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32 Guitar Amp Sim
This is an effect that simulates the sound of a guitar amplifier.
L in
Pre Amp
R in
Parameter
Value
Pre Amp Switch
OFF, ON
Type of guitar amp
JC-120
CLEAN TWIN
MATCH DRIVE
BG LEAD
MS1959I
MS1959II
Pre Amp Type
MS1959I+II
SLDN LEAD
METAL 5150
METAL LEAD
OD-1
OD-2 TURBO
DISTORTION
FUZZ
Pre Amp Volume
0–127
Pre Amp Master
0–127
LOW, MIDDLE,
Pre Amp Gain
HIGH
Pre Amp Bass
Pre Amp Middle
0–127
Pre Amp Treble
Pre Amp Presence 0–127
Pre Amp Bright
OFF, ON
Speaker Switch
OFF, ON
(Guitar Amp Simulator)
L out
Pan L
Speaker
Pan R
R out
Explanation
Turns the amp switch on/off.
This models the sound of the Roland
JC-120.
This models a Fender Twin Reverb.
This models the sound input to left input
on a Matchless D/C-30.
A simulation of the latest tube amp widely
used in styles from blues and rock.
This models the lead sound of the MESA/
Boogie combo amp.
The sound of a tube amp typical of the late
'70s to '80s.
This models the sound input to Input I on
a Marshall 1959.
This is a trebly sound suited to hard rock.
This models the sound input to Input II on
a Marshall 1959.
This models the sound of connecting
inputs I and II on a Marshall 1959 in
parallel. It creates a sound with a stronger
low end than I.
This models a Soldano SLO-100. This is the
typical sound of the eighties.
This models the lead channel of a Peavey
EVH5150.
This is distortion sound that is ideal for
performances of heavy riffs.
This models the sound of the BOSS OD-1.
This produces sweet, mild distortion.
This is the high-gain overdrive sound of
the BOSS OD-2.
This gives a basic, traditional distortion
sound.
A fuzz sound with rich harmonic content.
Volume and amount of distortion of the
amp
Volume of the entire pre-amp
Amount of pre-amp distortion
Tone of the bass/mid/treble frequency
range
Tone for the ultra-high frequency range
Turning this "On" produces a sharper and
brighter sound.
* This parameter applies to the "JC-120, "
"CLEAN TWIN, " "MATCH DRIVE, " and "BG
LEAD" Pre Amp Types.
Determines whether the signal passes
through the speaker (ON), or not (OFF).
Parameter
Value
SMALL 1
SMALL 2
MIDDLE
JC-120
BUILT-IN 1
BUILT-IN 2
BUILT-IN 3
Speaker Type
BUILT-IN 4
BUILT-IN 5
BG STACK1
BG STACK2
MS STACK1
MS STACK2
METAL STACK
2-STACK
3-STACK
Mic Setting
1, 2, 3
Mic Level
0–127
Direct Level
0–127
Pan
L64–63R
Level
0–127
MFX/IFX Parameters
Explanation
Diameter (in
inches) and
Cabinet
Microphone
number of the
speaker
Small open-
10
Dynamic
back enclosure
Small open-
10
Dynamic
back enclosure
Open back
12 x 1
Dynamic
enclosure
Open back
12 x 2
Dynamic
enclosure
Open back
12 x 2
Dynamic
enclosure
Open back
12 x 2
Condenser
enclosure
Open back
12 x 2
Condenser
enclosure
Open back
12 x 2
Condenser
enclosure
Open back
12 x 2
Condenser
enclosure
Sealed
12 x 2
Condenser
enclosure
Large sealed
12 x 2
Condenser
enclosure
Large sealed
12 x 4
Condenser
enclosure
Large sealed
12 x 4
Condenser
enclosure
Large double
12 x 4
Condenser
stack
Large double
12 x 4
Condenser
stack
Large triple
12 x 4
Condenser
stack
Adjusts the location of the microphone
that is recording the sound of the speaker.
This can be adjusted in three steps, with
the microphone becoming more distant in
the order of 1, 2, and 3.
Volume of the microphone
Volume of the direct sound
Stereo location of the output sound
Output Level
57
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