ESI ESI2000 Operation Manual page 211

!
Caution: The LFO routing will be ignored
if a realtime controller is assigned to the
same destination. For example, if you have
routed LFO->Pitch in this screen, and then
route the mod. control to LFO->Pitch, the
setting made in this screen will be ignored.
!
Caution: When VCA Level is set to
100%, additional modulation from pedals,
LFOs, etc. will not increase the level. You
must reduce the VCA level (Dynamic
Processing, 2) from the 100% mark for
additional modulation to have any effect.
Triangle
Sine
LFO Waveforms.
4. Select page two by pressing the right cursor button. The second
page shows:
Variation:
LFO->Pitch:
LFO->Cutoff:
• LFO Variation: provides a way to create the illusion of multiple
players, each having an individual modulation rate. The depth of
LFO modulation applied to each parameter is variable from 0 to
100%. With 0% variation, each key will have the same LFO rate.
Increasing variation (to a maximum of 100%) alters the LFO rate for
each key you play. The higher the number, the greater the variation
in LFO rate. For effects such as ensemble playing, the variation
feature is invaluable.
• LFO ->Pitch: produces vibrato effects.
• LFO ->Cutoff: varies the VCF' s cutoff frequency in a cyclic fashion.
This is useful for adding shimmering effects to a sound.
5. Select page three by pressing the right cursor button. The third
page displays the following LFO routing options:
LFO->VCA:
LFO->Pan:
• LFO -> VCA: produces tremolo effects by altering the overall level
of a zone in a cyclic fashion.
• LFO -> Pan: cyclically varies the placement of the audio output of a
zone within the stereo field.
6. Press ENTER to exit the submodule. The ESI returns to the
Module Identifier.
Sawtooth
Square
LFO
0%
0%
0%
LFO
0%
0%
Dynamic Processing
203