aux output including EQ but
excluding PAN
- The auxiliary send level is continuously variable from off (-inf) to +6dB.
- Both aux 7 and aux 8 are assignable Pre or Post fader. When depressed, the
Operators Manual - Page 16
.
mono