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9. After selecting the correct patch number (e.g. 40), just press the SET-piston. The
display will briefly show the letter P, as a sign that the set information (channel and
patch) is now being programmed.
M i d i
V o i c e :
10. MIDI-stop MIDI SWELL 2 has now been programmed with channel 6 and patch 40. This
means that activating the capture combination in question, switches on patch 40 of the
module and that the key information of the swell is transmitted to the module via
channel 6, when the swell is played.
11. 'Close' the memory by turning key switch MEMORY LOCK a quarter of a turn to the left
(taking the key from the switch, if necessary). The lamp in the SET-piston will now go
off, as a sign that the memory is 'closed' again.
12. After programming, switch off the PGM-piston by pressing it again.
Programming several MIDI-stops into the capture system
Several MIDI-stops (whether or not in combination with a number of organ voices) can be
programmed into one capture memory.
When programming several MIDI-stops into one capture memory, you should start at the
lowest numbered MIDI-stop.
Programming several (in this example 3: MIDI GREAT 1; MIDI SWELL 2 and MIDI PEDAL
3) MIDI-stops into one capture memory location goes as follows:
1.
Switch on the three MIDI-switches (together with the organ voices).
2.
First store this registration into the required capture memory (see "Using the capture
system").
3.
Press the PGM-piston.
4.
Select with the thumb pistons – and + the channel for MIDI GREAT1 (MIDI-stop with the
lowest number).
5.
Briefly press the SET-piston.
6.
Select with the thumb pistons – and + the patch number for MIDI GREAT 1.
7.
Briefly press the SET-piston. The settings for MIDI GREAT 1 will now be programmed.
8.
Now switch off the stop MIDI GREAT 1.
9.
Select with the thumb pistons – and + the channel for MIDI SWELL 2 (this is now the
MIDI-stop with the lowest number).
10. Briefly press the SET-piston.
11. Select with the thumb pistons – and + the patch number for MIDI SWELL 2.
User's Manual
P r o g r a m
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Monarke
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