Korg MMT RADIAS Owner's Manual page 88

Program parameters
1: Wave (OSC1 Wave)  WAVE [π], [†] 
Selects the waveform of oscillator 1 (OSC 1).
The parameters controlled by the "Control1" knob and
"Control2" knob will be different based on the wave-
form you select here and on the "OSC Mod" setting.
Saw
This sawtooth wave is appropriate for creating a wide
range of sounds typical of analog synthesizers, includ-
ing basses and pads.
With some settings, this will produce noise.
When "OSC Mod" = Waveform
Control1: Waveform (Waveform Modulation)
Adjusting the value will modify the waveform. A
setting of 0 produces a simple sawtooth wave, and a
setting of 127 produces a sawtooth wave one octave
higher.
0
Control2: LFO1Mod (LFO1 Modulation Intensity) [000...127]
LFO1 will vary the "Control1" effect (Waveform
Modulation). Control2 adjusts the depth of this
change. By setting the LFO1 "Wave" (P12–1: LFO –
LFO1 tab page "Wave") to Tri and applying this
effect, you can produce a result similar to detuning
the waveform, producing a richer sound.
When "OSC Mod" = Cross
When you're using cross modulation, the waveform
selected by "Wave" will be the carrier.
Control1: ModDepth (Cross Modulation Depth) [000...127]
Adjusts the depth of cross modulation.
Control2: LFO1Mod (LFO1 Modulation Intensity) [000...127]
LFO1 will vary the depth of cross modulation.
Control2 adjusts the depth of this change.
Pitch Modulation varies the pitch from the basic
pitch for an equal distance up/down in terms of
musical notes. In contrast, Cross Modulation varies
the pitch from the basic pitch for an equal distance
up/down in terms of frequency.
When "OSC Mod" = Unison
Unison detunes the pitch of five oscillators within
oscillator 1 and outputs them together to create a
richer sound.
Control1: Detune (Unison Detune)
Adjusts the pitch distance between the unison oscil-
lators. Higher settings produce a greater spread
between oscillators, giving a richer sound.
Control2: Phase (Unison Phase)
Specifies the phase of each oscillator at note-on. This
will affect the tone of the attack.
When "OSC Mod" = VPM
Control1: ModDepth (VPM Depth)
Adjusts the depth of the VPM effect.
82
[Saw...AudioIn]
[000...127]
63 127
[000...127]
[000...127]
[000...127]
Control2: Harmonics (VPM Harmonics)
Specifies the frequency of the VPM modulator as a
multiple (harmonic) of the oscillator 1 fundamental.
Square
This is a pulse wave suitable for electronic sounds and
wind instruments. By adjusting the pulse width you can
produce sounds reminiscent of clavi or sax.
When "OSC Mod" = Waveform
Control1: Waveform (Waveform Modulation)
Adjusts the pulse width. A setting of 0 produces a
simple square wave. At a setting of 127, the pulse
width will disappear completely, and there will be
no sound.
0
Control2: LFO1Mod (LFO1 Modulation Intensity) [000...127]
LFO1 will vary the "Control1" effect (Pulse Width).
Control2 adjusts the depth of this change. By setting
the LFO1 "Wave" (P12–1: LFO – LFO1 tab page
"Wave") to Tri and applying this effect, you can cre-
ate a pulse width modulation effect, giving the
sound more depth.
When "OSC Mod" = Cross
This is the same as when "Wave" = Saw.
When "OSC Mod" = Unison
This is the same as when "Wave" = Saw.
When "OSC Mod" = VPM
This is the same as when "Wave" = Saw.
Tri
Triangle wave has fewer overtones than sawtooth wave
or square wave, and is suitable for mild tone such as
bass or pads.
When "OSC Mod" = Waveform
Control1: Waveform (Waveform Modulation)
Adjusting the value will modify the waveform. A
setting of 0 produces a simple triangle wave, and a
setting of 127 produces a triangle wave that is one
octave and a fifth higher (i.e., the third harmonic).
0
Control2: LFO1Mod (LFO1 Modulation Intensity) [000...127]
LFO1 will vary the "Control1" effect (Waveform
Modulation). Control2 adjusts the depth of this
change.
When "OSC Mod" = Cross
This is the same as when "Wave" = Saw.
When "OSC Mod" = Unison
This is the same as when "Wave" = Saw.
When "OSC Mod" = VPM
This is the same as when "Wave" = Saw.
[01...32]
[000...127]
63 127
[000...127]
63
127