Roland JUNO-G Owner's Manual page 133

128 voice expandable synthesizer
Hide thumbs Also See for JUNO-G:
Table of Contents

Advertisement

Parameter
Value
Filter Slope
-12, -24, -36 dB
Filter
0–127
Cutoff #
Filter
0–127
Resonance #
Filter Gain
0– +12 dB
Modulation
OFF,ON
Sw
Modulation
TRI, SQR,
Wave
SIN, SAW1,
SAW2
SAW1
Rate #
0.05–10.00 Hz,
note
Depth
0–127
Attack #
0–127
Level
0–127
06: STEP FILTER
This is a filter whose cutoff frequency can be modulated in steps.
You can specify the pattern by which the cutoff frequency will
change.
fig.MFX-06
L in
Step Filter
R in
Step Filter
Parameter
Value
Step 01–16
0–127
Rate #
0.05–10.00 Hz,
note
Attack #
0–127
Filter Type
LPF, BPF,
HPF, NOTCH
Filter Slope
-12, -24, -36 dB
Filter
0–127
Resonance #
Filter Gain
0– +12 dB
Level
0–127
Explanation
Amount of attenuation per octave
-36 dB: extremely steep
-24 dB: steep
-12 dB: gentle
Cutoff frequency of the filter
Increasing this value will raise the
cutoff frequency.
Filter resonance level
Increasing this value will emphasize
the region near the cutoff frequency.
Amount of boost for the filter output
On/off switch for cyclic change
How the cutoff frequency will be mod-
ulated
TRI: triangle wave
SQR: square wave
SIN: sine wave
SAW1: sawtooth wave (upward)
SAW2: sawtooth wave (downward)
SAW2
Rate of modulation
Depth of modulation
Speed at which the cutoff frequency
will change
This is effective if Modulation Wave
is SQR, SAW1, or SAW2.
Output level
L out
R out
Explanation
Cutoff frequency at each step
Rate of modulation
Speed at which the cutoff frequency
changes between steps
Filter type
Frequency range that will pass
through each filter
LPF: frequencies below the cutoff
BPF: frequencies in the region of the
cutoff
HPF: frequencies above the cutoff
NOTCH: frequencies other than the
region of the cutoff
Amount of attenuation per octave
-12 dB: gentle
-24 dB: steep
-36 dB: extremely steep
Filter resonance level
Increasing this value will emphasize
the region near the cutoff frequency.
Amount of boost for the filter output
Output level
07: ENHANCER
Controls the overtone structure of the high frequencies, adding
sparkle and tightness to the sound.
fig.MFX-07
L in
Enhancer
Mix
R in
Enhancer
Mix
Parameter
Value
Sens #
0–127
Mix #
0–127
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Level
0–127
08: AUTO WAH
Cyclically controls a filter to create cyclic change in timbre.
fig.MFX-08
L in
Auto Wah
2-Band EQ
R in
Auto Wah
2-Band EQ
Parameter
Value
Filter Type
LPF, BPF
Manual #
0–127
Peak
0–127
Sens #
0–127
Polarity
UP, DOWN
Rate #
0.05–10.00 Hz,
note
Depth #
0–127
Phase #
0–180 deg
Low Gain
-15– +15 dB
High Gain
-15– +15 dB
Level
0–127
Adding Effects
2-Band
L out
EQ
2-Band
R out
EQ
Explanation
Sensitivity of the enhancer
Level of the overtones gen-
erated by the enhancer
Gain of the low range
Gain of the high range
Output Level
L out
R out
Explanation
Type of filter
LPF: The wah effect will be applied
over a wide frequency range.
BPF: The wah effect will be applied
over a narrow frequency range.
Adjusts the center frequency at which
the effect is applied.
Adjusts the amount of the wah effect
that will occur in the range of the center
frequency.
Set a higher value for Q to narrow
the range to be affected.
Adjusts the sensitivity with which the
filter is controlled.
Sets the direction in which the frequen-
cy will change when the auto-wah filter
is modulated.
UP: The filter will change toward a
higher frequency.
DOWN: The filter will change to-
ward a lower frequency.
Frequency of modulation
Depth of modulation
Adjusts the degree of phase shift of the
left and right sounds when the wah ef-
fect is applied.
Gain of the low range
Gain of the high range
Output Level
133

Hide quick links:

Advertisement

Table of Contents
loading

Table of Contents