Kurzweil K2600 Musician’s Reference page 168

KDFX Reference
KDFX Algorithm Specifications
Page 2
Fl Tempo
Fl Period
Fl L Phase
Fl StatLvl
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FlStatDlyC
FlStatDlyF
In/Out
Out Gain
Quant W/D
Flange W/D
DynamRange The digital dynamic range controls signal quantization, or how many bits to remove from
Headroom
dc Offset
Fl Tempo
Fl Period
10-82
System, 1 to 255 BPM
0 to 32 bts
0.0 to 360.0 deg
-100 to 100%
0.0 to 230.0 ms
-127 to 127 samp
When set to ÒInÓ, the quantizer and ßanger are active; when set to ÒOutÓ, the quantizer
and ßanger are bypassed.
The overall gain or amplitude at the output of the effect.
The relative amount of quantized (wet) to unaffected (dry) signal passed to the ßanger. At
100%, you hear only quantized signal pass to the ßanger.
The relative amount of input signal (from the quantizer) and ßanger signal that is to
appear in the Þnal effect output mix. When set to 0%, the output is taken only from the
quantizer (dry). When set to 100%, the output is all wet. Negative values polarity invert
the wet signal.
the signal data words. At 0 dB the hottest of signals will toggle between only two bit (or
quantization) levels. Every 6 dB added doubles the number of quantization levels. If the
signal has a lot of headroom (available signal level before digital clipping), then not all
quantization levels will be reached.
When the signal has a lot of headroom (available signal level before digital clipping),
turning down DynamRange can cause the amplitude of adjacent quantization levels to
exceed the input signal level. This causes the output to get very loud. Set Headroom to
match the amount of digital signal level still available (headroom). This is easily done by
Þnding the DynamRange level at which the signal starts getting louder and matching
Headroom to that value.
Adds a positive dc Offset to the input signal. By adding dc Offset, you can alter the
position where digital zero is with respect to you signal. At low DynamRange settings,
adding dc Offset can may the output sputter. dc Offset is expressed in decibels (dB)
relative to full scale digital.
Basis for the rates of the LFOs, as referenced to a musical tempo in bpm (beats per
minute). When this parameter is set to ÒSystemÓ, the tempo is locked to the internal
sequencer tempo or to incoming MIDI clocks. When it is set to ÒSystemÓ, sources (FUNs,
LFOs, ASRs etc.) will have no effect on the Tempo parameter.
Sets the LFO rate based on the Tempo determined above: the number of beats
corresponding to one period of the LFO cycle. For example, if the Fl Period is set to Ò4Ó,
the LFOs will take four beats to pass through one oscillation, so the LFO rate will be 1/4th
of the Tempo setting. If it is set to Ò6/24Ó (=1/4), the LFO will oscillate four times as fast as
Fl Fdbk -100 to 100%
Fl R Phase 0.0 to 360.0 deg
Fl LFO Lvl -100 to 100%
Fl Xcurs C 0.0 to 230.0 ms
Fl Xcurs F -127 to 127 samp
Fl Delay C 0.0 to 230.0 ms
Fl Delay F -127 to 127 samp