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New digital wind instrument to expand the musical realm of saxophone players.
Saxophones are popular in all music scenes all over the world, from jazz, classical to rock and so on. And now, Roland is introducing a new digital wind instrument, developed with the latest technology, but designed based on the traditional acoustic saxophone. You can enjoy playing the sounds of different saxophones from soprano, alto, tenor and baritone, other wind instruments such as clarinet, flute and trumpet, strings instruments such as violin, and even powerful synth leads, offering the sax players the new musical expression and creativity.
Not only the volume but also the sound itself is dynamically affected by the force with which you blow into the mouthpiece and the strength with which you bite it, providing a natural and richly expressive sound.
It can be played using the same fingering as a saxophone, so if you're a saxophone player, you'll be able to start playing after you've read a few pages of this manual. It's compact, and can also be used with headphones, so you can enjoy playing to your heart's content even on your living room sofa, without being concerned about the time or place.
We hope that the Aerophone will spark your imagination and enrich your musical life.
Maintaining the mouthpiece
The maintenance needed for a conventional saxophone is not necessary. If the mouthpiece becomes soiled from playing, remove the mouthpiece, wash it with water, and use a soft cloth to dry off any water droplets.
NOTE
As shown in the illustration, insert the mouthpiece all the way until the concave and convex portions align.
Edit the menu
Pressing the [MENU] button, you can make various settings.
Bend up/ Down | Bends the pitch up/down. |
Portamento | Makes the pitch change smoothly. |
Growl | Applies a saxophone's growl technique. |
Attach the neck strap, put the strap around your neck, and hold the Aerophone as shown in the illustration.
Place your left thumb in the middle of the octave keys, and place your right thumb on the thumb hook.
NOTE
If you continue playing for an extended time, saliva from your mouth might drip down across the instrument and enter the interior from around the [POWER] switch or any keys.
When playing the instrument, wrap the included band around it as shown in the illustration.
Hold the mouthpiece lightly between your lips and teeth, and blow into it in the same way as a conventional saxophone.
These are the performance keys. You can perform using the same fingering as on a saxophone.
→ For details, refer to "Fingering Chart".
By using special fingering and blowing techniques on a saxophone, you can produce harmonics (overtones) that sound notes in a range above the normal range.
Switch the octave. Operate them using the left-hand thumb.
Use your right thumb to operate this controller.
Bend up/ Down | Bends the pitch up/down. |
Portamento | Makes the pitch change smoothly. |
Growl | Applies a saxophone's growl technique. (*) |
* "Growl" is a performance technique in which you produce a rough sound by vocalizing while blowing the sax. On the Aerophone, you can easily apply a growl technique simply by operating the thumb controller, without having to vocalize.
* With the factory settings, these are the functions when a saxophone tone is selected. The operation differs depending on the tone that you select.
Here's how to select a typical saxophone tone.
# | Tone Name | Explanation | Base Key |
P:001 | Alto Sax Eb | Alto saxophone | E![]() |
P:002 | Tenor Sax Bb | Tenor saxophone | B![]() |
P:012 | Full Sax Eb | Full range saxophone Depending on the pitch range in which you play, the sound automatically changes from baritone through soprano saxophone sound. | E![]() |
P:013 | Soprano Sax Bb | Soprano saxophone | B![]() |
P:014 | Baritone Sax Eb | Baritone saxophone | E![]() |
SuperNATURAL
These are proprietary Roland sounds created using Behavior Modeling Technology, which enables natural and rich expression that was difficult to achieve on earlier sound generators.
Behavior Modeling Technology
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument's distinctive behavior that responds to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
→ For details, refer to the leaflet "Tone List."
Buttons | Explanation |
Hold down [![]() ![]() | Decrease the value rapidly |
Hold down [![]() ![]() | Increase the value rapidly |
[TONE] + Performance Key [E![]() | Decrement the tone number
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[TONE] + Performance Key [C] | Increment the tone number
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User tones (U:001–U:007) can be recalled instantly by holding down the [TONE] button and pressing one of the [1]–[7] performance keys. This is a convenient way to switch tones during a live performance.
Pressing the [MENU] button, you can various settings.
Example: Changing the Master Tuning
Here's how to change the tuning of the Aerophone. The displayed value is the frequency of the A key. With the factory settings, the Aerophone's tuning is set to A=440.0 Hz, but you can change this to some other tuning such as 442.0 Hz.
Items indicated by the symbol in "Menu List" are "tone settings." If you want to save the tone settings, save them as a user tone as described below.
System settings and tone settings
There are two types of settings: system settings and tone settings.
