33: Vocal Multi; 34: Guitar Multi - Roland V-Synth XT Owner's Manual

33: Vocal Multi

A limiter/de-esser, enhancer, 3-band equalizer, and delay are
connected in series.
A limiter holds down high signal levels to prevent distortion.
A de-esser cuts the sibilant sounds of a voice, producing a gentler tone.
fig.MFX-33
L
Limiter/ 3-Band
Enhancer
De-esser
R
Parameter Value
Limtr Mode LIMITER, DE-
ESSER
Limtr Thresh- -60–0 dB
old
Limtr Release 0–127
#1
Limtr Gain -60– +12 dB
DE Sens 0–127
DE Frequency 1000–10000 Hz
Enhan Sens 0–127
Enhan Frequen- 0–127
cy
Enhan Mix Lev- 0–127
el
Enhan Level 0–127
EQ Low Freq 50–4000 Hz
EQ Low Gain -15– +15 dB
EQ Mid Freq 50–20000 Hz
EQ Mid Q 0.5, 0.7, 1.0, 2.0,
4.0, 8.0
EQ Mid Gain -15– +15 dB
EQ Hi Freq 2000–20000 Hz
EQ Hi Gain -15– +15 dB
Delay Time 0–1300 ms, note Adjusts the delay time from the
Delay Feedback -98– +98%
Low Damp Freq 50–4000 Hz
Low Damp Gain -36–0 dB
Delay
EQ
Description
Selects whether the effect will func-
tion as a limiter or as a de-esser.
* If the Limiter Mode is DE-
ESSER, the limiter settings
are ignored. Conversely, if the
Limiter Mode is LIMITER, the
de-esser settings are ignored.
Adjusts the level (Threshold
Level) at which the limiter will
begin to operate.
Adjusts the time until when the lim-
iter will turn off after the input level
falls below the threshold level.
Adjusts the gain of the sound
that passes through the limiter.
Adjusts the sensitivity relative
to the input volume, which con-
trols how the effect is applied.
Adjusts the frequency at which
the de-esser effect will apply.
Sensitivity of the enhancer
Sets the lower limit of the fre-
quencies to which the enhance-
ment effect is added.
Level of the overtones generated
by the enhancer
Volume of the enhancer sound
Frequency of the low range
Gain of the low range
Frequency of the middle range
Gain of the middle range
Set a higher value for Q to nar-
row the range to be affected.
Gain of the middle range
Frequency of the high range
Gain of the high range
direct sound until the delay
sound is heard.
Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Degree of Low Damp
Parameter Value
Hi Damp Freq 2000–20000 Hz
Hi Damp Gain -36–0 dB
Delay Level 0–127

34: Guitar Multi

Guitar Multi provides Comp/Limiter, Overdrive or Distortion,
Chorus or Flanger, and Delay effects connected in series.
fig.MFX-34
L
Comp/
Overdrive/
Limiter Distortion
R
Delay
Parameter Value
Comp Sw OFF, ON
Comp Thresh- -60–0 dB
old
Comp Attack 0–127
Comp Release 0–127
Comp Ratio 1.5:1, 2:1, 4:1,
100:1
Comp Gain -60– +12 dB
Distortion Sw OFF, ON
Drive Mode OD, DS
Drive 0–127
Amp Sim Sw OFF, ON
Amp Type SMALL,
BUILT-IN, 2-
STACK, 3-
STACK
Distortion Level 0–127
Mod Mode CHORUS,
(Chorus / FLANGER
Flanger)
Mod Rate 0.05–10.0 Hz,
note
Mod Depth 0–127
Effects List
Description
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Degree of High Damp
Volume of the delay sound.
Chorus/
Flanger
Description
Turns the comp/limiter on/off.
Sets the volume level at which
the compression begins.
Sets the time after the sound vol-
ume is crossed the compressor
threshold until compression be-
gins.
Specifies the time from when the
volume drops below the com-
pressor threshold until com-
pression is no longer applied.
Sets the "source sound:output
sound" compression ratio.
Adjusts the output gain.
Selects whether to use overdrive
or distortion.
Selects whether to use overdrive
(OD) or distortion (DS).
Degree of distortion
Turns the amp simulator on/off.
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack
amp
3-STACK: large triple stack amp
Volume of the overdrive or dis-
tortion sound.
Selects whether to use chorus or
flanger.
Adjusts the speed of modulation
for the chorus or flanger.
Adjusts the depth of modulation
for the chorus or flanger.
181