TC Electronic Konnekt 24D User Manual page 54

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FABRIK R
Plate
Welcome back in time! In the old days reverberating springs or large metallic plates were used to create a reverb effect.
The Plate reverb emulates this characteristic type of reverb. If you're working with a recording of percussive instruments, it
will often call for a diffuse, bright and light reverb, and the Plate is just perfect for that job.
Club
This reverb could be exactly what the doctor ordered if you want to put extra focus on the guitar or the vocals. It emulates
a medium sized club, giving a broad yet intimate feel to your audio material. If you've got a recorded guitar that cries out
for reverb, but you don't want the "stadium rock" sound, the Club reverb will do the trick, well, that goes for vocals and
horns too.
Tweak section
In this section, all parameter adjustments are made.
Parameters are organized in 4 different layers/pages.
R - Reverb
C - Color
M - Modulation
D - Distance
There are a couple of different ways of altering the
parameter values:
First, select parameter by placing the cursor on one
of the above-mentioned icons ("R", "C", "M" or "D")
and click. Then - grab the icon and drag in any
direction. This way of changing parameter values
gives an excellent intuitive feeling.
You can of course also change parameter values by
grabbing the parameter value fields and drag the
mouse up or down.
Finally, values can be entered numerically by double-
clicking on the parameters value fields and entering
values using the keypad.
52
Meters
The adjacent list shows the exact distribution of value
readings on the meter segments on both IN and OUT
meters. A precise reading close to 0dBFS and around
key values such as -18, -20 and -24dBFS is imperative
and this distribution takes these key values into
consideration.
O/L - Overload indication
Internal overload is indicated via the O/L indicators
located between the In/Out meters. Internal overload
may occur at certain extreme parameter settings even
when the In Level meters show reasonable levels. Use
the In/Out parameters to compensate.
-16
0 dBFS
-18
- 0.5
-20
-1
-22
-2
-24
-3
-30
-4
-36
-5
-42
-6
-48
-8
-56
-10
-64
-12
-72
-14

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