Korg MMT RADIAS Owner's Manual page 49

Applying modulation to various parameters – Virtual Patch (V.PATCH)
Virtual Patch lets you assign fifteen different modulation sources to modulate various sound parameters.
If you want to use the front panel knobs to adjust the virtual patch parameters, use the MOD SE-
QUENCER [SELECT] button to make the EDIT indicator light.
Virtual Patch settings
1
Use the V.PATCH [SELECT] button to select a patch.
Each time you press this button you will cycle through PATCH 1–6, and the LED
of the selected patch will light.
When you press a button of the V.PATCH section while in the Program Play mode,
the virtual patch settings will appear in the display.
Press the PAGE [+][–] button or [EXIT/NO] button to return to the previous
screen.
2
Use the V.PATCH [SOURCE] button to select the modulation source (the signal
that creates the modulation).
Each press of the button will step through the available modulation sources.
For details on this parameter, refer to p.91 "P11 PATCH (Virtual Patch)."
3
Use the V.PATCH [DESTINATION] button to select the modulation destination.
Each press of the button will step through the available destination parameters.
4
Use the V.PATCH [INTENSITY] knob to adjust the amount of modulation being applied.
Turn the knob toward the right of center ("+" values) to apply modulation in the positive (+)
direction.
Turn the knob toward the left of center ("–" values) to apply modulation in the negative (–) direc-
tion.
For details on this parameter, refer to p.91 "P11 PATCH (Virtual Patch)."
Modulation Sequencers – Applying time-varying change to the sound
The Modulation Sequencers let you apply time-varying change to sound parameters in a way similar to an-
alog sequencers of the past. A modulation sequencer stores a discreet value for each of sixteen individual
steps, and consecutively applies these values to vary the sound over time. Since three modulation sequenc-
ers are provided for each timbre, you can create sounds that change in very complex ways.
In the following example, we will select a program in which the modulation sequences are turned off, assign
modulation sequencer 1 to a timbre, and use the sixteen knobs to specify the level of modulation being ap-
plied at each step of the sequence.
Assigning a modulation sequencer to a timbre
1
In the Program Play mode, select a program in which the modulation sequencers are turned off
(the MOD SEQUENCER [ON] button will be unlit).
Choose a program in which tonal change will be easy to notice.
2
Use the MOD SEQUENCER [SELECT] button to select MOD1 (the MOD1 LED will light).
If you want to assign a parameter to SEQ2 or SEQ3, use the MOD SEQUENCER [SELECT] button
to select SEQ2 or SEQ3.
Program parameter editing
43