Velocity Range - Roland JUNO-G Owner's Manual

Creating a Patch

VELOCITY RANGE

You can use the force with which keys are played to control the way each Tone is played.
fig.TMT-V.e
The tone sounded
Level
when you play softly
Velo Fade Lower
Velo Range Lower
Parameter Value
Tone Mix Velo Con- OFF, ON,
trol RANDOM,
CYCLE
Control Switch OFF, ON
Velo Fade Lower 0–127
Velo Range Lower 1–(Upper)
Velo Range Upper (Lower)–127
Velo Fade Upper 0–127
When using the Matrix Control to have different tones played, set the lowest value (Lower) and highest value (Upper) of the value of the
MIDI message used.
Instead of using Velocity, you can also have tones substituted using the Matrix Control. However, the keyboard velocity and the Matrix
Control cannot be used simultaneously to make different tones to sound. When using the Matrix Control to switch tones, set the Tone Mix
Velo Control parameter to "OFF."
Modifying Waveforms/Pitch/Pitch Envelope
WAVE PARAMETER
Parameter Value
Wave Group INT, EXP,
SAMP
Wave Bank PRST, USER,
CARD
Wave No. L (Mono) ----, 1–1267
Wave No. R
Wave Gain -6, 0, +6, +12
Wave Tempo Sync OFF, ON
38
The tone sounded
when you play strongly
Velocity
Velo Fade Upper
Velo Range Upper
Explanation
Determines whether a different tone is played (ON) or not (OFF) depending on the force with which the key is played
(velocity).
RANDOM: The patch's constituent tones will sound randomly, regardless of any Velocity messages.
CYCLE: The patch's constituent tones will sound consecutively, regardless of any Velocity messages.
Use the Matrix Control (p. 44) to enable (ON), or disable (OFF) sounding of different tones.
Determines what will happen to the tone's level when the tone is played at a velocity lower than Velo Range Lower.
If you don't want the tone to sound at all, set this parameter to "0."
Specifies the lowest velocity at which the tone will sound.
Specifies the highest velocity at which the tone will sound.
Determines what will happen to the tone's level when the tone is played at a velocity greater than Velo Range Upper.
If you don't want the tone to sound at all, set this parameter to "0."
Explanation
Group for the waveform that is to be the basis of the tone
INT: Waveforms stored in internal
EXP: Waveform stored in a Wave Expansion Board (SRX series) installed in EXP slots
SAMP: Sample waveforms
When the Wave Group is SAMP: PRST, USER, CARD
When the Wave Group is MSAM: USER, CARD
Basic waveform for a tone (The upper limit will depend on the wave group.)
When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified.
If you want to select a left/right pair of Waves, select the left (L) Wave number, and then hold down [SHIFT] and
press [F4 (STEREO)] to add a check mark (✔); the right (R) (Wave) will be recalled.
Gain (amplification) of the waveform
The value changes in 6 dB (decibel) steps—an increase of 6 dB doubles the waveform's gain.
* If you intend to use the Booster to distort the waveform's sound, set this parameter to its maximum value (p. 36).
When you wish to synchronize a Phrase Loop to the clock (tempo), set this to "ON."
* This is valid only when a separately sold wave expansion board is installed, and a waveform that indicates a tempo (BPM) is
selected as the sample for a tone.
If a waveform from a wave expansion board is selected for the tone, turning the Wave Tempo Sync parameter "ON"
will cause pitch-related settings and FXM-related settings to be ignored.
• If a sample is selected for a tone, you must first set the BPM (tempo) parameter of the sample.
• If a sample is selected for a tone, Wave Tempo Sync will require twice the normal number of voices.
• When this parameter is set to "ON," set the Tone Delay Time parameter (p. 45) to "0."