Page 1 DCX-1000i DCX-500i DCX-1500i DCX-1000FD DCX-500FD DCX-1500FD...
Page 3: Projector Overview
1 InTRoDUCTIon 1.1 Projector overview Wolf Cinema DCX-i and DCX-FD units are all professional 3-chip projectors based on next-generation Digital Light Processing™ (DLP™) technology by Texas Instruments™ to deliver high quality, crisp, clean images. Wolf Cinema projectors provide powerful combination of HD resolution,...
Page 4: Warranty
Power cord • Stereo 3D Cable (XXXX only) • Warranty Card lamp Type Model name Resolution Wolf WaRP 3D Motorized lens Mount ●  500W Models DCX-500i HD 1080p Optional ●  DCX-500FD HD 1080p Optional ●  1000W Models DCX-1000i...
Page 5: Installation And Setup
seCTIon 2 InsTallaTIon & seTUP 2.1 Quick setup The instructions provided here are for those that are familiar with the projector and wish to quickly set it up and use it temporarily. Refer to the remaining subsections of this manual for a more complete setup.
Page 6 Section 2 ► Installation and Setup step 4 ConneCT The PoWeR CoRD The north american-rated power cord is provided with each projector. ensure that you are using a power cord, socket and power plug that meets the appropriate local rating standards. Plug the power cord to the AC receptacle located on the right hand side of the projector and the 3-pronged end into a grounded AC outlet.
Page 7 Section 2 ► Installation and Setup 2.2 Installation Proper installation of your projector will ensure the quality of your display. Whether you are installing a projector temporarily or permanently you should take the following into account to Considerations ensure your projector performs optimally. Choose the installation type that best suits your needs: front or rear screen, floor mount or Installation Type inverted mount.
Page 8 Section 2 ► Installation and Setup ReaR sCReen InsTallaTIons There are two basic types of rear screens: diffused and optical. A diffused screen has a surface, which spreads the light striking it. Purely diffused screens have a gain of less than one. The main advantage of the diffused screen is its wide viewing angle, similar to that of a flat screen for front screen projection. This type of screen is suitable when a wide viewing angle is required but there is low ambient room lighting.
Page 9 Section 2 ► Installation and Setup Projector Position and ThRoW DIsTanCe Throw distance is the distance measured from the screen to the front of the projector. This is Mounting an important calculation in any projector installation as it determines whether or not you have enough room to install your projector with a desired screen size and if your image will be of the right size for your screen.
Page 10 Section 2 ► Installation and Setup VeRTICal anD hoRIzonTal PosITIon The correct vertical and horizontal position of the projector in relation to the screen depends on the lens type and the screen size. Ideally, the projector should be positioned perpendicular to the screen. This way, the image will appear rectangular instead of keystoned (trapezoidal). The vertical position of the image can be offset –...
Page 11 Section 2 ► Installation and Setup Iso - Rear Left View Top View Iso - Front Right View Rear View Side - Left View Side - Right View Iso - Rear Left View Top View Iso - Front Right View Rear View Side - Left View Side - Right View Top View Iso - Rear Left View...
Page 12 Section 2 ► Installation and Setup Iso - Rear Left View Top View Iso - Rear Left View Top View Iso - Front Right View Iso - Front Right View Rear View Rear View Side - Left View Side - Right View Side - Left View Side - Right View Iso - Rear Left View Iso - Rear Left View...
Page 13 Section 2 ► Installation and Setup The horizontal position of the image can be offset – that is moved to the left or right of lens center, by adjusting the fully motorized lens mount through software. The amount of horizontal offset available depends on the lens installed and if the image has already been vertically offset. Horizontal offset can also be expressed as the percent of half the image width –...
Page 14 Section 2 ► Installation and Setup Iso - Rear Left View Top View Top View Iso - Rear Left View Iso - Front Right View Iso - Front Right View Side - Left View Rear View Side - Left View Side - Right View Rear View Side - Right View Iso - Rear Left View Iso - Rear Left View...
Page 15 Use only the Wolf CIneMa approved ceiling mount kit designed for your projector. Refer to the installation instructions and safety guidelines provided in the kit.
