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LFO1 ...2
These are the outputs of the two assignable LFOs. For
more information, see "8–2: LFO 1" on page 205.
Alternate Modulation settings
When you operate an AMS (Alternate Modulation
Source), the modulation destination will be affected as
shown in the table below.
By using alternate modulation, you can create complex
systems of modulation in which EG, LFO, keyboard
tracks, and controllers work together.
• You can apply complex change to an LFO or EG,
for example by using the pitch/filter/amp EG to
control the frequency or intensity of an LFO that
modulates the pitch/filter/amp, or by using LFO2
to control the frequency of LFO1.
• The tone, EG, and LFO etc. can be controlled not
only by velocity or joystick, but also from a switch,
knob, or pedal etc.
HD-1 AMS
AMS source
& value range
Amp EG
0...+99
AMS
Parameter
Intensity
0...+1
Pitch *4
(+12.00)
Octave
Pitch EG Int.
(+12.00)
–
0...+1
Pitch LFO1/2 Int. (+12.00)
Octave
0...+10
Filter Frequency
(+99)
Octaves
Filter Resonance
(+99)
0...+99
Filter EG Int.
(+99)
–
Filter LFO1/2 Int. (+99)
0...+99
Filter Output Level
(+99)
0...+99
A/B
Drive
0...+99
Low Boost
0...+99
Amp
(+99)
–
Amp LFO1/2 Int. (+99)
0...+99
Pan
(+50)
0...+63
EG Level
(+66)
–
EG Time
(+49)
–
LFO 1
(+99)
1x...64x
Frequency *5
LFO 2
(+99)
1x...64x
Frequency *5
Common LFO
(+99)
–
Frequency *5
Wave Sequence
(+63)
–
Start Step
Alternate Modulation Sources (AMS)
Pitch & Filter
LFO1 & 2
Common LFO
EGs
–99...0...+99
–99...0...+99
–99...0...+99
–1...0...+1
Octaves
(Filter EG as
dedicated
AMS;
parameter
dedicated
parameter for
Pitch EG)
–
–
–1...0...+1
–
Octaves
–10...0...+10
Octaves
(Pitch EG as
dedicated
AMS;
parameters
dedicated
parameter for
Filter EG)
–
–
–99...0...+99
–99...0...+99
–
dedicated
0...1x...8x
0...1x...8x
parameter
–99...0...+99
–
–
–
–
–
1/64x...1x...6
1/64x...1x...6
4x
4x
(LFO2 only)
1/64x...1x...6
–
4x
–
–
–
–
–63...0...+63
• Panning can be controlled in realtime from a
controller, EG, or LFO etc.
• You can use the filter EG to control pitch or volume
at the same time that it controls the filter.
• Controllers etc. can be used to control EG levels or
times. This lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can
be used to control the EG or LFO according to the
keyboard pitch that is played.
• Pitch, tone, EG or LFO can be controlled by the
tempo of the KARMA or sequencer.
Common
Filter & Amp
Key Track
Key Track
1 & 2
–99...0...+99
–99...0...+99
–1...0...+1
Octaves
–1...0...+1
Octaves
–1...0...+1
–99...0...+99
–
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
dedicated
–
parameter
–99...0...+99
–63...0...+63
–99...0...+99
1/64x...1x...64x
1/64x...1x...64x
1/64x...1x...64x
1/64x...1x...6
–
–
4x
–
–
Alternate Modulation settings
EXT(+/–) *1
–Max...0...+Max
Wave Seq
AMS Out
Note Number
1 & 2
C-2...C4...C9
EXT (Tempo) *2
–99...0...+99
=...60...120...240
dedicated
–1...0...+1
parameter
–1...0...+1
–
Octaves
Octaves
–10...0...+10
Octaves
–
–
–99...0...+99
0...1x...8x
–
0...1x...8x
–
–99...0...+99
–
1/64x...1x...64x
–
1/64x...1x...64x
–63...0...+63
–
EXT(+) *3
0...127
...
0...+1
Octaves
Octave
0...+1
Octave
0...+1
Octave
0...+10
Octaves
0...+99
0...+99
0...+99
0...+99
0...+99
0...+99
0...1x...8x
0...+99
0...+63
0...+99
1x...64x
1x...64x
1x...64x
1x...64x
0...+63
971
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