E-Mu MP-7 command station Owner's Manual page 8

128-voice synth multi track sequencer
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viii E-MU Systems
Programming Basics ............................................................ 169
Modulation ................................................................................................170
Modulation Sources ...................................................................................171
Random Sources ....................................................................................172
Modulation PatchCords.............................................................................172
Envelope Generators ..................................................................................173
Tempo-based Envelopes ....................................................................174
Envelope Repeat ................................................................................174
Low Frequency Oscillators (LFOs) .............................................................175
Clock Modulation ......................................................................................176
Modulation Destinations ...........................................................................178
Modulation Processors ...............................................................................179
Preset Modulation Processors ....................................................................181
Using the Modulation Processors .........................................................183
More Examples ......................................................................................185
Dynamic Filters ..........................................................................................187
What is a Filter? ....................................................................................188
Parametric Filters ..................................................................................191
The Z-Plane Filter ..................................................................................192
Signal Flow .................................................................................................193
MIDI Channels & Real-time Controls .......................................................194
Bank Select Commands ........................................................................196
Stereo Mix Outputs ....................................................................................197
Preset Edit Menu .................................................................. 199
Preset Name ..........................................................................................200
Four Layer Architecture..............................................................................200
Selecting Layers .....................................................................................201
Defining Layer Parameters .........................................................................202
Selecting an Instrument ........................................................................202
Sound Navigator ................................................................................202
Defining Key Range ..............................................................................203
Defining the Velocity Crossfade Range ................................................205
Defining the Real-time Crossfade Range ..............................................207
Transposing the Instrument .................................................................210
Tuning ...................................................................................................211
Background: Transpose vs. Coarse Tuning .......................................211
Amplifier ...............................................................................................211
Volume Envelope ..................................................................................212
Selecting the Mode ............................................................................212
Defining the Volume Envelope .........................................................213
Chorusing the Layer .............................................................................214
Sound Start Offset, Delay & Key-up Layer ............................................214
Non-Transpose Mode ............................................................................216
Solo Mode .............................................................................................216
Assign Group .........................................................................................217
Glide ......................................................................................................218

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