Page 16: Connecting Sources
Section 2 ► Installation and Setup 2.3 Connecting sources Sources connect to the Input Panel located at the back of the projector. See Figure 2.6. The upper right corner (INPUT 1) typically accepts an RGB signal from an external analog RGB source, or it can also be used for YPbPr signals or additional video sources. Just beside these BNCs, the DVI-I connector (INPUT 2) accepts digital or analog display signals from a computer.
Page 17 Section 2 ► Installation and Setup Video Source Figure 2.7 Connecting RGB and Sync noTes: 1) If for some reason the projector fails to recognize a signal as an RGB signal, specify this Color Space option within the Picture Adjustments menu. See 3.5 Adjusting the Image. 2) To connect YPbPr signals–such as from DVDs or analog HDTV sources–to INPUT 1, use the red, green and blue BNCs as described in YPbPr Signals (below).
Page 18 Section 2 ► Installation and Setup Composite and s-Video InPUT 3 and InPUT 4 provide simultaneous connection of both a composite video source (InPUT 3) and an S-Video source (InPUT 4). See Figure 2.9. Figure 2.9 Connecting Composite or S-Video sources DVI Digital Video Use the DVI-I connector at InPUT 2 to connect either analog or digital video devices to the projector.
Page 19: Connecting Communications
Section 2 ► Installation and Setup 2.4 Connecting As an alternative to the projector’s keypad or remote, you may wish to communicate with the projector using a PC or other controller. Such a device sends commands and receives feedback Communications via serial links (RS232 and RS422), Ethernet or GPIO communications to the projector, all described below.
Page 20 Section 2 ► Installation and Setup ConneCTIng Rs-422 If you wish to control the projector with a computer and or other controlling device with RS-422 capability, connect a RS-422 serial communication cable between the computer and the RS-422 port on the projector (see Figure 2.11). RS-422 is better suited for serial communication over long distances then is RS-232 communication.
Page 21 Section 2 ► Installation and Setup seTTIng The PRojeCToR’s IP aDDRess: Upon connection to most Ethernet networks, each projector’s factory default IP address of 0.0.0.0 triggers the network’s DHCP (Dynamic Host Configuration Protocol) server function to automatically assign an IP address that is valid and unique for use on that network. Depending on the network, this DHCP-assigned IP address usually remains stable for a single session, but may change with subsequent power-ups and logins.
Page 22: Power Connector
Section 2 ► Installation and Setup 2.5 system Integration The GPIO connector on the input panel can be used to provide a method of interfacing a wide range of external I/O devices to the projector. - gPIo Connector Refer to Appendix D: System Integration for complete details on pin configuration and how to program the various pins on the connector.
Page 23: Operation
seCTIon 3 oPeRaTIon Top View Iso - Front Right View 3.1 about the Projector This section explains how to effectively operate the projector once it has been installed. It is recommended that you read this section and familiarize yourself with the components and the available menu options before you begin using your projector for the first time.
Page 24 Section 3 ► Operation Input Panel All source connections are made to the input panel located at the back of the projector. Connect RGB or YPbPr sources to InPUT 1, analog or digital display signals to InPUT 2, composite video to InPUT 3, and S-Video to InPUT 4. Any of the available optional modules can be installed in InPUT 5 and/or InPUT 6.
Page 25: Built-In Keypad
Section 3 ► Operation 3.2 Using the Remote or laser radiation is emitted from the laser diode in the remote. Do not look directly into built-in Keypad the beam of the remote. The projector can be controlled using one of the following keypads: •...
Page 26 Section 3 ► Operation Theater Master Figure 3.2. Remote Keypad Remote Control Quick Setup Quick Setup Press and hold to toggle or press twice to toggle or press and release, followed by ▲ ON or ▼ OFF * These are toggle keys, which require you to press and hold or press twice or press and use the up/down arrow keys.
Page 27 Section 3 ► Operation Wired Remote You can convert the IR remote into a wired remote keypad using the cable provided with the projector. Connect one end into the remote and the other to the mini stereo connector on the input panel labeled as ReMoTe. The wired remote is recommended when: •...
