Tone/Partial; Tone/Partial/Osc - Roland Aerophone Pro Parameter Manual

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TONE/PARTIAL

Parameter
Value
Partial SW
OFF, ON

TONE/PARTIAL/OSC

Parameter
Value
Specifies the oscillator type.
PCM (INT A–D)
OSC Type
VA
PCM-Sync
SuperSAW
Noise
Specifies the wave that is used when OSC Type is "PCM. "
Specifies the wave within the group specified by Wave Group.
Wave LEFT/RIGHT
If using mono, specify only the LEFT and leave RIGHT at "0: OFF. "
If using stereo, specify the RIGHT as well.
If you specify only RIGHT, no sound is heard.
Specifies the wave that is used when OSC Type is "VA. "
SAW
SQR
TRI
SIN
Waveform
RAMP
JUNO
TRI2
TRI3
SIN2
VA Waveform
OFF, ON
Invert Switch
Specifies the wave that is used when OSC Type is "PCM-Sync. "
The PCM-Sync oscillator is effective when specified as the
PCM-Sync Wave
Slave (the sync-modulated partial 1 or 3) when Structure is set
to "SYNC. "
Gain
-18–+12 [dB]
Pulse Width
0–127
PWM Depth
-63–+63
SOFT, HARD,
Click Type
NATURAL, OFF
Fat
0–127
SuperSAW Detune 0–127
Explanation
Turns each partial on/off.
Explanation
The wave of the number specified by the
Wave Group (INT A–D) and Wave LEFT/
RIGHT is used.
A numerically calculated analog-modeled
wave is generated.
The wave of the number specified by
Wave is used.
The wave of the number specified by
PCM-Sync Wave Number is used.
SuperSAW is used.
White noise is used.
Sawtooth wave
Square wave
Triangle wave
sine wave
Ramp wave
Modulated sawtooth wave
Triangle wave variation
Triangle wave variation
Sine wave variation
If this is "ON, " the phase of the VA
waveform is inverted.
Specifies the gain (amplitude) of the
waveform.
The value will change in 6 dB (decibel)
steps.
Each 6 dB increase doubles the gain.
This effect is produced when the
waveform is deformed by varying the
duty cycle of the pulse width.
It is effective when OSC Type is "VA, " and is
also effective with waveforms other than
SQR (square wave).
* If the value is 64, the pulse width has a
50%: 50% duty cycle.
Specifies the amount (depth) of LFO
applied to PW (Pulse Width).
PW is modulated according to the LFO2
setting.
Changes the sense of attack by varying
the position at which the sound starts.
This is available if OSC Type is "VA. "
However, HARD is effective only when
Waveform is "TRI, " "TRI2, " "SIN, " or "SIN2. "
Boosts the low-frequency region.
* This is valid when the OSC Type is "VA. "
Adjusts the Detune depth for SuperSAW.
Higher values produce a deeper Detune
effect.
* This is valid when the OSC Type is
"SuperSAW. "
Parameter
Value
OSC Attenuator
0–255
FXM Switch
OFF, ON
FXM Color
1–4
FXM Depth
0–16
Partial Delay
This produces a time delay between the moment a key is
pressed (or released), and the moment the partial actually
begins to sound. You can also make settings that shift the
timing at which each partial is sounded.
This differs from the Delay in the internal effects, in that by
changing the sound qualities of the delayed partials and
changing the pitch for each partial, you can also perform
arpeggio-like passages just by pressing one key.
You can also synchronize the partial delay time to the tempo
of the external MIDI sequencer.
If Legato Retrigger Interval is other than OFF, legato operation
occurs only when Delay Mode is NORMAL.
Also in this case, Legato Retrigger Interval operates as 0
(retriggers at each Delay Time).
NORMAL
Delay Mode
HOLD
Tone Parameters
Explanation
Specifies the OSC level.
255 is the reference value. If you want
only the self-oscillation of the filter to be
heard, set this to 0.
This sets whether FXM will be used (ON)
or not (OFF).
MEMO
FXM (Frequency Cross Modulation) uses
a specified waveform to apply frequency
modulation to the currently selected
waveform, creating complex overtones.
This is useful for creating dramatic sounds
or sound effects.
Specifies how FXM will perform
frequency modulation. Higher settings
result in a grainier sound, while lower
settings result in a more metallic sound.
Specifies the depth of the modulation
produced by FXM.
The partial begins to play after the
time specified in the Partial Delay Time
parameter has elapsed.
No Partial Delay
Delay time
Note on
Note o
Although the partial begins to play after
the time specified in the Partial Delay
Time parameter has elapsed, if the key is
released before the time specified in the
Partial Delay Time parameter has elapsed,
the partial is not played.
No sound
Delay time
played
Note on
Note o
39

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