Moog MEMORYMOOG 345 Owner's And Service Manual page 49

You can also invert (turn upside down) the filter CONTOUR's voltage by using the INVERT
switch (5.8). Note the effect that using this switch has on the way the CONTOUR affects pitch.
Remember that no VOICE MODULATION will be heard unless one of the two VOICE MODU-
LATION AMOUNT controls (5.5 and 5.6) is turned up and you have at least one DESTINATION
switch (5.9) on.
VOICE MODULATION AMOUNT CONTROLS
MODULATION
LFO MODULATION
FREQ FREQ
VOICE MODULATION —_—_—_—_—X—K—"—""—"—"
AT LEAST ONE HAS TO BE ON TO HEAR 1b HICTER CONTOUR ose samaunr
ANY VOICE MODULATION. ALSO, SOME ee Sea aHATION
DESTINATION HAS TO BE SWITCHED IN.
e 66
Just as there are six FILTER CONTOUR GENERATORS, there are six OSCILLATOR 3s (one
for each voice card). These can be used as voltage sources for the VOICE MODULATION section.
OSCILLATOR 3 can operate in both audio and sub-audio ranges (below the threshold of hearing,
like an LFO). Keyboard control of OSCILLATOR 3 can be switched in and out. When it's not being
controlled by the keyboard, OSCILLATOR 3 acts as a full-range modulation oscillator, a sort of super
LFO. Set up this patch and listen to the effects of OSCILLATOR 3 as a modulation oscillator:
OSCILLATOR 3 AS AN LFO
MODULATION OSCILLATORS
re ee ve WAVESHAPE
1S] HO
putse morn 3)
VOLTAGE CONTROLLED FILTER
KB TRACK
IMSEC 10SEC
RETURN UNCONDITIONAL KEYBOARD RELEASE
To ZERO FOLLOW
s 14 2
400 AL 800. Aig 6 Ale wo I /e
3 200 12
CONTOURED INVERT
u OSC 3 AMQUNT
FALTER CONTOUR
DESTINATION
ie ens 20 of e 18
IMEC tosEC zmHEC 20SEC
CONTROL
TRY DIFFERENT OCTAVE SETTINGS, DIFFERENT WAVESHAPES
AND COMBINATIONS OF WAVESHAPES.
45