Page 28 Section 3 ► Operation Channel Channel to select a specific source setup (channel) defined and stored in projector memory. Press Channel Once you enter a two-digit channel number (or, if there is a list displayed, highlight it and press  ), the display will automatically change and update according to the numerous setup parameters defined for that channel. Note that a new channel is automatically created if you adjust an image from a new source.
Page 29 Section 3 ► Operation ConTRasT Contrast to change the amount of white in your images. Use   keys until you reach Press Contrast the desired level of contrast — for best results, start low and increase so that whites remain bright but are not distorted or tinted and that light areas do not become white (i.e., “crushed”). Conversely, low contrast causes dim images.
Page 30 Section 3 ► Operation fUnCTIon KeY Func If WIThIn a MenU: Using the for special tasks within the menu system is noted with the Func appropriate topic elsewhere in Section 3. For example, press in the Channel Setup menu Func to enable deletion or copying of a channel. seTUP fUnCTIons: Press followed by a 2-digit number Func...
Page 31 Section 3 ► Operation aRRoW KeYs   keys to change a slidebar value or to select a different option within a pull- Use the down list without having to first scroll through options. See also Editing Text later in Section 3. Use the   keys to navigate within a menu, pull-down list or text box. lens foCUs, zooM anD lens h shIfT, lens V shIfT Focus Zoom...
Page 32: Navigating The Menus
Section 3 ► Operation 3.3 navigating the Menus Most of the controls for the projector are accessed from within the projector’s menu 1. Geometry and Position system. There are several groups of related 2. Picture Adjustments functions, with each group selectable from the Main menu as shown at right. Press 3.
Page 33 Section 3 ► Operation Press from the presentation level to access general Help Topics. Scroll as necessary Help within a topic; press to return to your presentation. Help Exit Using help setup Keys source (Input) selection 2 Digit status Display Time-outs If a slidebar, menu or message is displayed you have limited time in which to make a keypad entry before the projector returns to presentation level and the graphic disappears.
Page 34 Section 3 ► Operation slIDebaRs In MenUs — The current value for a given parameter, such as size or vertical stretch, appears to the left of its slidebar icon (adjustment window). This number often expresses a percentage, or it may have units associated with it (such as pixels, degrees Kelvin, etc.), depending on the specific option. Press ...
Page 35 Section 3 ► Operation editing Text aCTIVaTe The eDIT WInDoW: To enter or edit text, highlight the desired parameter (such as a  channel name) and press to activate its adjacent edit window. Any previously entered text is displayed with its first character highlighted in a square cursor, signifying that this character is ready for editing.   naVIgaTe WIThIn The eDIT WInDoW: Press to move the cursor forward or move the cursor backwards as desired.
Page 36 Section 3 ► Operation 3.4 Using Inputs and noTe: See Section 2, Installation and Setup, for details on connecting sources to the projector. Channels The projector stores and automatically recalls up to 50 different channels (source setups) for a variety of inputs. This memory feature allows you to define and conveniently use a wide variety of customized setups rather than having to repeatedly re-configure the projector for different presentations. Depending on what you have defined, each physical source connection (i.e., input at the projector) can have several different channels associated with it.
Page 37 Section 3 ► Operation Shown at right is a sample channel list as would be available from . This is typically called the Channel channel list. noTe: The key may display a channel list or Channel not, depending on what you have defined for “Display Channel List”...
Page 38 Section 3 ► Operation What Channels are All available channels are listed defined so far? in the Channel Setup menu, which describes how each channel can be accessed and which serves as the gateway for editing, copying and deleting channels. Figure 3.9. All Channels Appear in the Channel Setup Menu Press from the presentation level to display the Main menu.
Page 39 Section 3 ► Operation fUnCTIons WIThIn The Channel seTUP MenU — To copy, delete or edit a channel, highlight the desired channel in the Channel Setup menu and do one of two things: • Press if you want to copy the selected channel or delete this or other channels. See Func Copying or Deleting a Channel below.
Page 40 Section 3 ► Operation To DeleTe MUlTIPle Channels, highlight any channel in the Channel Setup menu and press to go to the Channel Copy/Delete submenu. Select “Delete Unlocked Only” and Func  press to delete all unlocked channels. Or select “Delete All Channels” to delete all channels, even those that are locked. In either case, the current channel will remain but will be redefined from projector defaults.
