Roland JUNO-G Owner's Manual page 150

Adding Effects
66: OVERDRIVE → CHORUS
fig.MFX-66
L in
Overdrive
R in
Parameter Value
Overdrive 0–127
Drive #
Overdrive L64–63R
Pan #
Chorus Pre 0.0–100.0 ms
Delay
Chorus Rate # 0.05–10.00 Hz, note
Chorus Depth 0–127
Chorus D100:0W–D0:100W
Balance #
Level 0–127
67: OVERDRIVE → FLANGER
fig.MFX-67
L in
Overdrive
R in
Parameter Value
Overdrive 0–127
Drive #
Overdrive L64–63R
Pan #
Flanger Pre 0.0–100.0 ms
Delay
Flanger Rate # 0.05–10.00 Hz, note
Flanger Depth 0–127
Flanger -98– +98 %
Feedback #
Flanger D100:0W–D0:100W
Balance #
Level 0–127
68: OVERDRIVE → DELAY
fig.MFX-68
L in
Overdrive
R in
150
L out
Balance D
Balance W
Chorus
Balance W
R out
Balance D
Explanation
Degree of distortion
Also changes the volume.
Stereo location of the overdrive
sound
Adjusts the delay time from the
direct sound until the chorus
sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the volume balance be-
tween the sound that is sent
through the chorus (W) and the
sound that is not sent through
the chorus (D).
Output Level
Balance D
L out
Feedback
Balance W
Flanger
Balance W
R out
Balance D
Explanation
Degree of distortion
Also changes the volume.
Stereo location of the overdrive
sound
Adjusts the delay time from
when the direct sound begins
until the flanger sound is heard.
Frequency of modulation
Depth of modulation
Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Adjusts the volume balance be-
tween the sound that is sent
through the flanger (W) and the
sound that is not sent through
the flanger (D).
Output Level
L out
Balance D
Balance W
Delay
Balance W
Feedback
R out
Balance D
Parameter Value
Overdrive 0–127
Drive #
Overdrive Pan # L64–63R
Delay Time 0–2600 ms, note
Delay -98– +98 %
Feedback #
Delay HF Damp 200–8000 Hz,
BYPASS
Delay Balance # D100:0W–D0:100W
Level 0–127
69: DISTORTION → CHORUS
The parameters are essentially the same as in "66: OVERDRIVE
CHORUS," with the exception of the following two.
→
Overdrive Drive Distortion Drive, Overdrive Pan
fig.MFX-69
L in
Distortion
R in
70: DISTORTION → FLANGER
The parameters are essentially the same as in "67: OVERDRIVE
FLANGER," with the exception of the following two.
→
Overdrive Drive Distortion Drive, Overdrive Pan
fig.MFX-70
L in
Distortion
R in
71: DISTORTION → DELAY
The parameters are essentially the same as in "68: OVERDRIVE
DELAY," with the exception of the following two.
→
Overdrive Drive Distortion Drive, Overdrive Pan
fig.MFX-71
L in
Distortion
R in
Explanation
Degree of distortion
Also changes the volume.
Stereo location of the over-
drive sound
Adjusts the delay time from
the direct sound until the de-
lay sound is heard.
Adjusts the proportion of the
delay sound that is fed back
into the effect. Negative (-)
settings will invert the phase.
Adjusts the frequency above
which sound fed back to the
effect will be cut. If you do not
want to cut the high frequen-
cies, set this parameter to BY-
PASS.
Adjusts the volume balance
between the sound that is sent
through the delay (W) and the
sound that is not sent through
the delay (D).
Output Level
→
Distortion Pan
L out
Balance D
Balance W
Chorus
Balance W
R out
Balance D
→
Distortion Pan
Balance D
L out
Feedback
Balance W
Flanger
Balance W
R out
Balance D
→
Distortion Pan
L out
Balance D
Balance W
Delay
Balance W
Feedback
R out
Balance D
→
→
→