: Tone Setting
S: System Setting
Menu | Value | Default | Explanation | ||||||||||||||||||||||||||||||||||||||||||||||||||
Volume | 0–10 | 8 | Adjusting the Volume You generally adjust the volume by the strength of your breath when performing, but you can also set the volume in the menu. This changes the volume of the speaker and the PHONES/OUTPUT jack. | S | |||||||||||||||||||||||||||||||||||||||||||||||||
M.Tuning | 415.3 – 466.2 (Hz) | 440.0 | Changing the Master Tuning Changes the tuning of the Aerophone. The displayed value is the frequency of the A key. With the factory settings, the Aerophone's tuning is set to A = 440.0 Hz, but you can change this to some other tuning such as 442.0 Hz. | S | |||||||||||||||||||||||||||||||||||||||||||||||||
Breath | L3, L2, L1, M, H1, H2, H3 | M | Adjusting the Breath Sensitivity Specifies how the sound responds to the force of your breath.
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
Tone Vol | 0–10 | 10 | Tone volume Specifies the volume of each tone. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Transpos | -5 – +6 | Depends on the tone | Changing the Key (Transpose) Transposes the pitch range of the tone in semitone steps. ![]() If this is set to "0, " the "C" fingering in the "Fingering Chart" at the end of this manual produces the pitch C. The alto saxophone whose base key is "E ![]() ![]() | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Octave | -3 – +3 | Depends on the tone | Octave Shift Setting Shifts the pitch range of the tone in one-octave steps. The octave shift value is set appropriately for each tone so that it will have the appropriate pitch range. For example, this is set to "0" for the soprano saxophone, "-1" for the alto saxophone, and "-2" for the baritone saxophone. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Reverb | 0–10 | Depends on the tone | Reverb Setting Adjusts the depth of reverb (the reverberation that is characteristic of a performance in a concert hall). Higher values produce deeper reverberation; lower values produce shallower reverberation. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Chorus | 0–10 | Depends on the tone | Chorus Setting Adjusts the depth of the chorus effect. Chorus is an effect that creates a beautiful spaciousness and depth by adding a slightly modulated sound. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
MFX1 MFX2 | Depends on the tone | Depends on the tone | Multi-Effect Setting
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
BiteCtrl | OFF, PIT1, PIT2, VIB | Depends on the tone | Specifying the Control of the Bite Sensor (Reed Bite Strength) The parameter that is controlled by the strength with which you bite the reed is specified for each individual tone.
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
VibSens | 0–10 | 5 | Pitch Change Sensitivity Setting This specifies how easily vibrato is applied by pitch control.
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
Pit Down | 0–64 | Depends on the tone | Pitch Change Setting (Down) This specifies how the pitch falls when you weaken your bite on the reed.
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Pit Up | 0–64 | Depends on the tone | Pitch Change Setting (Up) This specifies how the pitch rises when you strengthen your bite on the reed.
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Bend Sw | OFF, ON | Depends on the tone | Thumb Controller Up/Down (Bend Up/Down) Setting Specifies whether thumb controller up/down (bend up/down) is enabled or disabled. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Bend Rng | 1–12 | Depends on the tone | Bend Range Setting Specifies the thumb controller up/down (bend up/down) bend range in semitone units. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Left Asn RightAsn | OFF, CC.1–31, CC.33–95, H.-8, H3, H5, H8 | Depends on the tone | Thumb Controller Left/Right Assignment Setting For each tone, this assigns the parameter that is controlled by the thumb controller (left/right).
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Left Min Left Max RightMin RightMax | 0–127 | Depends on the tone | Thumb Controller Left/Right Range (Minimum/Maximum Value) Settings Specify the range (minimum/maximum value) of the values controlled by the thumb controller (left/right). | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Left Tgl RightTgl | OFF, ON | Depends on the tone | Thumb Controller Toggle Settings Specifies whether to toggle the thumb controller (left/right).
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Oct Key | OCT1, OCT2, OCT3 | Depends on the tone | Octave Key Setting The octave keys can be set to +1 octave, ±2 octaves, or ±3 octaves.
| ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Hold | OFF, ON | OFF | Hold Setting If this is on, blowing makes the note continue sounding. Inhale to stop the note. | ![]() | |||||||||||||||||||||||||||||||||||||||||||||||||
Speaker | OFF, ON, AUTO | AUTO | Speaker Setting When Using Headphones
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
Auto Off | OFF, 5, 30 | 30 | Making the Power Automatically Turn Off After a Time (Auto Off) The power to this unit will be turned off automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto Off function). If you don't want the unit to turn off automatically, change this setting to "OFF". | S | |||||||||||||||||||||||||||||||||||||||||||||||||
UserTone | OFF, ON | OFF | User tone shortcut setting Enables/disables user tone shortcuts. | S | |||||||||||||||||||||||||||||||||||||||||||||||||
KeyDelay | 0–10 | 5 | Key display setting Unintended notes can be sounded due to inconsistent fingering when you press or release multiple keys simultaneously. By specifying the key delay, you can make it less likely that unintended notes will be sounded. | S | |||||||||||||||||||||||||||||||||||||||||||||||||
FingMode | SAX1, SAX2, RECO, EWND, TRPT, LEFT, RIGH | SAX1 | Switches the fingering mode. → For details on fingering in each mode, refer to "Fingering Chart".