Page 41: Adjusting The Image
Section 3 ► Operation • aUTo soURCe: If checked, (default), the projector can automatically locate this channel when an incoming input signal matches. If not checked, the projector can locate the selected channel only when it is directly selected via on the keypad — and a change in input Channel signal will not result in a channel change.
Page 42 Section 3 ► Operation geometry and In the Geometry and Position Geometry and Position menu, you can increase or Position Menu Resize Presets No Resizing decrease the size of your Size 1000 image, change its proportion Vertical Stretch 1000 (aspect ratio), move the image Pixel Track to a specific area of the screen, Pixel Phase...
Page 43 Section 3 ► Operation • Select “DefaUlT” for most sources (factory default). The image will be centered and displayed as large as possible depending on the type of source. • Select “no ResIzIng” to display the image in its native resolution, which may or may not match the projector’s 1400 x 1050 resolution.
Page 44 Section 3 ► Operation PIxel Phase noTe: Adjust “Pixel Phase” after “Pixel Tracking”. Adjust pixel phase when the image (usually from an RGB source) still shows shimmer or “noise” after pixel tracking is optimized. Pixel phase adjusts the phase of the pixel sampling clock relative to the incoming signal.
Page 45 Section 3 ► Operation blanKIng (ToP, boTToM, lefT, and RIghT): Crop the image as desired so that unwanted edges are removed from the display (changed to black—see right). Blanking defines the size of the Active Input Window, or area of interest. Range of adjustment depends on the source resolution and other factors. After adjustment of blanking it may be necessary to perform a source switch.
Page 46: Picture Adjustments
Section 3 ► Operation Picture adjustments Menu options Picture Picture Adjustments Adjustments menu to alter your image without affecting its size or position. Changes made to the Picture Adjustments menu are applied immediately and are saved when you exit the menu (press ). Options Exit Menu not available for the projector...
Page 47 Section 3 ► Operation fIlTeR The proper filter setting is automatically set for virtually all signals, and rarely needs to be changed. It applies a low pass filter for noise reduction in the incoming input signal, particularly for HDTV or SDTV. Applied in the analog domain before sampling, this filtering removes high frequencies and thus reduces pixel phase noise (note this also reduces signal bandwidth). Override only if standard pixel tracking and phase adjustments do not adequately clear up a “noisy” video signal, or if a graphics signal appears overly “soft”.
Page 48: Video Options
Section 3 ► Operation VIDeo oPTIons — sUbMenU Video Options This submenu is used with video sources Auto Color Level only (InPUTs 3 or 4). Video Standard Input Video Black Enhanced 0 IRE aUTo ColoR leVel: Auto Color Level Color affects decoded video images only. Enter Tint a checkmark (default) in most instances —...
Page 49: Input Levels
Section 3 ► Operation ColoR: This slidebar adjusts the Color Temp Adjust level, i.e. the amount of color in a video image. Lower settings produce less saturated colors — for example a setting of “0” produces a black and white image. If the color level is too high, colors will be overpowering and unrealistic. TInT: This slidebar adjusts the red/green color hue for true color reproduction of video signals connected to INPUT 3 or 4 of the projector.
Page 50 Section 3 ► Operation aUTo InPUT leVel – Temporarily enter a checkmark only if you are an experienced user and you have an unusual source that you feel needs further color temperature and/or input level adjustment. This compensates for incoming out-of-range drives (white) and black levels (black) that would cause “crushing”...
Page 51 Section 3 ► Operation noTes: 1) Input levels apply for the current source only, but for any color temperature used. 2) Assuming that color temperature has been set up based on the internal test patterns, you can then set up input levels for a given source so that it matches the color temperature of the internal test patterns.
Page 52: Advanc Ed Image S Ettings
Section 3 ► Operation aDVanCeD IMage seTTIngs Advanc ed Image S ettings — sUbMenU Graphics Gamma Table Use the Advanced Image Settings Max. Drives Select Color Adjustment submenu to make the adjustments 7600 Color Temperature necessary for lesser-used but more Iris specialized applications your projector.
