Making Chorus Settings - Roland JUNO-G Owner's Manual

Adding Effects

Making Chorus Settings

* The JUNO-G's Chorus effect unit can also be used as a stereo delay unit.
fig.Chorus
For details on these settings, refer to Making Effect Settings (p. 125).
Parameter Value
(Chorus Type) 00 (OFF)–03
Chorus Level 0–127
Type 01: Chorus
Filter Type OFF, LPF, HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate 0.05–10.00 Hz,
note
Depth 0–127
Phase 0–180˚
Feedback 0–127
Type 02: Delay
Dly Left 0–1000 ms, note
Dly Right
Dly Center
Center Feedback -98–+98 %
HF Damp 200–8000 Hz,
BYPASS
Left Level 0–127
Right Level
Center Level
Type 03: GM2 Chorus
Pre-LPF 0–7
Level 0–127
Feedback 0–127
Delay 0–127
Rate 0–127
Depth 0–127
Send Level To Reverb 0–127
note:
fig.MFX-note2.e
(Sixty-fourth-note triplet), (Sixty-fourth note),
(Thirty-second note), (Sixteenth-note triplet),
(Eighth-note triplet),
(Sixteenth note),
(Eighth note), (Quarter-note triplet),
(Quarter note), (Half-note triplet),
(Whole-note triplet), (Dotted half note),
(Double-note triplet), (Dotted whole note),
154
Explanation
Selects either chorus or delay.
Volume of the sound passed through chorus
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above the Cutoff Freq
HPF: cuts the frequency range below the Cutoff Freq
Basic frequency of the filter
Delay time from the direct sound until the chorus sound is heard
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Amount of the chorus sound fed back into the effect
Delay time from the direct sound until the delay sound is heard
Proportion of the delay sound fed back into the effect
Negative (-) settings will invert the phase.
Frequency above which sound fed back to the effect will be cut
If you do not want to cut the high frequencies, set this parameter to BYPASS.
Volume of each delay sound
Cuts the high frequency range of the sound coming into the chorus.
Higher values will cut more of the high frequencies.
Volume of the chorus sound
Amount of the chorus sound fed back into the effect
Delay time from the direct sound until the chorus sound is heard
Frequency of modulation
Depth of modulation
Amount of chorus sound that will be sent to the reverb
(Thirty-second-note triplet),
(Dotted thirty-second note),
(Dotted sixteenth note),
(Dotted eighth note),
(Dotted quarter note), (Half note),
(Whole note),
(Double note)