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
Fingerin | – | – | Add/Edit/Delete Fingering
→ For details on the displayed note name and fingering, refer to "Fingering Chart". How to add or edit
How to delete
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
BreatAdj | AUTO, 0–100 | AUTO | Breath Threshold Adjustment
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
Bite Adj | AUTO, 0–100 | AUTO | Specifying the Basic State of the Bite Sensor (Reed Bite Strength) This specifies the basic state for the strength with which you bite the reed. Normally, you can specify "AUTO" so that the adjustment is automatic. If you want to adjust this manually, proceed as follows.
| S | |||||||||||||||||||||||||||||||||||||||||||||||||
BiteSens | AUTO, 0–100 | AUTO | Specifying Sensitivity of the Bite Sensor (Reed Bite Strength) Adjust the reed position at which the pitch effect specified by "BiteCtrl" starts to take effect. Normally, you can specify "AUTO" so that the adjustment is automatic. If the bite sensor has too much effect, decrease the value. If the effect is difficult to apply, increase the value. ![]() | S | |||||||||||||||||||||||||||||||||||||||||||||||||
MIDI Ch | 1–16 | 1 | MIDI Transmit Channel Settings (MIDI Transmit Ch) This setting specifies the MIDI channel on which the unit will transmit. This unit will receive all sixteen channels (1–16). | S | |||||||||||||||||||||||||||||||||||||||||||||||||
BreaOut1 | OFF, CC.1–31, CC.33–95, BEND, AFT.T, TONE | CC.2 | Breath MIDI output setting 1/2 Specifies the MIDI output that is controlled by the breath sensor. |
| S | ||||||||||||||||||||||||||||||||||||||||||||||||
BreaOut2 | OFF | S | |||||||||||||||||||||||||||||||||||||||||||||||||||
BiteOut1 | BEND | Bite MIDI output setting 1/2 Specifies the MIDI output that is controlled by the bite sensor. | S | ||||||||||||||||||||||||||||||||||||||||||||||||||
BiteOut2 | OFF | S | |||||||||||||||||||||||||||||||||||||||||||||||||||
Backup | – | – | Backing up user tones and system settings Here's how to back up user tones and system settings to your computer.
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Restore | – | – | Restoring user tones and system settings Here's how to restore the user tones and system settings from your computer.
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FctReset | – | – | Returning to the Factory Settings (Factory Reset) Here's how to return the Aerophone to its factory-set state.
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User Clr | – | – | Clearing the user tones Here's how to clear the user tones. In Ver 2.00 and later, the factory reset operation (FctReset) only resets the system settings, and does not clear the user tones.
| – | |||||||||||||||||||||||||||||||||||||||||||||||||
Version | – | – | Version Information Displays the version of the unit's system program. | – |
Roland Aerophone AE-10: Digital Wind Instrument
Power Supply | AC adaptor (DC 5.7 V) Rechargeable Ni-MH battery (AA, HR6) (sold separately) x 6 |
Current Draw | 418 mA |
Expected battery life under continuous use | Rechargeable nickel metal hydride batteries: approximately 7 hours (When using batteries having a capacity of 1,900 mAh.)
|
Dimensions | 128 (W) x 93 (D) x 574 (H) mm 5-3/64 (W) x 3-31/32 (D) x 22-19/32 (H) inches |
Weight (including batteries) | 855 g 1.9 lbs 31 oz (including batteries) |
Accessories | Owner's manual, Leaflet "USING THE UNIT SAFELY", AC adaptor, Mouthpiece cap, Neck strap, Band, Dedicated hand carry bag |
Options (sold separately) | Dedicated mouthpiece |
When using the strap, take care that it does not become wound around your neck.
Concerning the Auto Off function
The power to this unit will be turned off automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto Off function). If you do not want the power to be turned off automatically, disengage the Auto Off function.
Use only the supplied AC adaptor and the correct voltage
Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
Take care so as not to get fingers pinched
When handling the following moving parts, take care so as not to get fingers, toes, etc., pinched. Whenever a child uses the unit, an adult should be on hand to provide supervision and guidance.
Power Supply: Use of Batteries
Repairs and Data
Additional Precautions
Here you can download full pdf version of manual, it may contain additional safety instructions, warranty information, FCC rules, etc.
Download Roland Aerophone AE-10 - Digital Wind Instrument Manual
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