Page 53 Section 3 ► Operation ColoR TeMPeRaTURe — Adjust to apply a specific and accurate color temperature to all displays. Color temperatures are expressed in degrees Kelvin (3200-9300K), and utilize different combinations of the projector’s original native color primaries to produce a “coloration” or cast (reddish or bluish) in images—the lower the temperature, the more reddish the cast; the higher the temperature, the more bluish the cast.
Page 54 Section 3 ► Operation aDVanCeD IMage seTTIngs - sUbMenU (ConTInUeD) MoTIon fIlTeR — This control is most useful for smoothing out moving images from interlaced sources. In most cases the proper Motion Filter setting is automatically determined according to the type of incoming source signal. However, if your source is jittery and/or tearing you may wish to “force”...
Page 55: Advanced Controls
Enter a checkmark to enable the projector to automatically power up after losing power due to a power failure or due to unplugging the projector during operation. Wolf Cinema recommends that this be left unchecked, as a power loss in an unattended house will result in the projector turning on without anyone realizing it is on.
Page 56: Menu Preferences
Section 3 ► Operation MenU PRefeRenCes — sUbMenU Use the options in this submenu to adjust the appearance, content and/or location of on-screen menus and messages. Display Bar Scale Splash Screen Setup Always On laRge MenU fonT — Enter a checkmark to enlarge menus and their text. You may have to adjust “Menu Location”...
Page 57 Section 3 ► Operation System Configuration Settings in the Communications submenu define and control how single or multiple projectors are linked with each other and with a controlling device. — CoMMUnICaTIons — 10. Wired Keypad Protocol baUD RaTes The baud rate setting determines the speed of communication to and from the projector on the RS232 or RS422 links. The maximum rate for the RS232 is 115200; for RS422 it is 19200. Set the baud rate to match that of your controlling device, such as your PC.
Page 58: Ethernet Settings
Section 3 ► Operation Rs232 anD Rs422 joIneD: Messages originating from an RS232 or RS422 controller will be relayed to all RS232or RS422 ports. Any Ethernet communication, however, will not. Rs232 anD eTheRneT joIneD: Messages to and from the RS232 ports will also be relayed to the Ethernet port, and vice versa.
Page 59: Geometry And Color
Figure 3.16. Keystone Adjustment noTe: Wolf Cinema recommends that the keystone feature not be used unless absolutely necessary, as it may cause some artifacting in the image.
Page 60: Edge Blending
Section 3 ► Operation WhITe fIelD UnIfoRMITY — sUbMenU Corrects for shadows caused by short throw or anamorphic lenses. eDge blenDIng — sUbMenU The Edge Blending submenu provides a range of controls for smoothing together the overlapping bright edges of multiple adjacent projected images to create a single larger “seamless” image. These controls, which primarily affect white levels, are typically used in conjunction with mechanical lens blinders (optional), which are installed on the front of the projector and which primarily affect black levels.
Page 61: Color Adjustments By X,Y
Section 3 ► Operation DefInIng “UseR” ColoR gaMUTs: In some cases, you may find that none of the pre- defined “Select Color Adjustment” options exactly suit your needs. For example, you may require a unique color gamut (range) for a single projector or application, or you may need to precisely match colors across multiple adjacent displays. In such cases, use the Color Adjustments by X,Y or Color Temp Adjust submenu to define the precise hue of each primary color component (red, green, blue, and white) used to generate the millions of colors produced in displays.
Page 62 Section 3 ► Operation Figure 3.17. Chromaticity Diagram (without Yellow Notch Filter) noTe: Keep new x,y coordinates within the original color gamut triangle shown here. Color Temp Adjust ColoR TeMP aDjUsT: Use this submenu if you do not have specific color coordinates in mind and will simply judge color performance by meter.
Page 63: Diagnostics And Calibration
Section 3 ► Operation blaCK eDge blenDIng — sUbMenU Black Edge Blending is a feature that eliminates the differences between black levels when edge blending multiple projectors. The Black Edge Blending submenu provides many controls to allow the edges of adjacent images to be smoothly overlapped creating a “seamless” image. Edge blending smoothes white levels, and if edge blending is not in use, Black Edge Blending is disabled.
