Roland JUNO-G Owner's Manual page 163

[F2 (ASSIGN)]
Parameter Value
Type CC01–31, 33–95,
BEND UP,
BEND DOWN,
START/STOP,
TAP TEMPO,
ARP GRID,
ARP DURATION,
ARP MOTIF,
ARP OCTAVE UP,
ARP OCTAVE DOWN
Range Min 0–127
Range Max 0–127
[F3 (ATV EXP)]
Parameter Value Explanation
Range Min 0–127 Lower limit of the range of the Active Expression.
Range Max 0–127 Upper limit of the range of the Active Expression.
By setting Range Max below Range Min you can invert the range of change.
[F4 (SYNTH)]
Parameter Value
Level & Range
Level 0–127
Chorus Send Level 0–127
Reverb Send Level 0–127
Range 2OCT, 4OCT,
8OCT
Osc1
Osc 1 Waveform SAW, SQR
Osc 1 Pulse Width 0–127
Osc 1 Coarse Tune -48– +48
Osc 1 Fine Tune -50– +50
Osc2 & Sync
Osc 2 Waveform (same as Osc 1)
Osc 2 Pulse Width
Osc 2 Coarse Tune
Osc 2 Fine Tune
Osc 2 Level 0–127
Osc Sync Switch OFF, ON
Filter
Filter Type OFF, LPF,
BPF, HPF,
PKG
Cutoff 0–127
Resonance 0–127
LFO
LFO Rate 0–127
LFO Osc 1 Pitch Depth -63– +63
LFO Osc 2 Pitch Depth -63– +63
LFO Osc 1 Pulse -63– +63
Width Depth
LFO Osc 2 Pulse -63– +63
Width Depth
Settings Common to All Modes (System Function)
Explanation
Function controlled by the D Beam controller
CC01–31, 33–95: Controller numbers 1–31, 33–95
BEND UP: Controls the pitch as specified by the "Pitch Bend Range Up" setting (p. 37).
BEND DOWN: Controls the pitch as specified by the "Pitch Bend Range Down" setting (p. 37).
START/STOP: Starts/Stops the song recorder.
TAP TEMPO: Tap tempo (a tempo specified by the interval at which you move your hand over the D Beam controller).
ARP GRID: Arpeggio Grid
ARP DURATION: Duration of each arpeggiated note
ARP MOTIF: Arpeggio Motif
ARP OCTAVE UP: The range in which the arpeggio is sounded will rise in steps of an octave (maximum 3 octaves).
ARP OCTAVE DOWN: The range in which the arpeggio is sounded will lower in steps of an octave (maximum 3 oc-
taves).
Lower limit of the range of the D Beam controller.
Upper limit of the range of the D Beam controller.
By setting Range Max below Range Min you can invert the range of change.
Explanation
Sets the volume.
Level of the signal sent to chorus
Level of the signal sent to reverb
Range in which the pitch of the solo synth will vary
Waveform
SAW: Sawtooth wave
SQR: Square wave
Pulse width of the waveform
By cyclically modifying the pulse width you can create subtle changes in the tone.
* The Pulse Width is activated when "SQR" is selected with OSC1/2 waveform.
Pitch of the tone's sound (in semitones, +/-4 octaves)
Pitch of the tone's sound (in 1-cent steps)
Adjust the level.
Turning this switch on produces a complex sound with many harmonics.
This is effective when the OSC1 pitch is higher than the OSC2 pitch.
Type of filter
OFF: No filter is used.
LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency (Cutoff) in order to round
off, or un-brighten the sound.
BPF: Band Pass Filter. This leaves only the frequencies in the region of the cutoff frequency, and cuts the rest.
HPF: High Pass Filter. This cuts the frequencies in the region below the cutoff frequency.
PKG: Peaking Filter. This emphasizes the frequencies in the region of the cutoff frequency.
Frequency at which the filter begins to have an effect on the waveform's frequency components
Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound.
Excessively high settings can produce oscillation, causing the sound to distort.
Modulation speed of the LFO
Depth to which the LFO will modulate the Osc 1 pitch
Depth to which the LFO will modulate the Osc 2 pitch
Depth to which the LFO will modulate the pulse width of the Osc 1 waveform
* The Pulse Width is activated when "SQR" is selected with Osc 1 waveform.
Depth to which the LFO will modulate the pulse width of the Osc 2 waveform
* The Pulse Width is activated when "SQR" is selected with Osc 2 waveform.
163