Roland JUNO-G Owner's Manual page 138

Adding Effects
24: FLANGER
This is a stereo flanger. (The LFO has the same phase for left and
right.) It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing. A filter is provided so that you can
adjust the timbre of the flanged sound.
fig.MFX-24
Balance D
L in
Flanger
Feedback
Feedback
Flanger
R in
Balance D
Parameter Value
Filter Type OFF, LPF, HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz, note
Depth 0–127
Phase 0–180 deg
Feedback # -98– +98 %
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–
D0:100W
Level 0–127
25: STEP FLANGER
This is a flanger in which the flanger pitch changes in steps. The
speed at which the pitch changes can also be specified in terms of a
note-value of a specified tempo.
fig.MFX-25
Balance D
L in
Step Flanger
Feedback
Feedback
Step Flanger
R in
Balance D
Parameter Value
Filter Type OFF, LPF, HPF
Cutoff Freq 200–8000 Hz
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz, note
138
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Explanation
Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from
when the direct sound begins
until the flanger sound is heard.
Frequency of modulation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Gain of the low range
Gain of the high range
Volume balance between the di-
rect sound (D) and the flanger
sound (W)
Output Level
2-Band
L out
EQ
Balance W
Balance W
2-Band
R out
EQ
Explanation
Type of filter
OFF: no filter is used
LPF: cuts the frequency
range above the Cutoff Freq
HPF: cuts the frequency
range below the Cutoff Freq
Basic frequency of the filter
Adjusts the delay time from
when the direct sound begins
until the flanger sound is
heard.
Frequency of modulation
Parameter Value
Depth 0–127
Phase 0–180 deg
Feedback # -98– +98 %
Step Rate # 0.10–20.00 Hz, note
Low Gain -15– +15 dB
High Gain -15– +15 dB
Balance # D100:0W–D0:100W
Level 0–127
26: HEXA-CHORUS
Uses a six-phase chorus (six layers of chorused sound) to give
richness and spatial spread to the sound.
fig.MFX-26
L in
Balance D
Hexa Chorus
R in
Balance D
Parameter Value
Pre Delay 0.0–100.0 ms
Rate # 0.05–10.00 Hz, note
Depth 0–127
Pre Delay 0–20
Deviation
Depth -20– +20
Deviation
Pan Deviation 0–20
Balance # D100:0W–D0:100W
Level 0–127
Explanation
Depth of modulation
Spatial spread of the sound
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Rate (period) of pitch change
Gain of the low range
Gain of the high range
Volume balance between the
direct sound (D) and the
flanger sound (W)
Output Level
L out
Balance W
Balance W
R out
Explanation
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the differences in Pre
Delay between each chorus
sound.
Adjusts the difference in modu-
lation depth between each cho-
rus sound.
Adjusts the difference in stereo
location between each chorus
sound.
0: All chorus sounds will be in
the center.
20: Each chorus sound will be
spaced at 60 degree intervals
relative to the center.
Volume balance between the di-
rect sound (D) and the chorus
sound (W)
Output Level