Page 64 Section 3 ► Operation TesT PaTTeRn gReY leVel Set the desired level of grey for displaying in the full gray field test pattern. fReeze IMage Enter a check mark to freeze (stop) an image on a single frame. This diagnostic tool is useful if you need to examine in detail a still version of an incoming image that cannot be “frozen” at the source. For example, in moving images it is sometimes difficult to observe artifacts such as external de-interlacing/resizing and signal noise.
Page 65 Section 3 ► Operation noTes: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain. 3) Odd Pixel Adjustment eliminates “one pixel on, one pixel off” artifact only, not any type of larger artifacts. ReseRVeD No function.
Page 66 Section 3 ► Operation lens VaRIsCoPe sYsTeM (lVs™) CalIbRaTIon This option allows you to choose between three types of lens calibrations. Reference calibration determines a reference point that is used as a defined starting position for relative motion of the lens. All positioning is measured from this reference point. A reference calibration is lost when power is removed from the projector and will occur on every power up as long as LVS™ is enabled.
Page 67: Working With Pip Or Seamless Switching
Section 3 ► Operation 3.7 Working with PIP or PIP (Picture-in-Picture) and Seamless Switching are independent but related projector features that both utilize two image-processing paths within the projector. In the case of Picture-in- seamless switching Picture, this double processing enables you to display two different images simultaneously – typically a smaller “secondary”...
Page 68: Pip Size And Position
Section 3 ► Operation sWaP MaIn anD PIP IMage Toggle the current picture-in-picture relationship so that the primary (main) image becomes secondary (PIP), and the secondary image becomes primary. Swapping is available only when PIP is enabled. noTe: There may be a slight delay when swapping the Primary and Secondary images. PIP enable Short cut: Press on the Remote if menu not present.
Page 69 Section 3 ► Operation Working with seamless Seamless Switching is the ability to instantly and/or smoothly switch sources, and is controlled with options 7 and 8 in the PIP menu. To use Seamless Switching, PIP must be disabled. switching Tips for best source switching: •...
Page 70 Section 3 ► Operation 3.8 Working with the Whenever you install a new lamp in the projector, access the Lamp menu to record the lamp serial lamp number in the projector’s memory. You can also choose a lamp mode for regulating power and light Lamp Message output, change Iris size, and access other read- Lamp Limit...
Page 71 Section 3 ► Operation Lamp modes are described below: • Max brightness: The lamp will always burn as brightly as possible, driven by 100% of the power level rating for the installed lamp (see Section 6, Specifications). Keep in mind that the “maximum brightness” for any lamp gradually diminishes with age — images will become dimmer over time.
Page 72 Section 3 ► Operation For example, a 1000 watt lamp can be driven at no more than 1000 watts. To produce desired brightness at the screen, a new lamp would likely need less than this maximum rating — perhaps 812 watts (example only). Over time, however, the lamp will require more and more current in order to generate the desired light, until eventually the lamp wattage reaches its 1000-watt maximum and the lamp power automatically levels off.
Page 73 Section 3 ► Operation noTe: Enter a serial number only if you have just installed a new lamp. This will help ensure that lamp timer is not reset on an old lamp and that the number of hours logged on the lamp will be accurate.
Page 74: Achieving White Field Uniformity
Section 3 ► Operation 3.9 achieving White WhaT Is WhITe fIelD UnIfoRMITY? field Uniformity • No area of the screen appears more red, green or blue than another • No area of the screen appears brighter than another • Color and light output from one screen closely matches adjacent screens Before You Begin Read through the entire procedure before attempting to adjust White Field Uniformity controls, and keep in mind the following checklist of prerequisites and guidelines: ...
Page 75 Section 3 ► Operation sTeP 1: geneRal seTUP 1a) Adjust primary colors (see Matching Colors in Multiple Screens) to ensure matched overall color temperatures and light output between screens. IMPORTANT Double-check that all WHITES and LIGHT OUTPUT are well-matched. 1b) Enable the White Field Uniformity checkbox. White Field Uniformity This will enable access to the uniformity Uniformity Enable...
