Midas VERONA Operator's Manual page 25

group meters
+21 +21
+18 +18
+15 +15
Rear Panel
+12 +12
+9 +9
+6 +6
+3 +3
aux out
0 0
-3 -3
-6 -6
-9 -9
-12 -12
-15 -15
-18 -18
-21 -21
-24 -24 -24
aux aux XLR Wiring
Pin 1 - Shield, Pin 2 - Hot Signal, Pin 3 - Cold Signal
mtx
direct mono
Aux Pre
input channel pre fader or post fader. This switch can be found on each of the auxiliaries 1 through 6. On aux 7 and
8 these are assignable individually pre/post on the channel modules.
Pre-Fade
(and EQ on 1-6 if the Aux Pre EQ switch is depressed). As a result, the actual level sent to the aux buss is
proportional to the aux send control only.
Post-Fade
level sent to the aux buss is proportional to the aux send control AND the channel fader.
aux 1
Typical uses of auxiliaries are:
0
+10
MUTE
SOLO
group
aux
aux
c/o
pre
group 1
group pre
to mtx fade
mono stereo
c
l r
pan
master
s i s
MUTE
group 1
aux 1
SOLO
10
5
0
0
5
+10
10
15
MUTE
20
30
40
SOLO
aux out aux out aux out
8 7 6
- The auxiliary pre switch is the global control which determines whether the auxiliary is taken from the
auxiliary (aux) sends are sourced after the channel Insert, Mute and EQ but before the channel fader
aux sends are sourced after the channel Insert, Mute, EQ and channel Fader. As a result, the actual
Application
Stage Monitors
Effects Sends
Multi Track Recording
or Monitors from FOH
Mixed Recording
(for the artist)
Auxiliary Master Level
inf) to +10dB.
Auxiliary Mute - When depressed, the auxiliary signal is muted at every point after the master
send level.
Auxiliary Solo - When depressed, the auxiliary signal is sent to the stereo AFL and mono PFL
busses.
Verona Aux Outputs Verona Aux Outputs
aux out aux out
5 4 3
Front Panel
The Verona provides eight independent auxiliary outputs
which are controlled in this section.
group
aux
aux
c/o
pre
Pre/Post Fade Reason
Pre (Post-EQ) The level in the monitor stays constant so that
the engineer can change the FOH level without
affecting the performer.
Post The level sent to the effects is proportional to
the level on the fader so the balance between
wet (processed) and dry (un-processed) sound
stays the same even when the channel level is
changed
Pre (Pre-EQ) The recording is made at constant level without
any equalisation so that changes in the mix level
and EQ can be set in post-production. (You can
also use the Direct Out for this but the output
will be at unity).
Post (Post-EQ) If the aux is set to unity, the FOH mix is
replicated on the aux output including EQ but
excluding PAN
- The output level of the auxiliary is continuously variable from off (-
Operators Manual - Page 23
T h e Ve r o n a 's
aux out aux out
2 1
outputs can be found on the
rear of the console.
Eight male XLR sockets are
provided,
auxiliary output.
Group Aux C/O - The group auxiliary
changeover is described at the beginning of
this section. When depressed, group signals
will be controlled in this section and hence aux
should be mentally interchanged with 'group'.
.
a u x i l i a r y
one for each