Page 76 Section 3 ► Operation sTeP 2: aDjUsT ColoR (leVel of ReD/gReen/blUe) In eIghT zones noTes: 1) At this point, ignore the brightness of individual zones. 2) Always ignore menu colors. 2a) On each screen, compare the color temperatures in the eight target zones (four edges and four corners) to that of the color temperature of the center.
Page 77: Edge Blending
Section 3 ► Operation Figure 3.22. Match Zones to Center Light Output sTeP 4: ReaDjUsT ColoR TeMPeRaTURe (leVel of ReD/gReen/blUe) In eIghT zones noTes: 1) At this point, ignore the brightness of individual zones. 2) Always ignore menu colors. 4a) Return to Steps 2a & 2b and, if necessary, fine-tune the zones so that they all still exhibit a single color temperature.
Page 78 Section 3 ► Operation For best results, use the same projector model and type throughout your display wall. In addition, avoid high-gain screens whenever possible—the optical performance of such screens demands minimal image offset, thus projectors must be located very close to one another. Edge blending software controls are located in the two-page Edge Blending submenu—access via Display Setup menu, then go to the Geometry and Color menu and select Edge Blending.
Page 79 Section 3 ► Operation • Overlap turns your defined show blending blend width area to solid gray so that, if needed, simply overlapping the gray bars can seamlessly align two adjacent images. Toggle the Show Blending Overlap off to reactivate the blend effect. noTe: Blending Overlap appears Reserved when Wolf WARP is installed.
Page 80 Section 3 ► Operation seT blenD WIDTh: On one projector, increase the Blend Width for an overlapping edge (for example, if the projector’s image is on left, its right edge overlaps the adjacent image — adjust Right Blend Width). Use the same setting on the second projector for this shared edge.
Page 81: Remote Control Of The Projector
Section 3 ► Operation Use the following three color slide bars, Black Red Level, Black Green Level and Black Blue Level, so the black hue of each projector matches. You can choose which of the next four options, Top, Bottom, Left, Right, to use depending on which edge of the projector you are working with has been edge blended.
Page 82: Error Conditions
Such a condition can be caused by a simple invalid keypad entry, an input signal error (most common) or a system error. The manner in which users are to be notified of error conditions is set in the Menu Preferences menu: • To see error messages displayed on-screen, select the “ screen” or “all” option (recommended by Wolf Cinema). • To be notified via a serial communication only, select the “ Rs232” option. • To receive both types of notifications, select “...
Page 83 Section 3 ► Operation system Warnings / errors When the projector encounters a system malfunction, either a System Warning message or a System Error message may appear. Both types of messages are accompanied by a numerical error code on the status LED display. A system malfunction can be cleared with from Exit Exit...
Page 84 Unable to access EEPROM on the built-in keypad CRC error in flash ROM. Download new software. EEPROM memory re-initialization on the built-in keypad Engineering-only programming is complete. Call Wolf Cinema, replace TIPM. PANEL DRIVER AND FORMATTER Attempting to download code without being in boot mode Unrecognized Panel Driver Invalid interrupt.
Page 85: Maintenance
seCTIon 4 MaInTenanCe 4.1 Warnings and safety The projector is an international regulatory agency approved product designed for safe and reliable operation. To assure complete safety at all times it is important to acknowledge the guidelines following precautions while operating the projector. WaRnIng always power down the projector using appropriate procedure and disconnect all power sources before cleaning or servicing.
Page 86 Use only the attachments and/or accessories recommended by Wolf Cinema. Use of others may result in the risk of fire, shock or personal injury. WaRnIng Use only an aC power cord recommended by Wolf Cinema.
Page 87 WaRnIng Do not attempt to service the projector yourself. all servicing must be performed by Wolf Cinema accredited service technicians. Use replacement parts that are manufacturer-approved only. Use of any other part other than the ones specified by the manufacturer can result in fire, electric...
Page 88 Section 4 ► Maintenance 4.2 Cleaning and Part Frequency Action Maintenance guide Description Clean the lens only when absolutely necessary. A small amount of dust on the lens has very little effect on picture quality. To clean: Use a soft microfiber cloth without any chemicals. Use only a high-quality coated optics cleaning fluid, which can be purchased from most camera supply stores.
Page 89: Lamp Replacement
Use the following instructions when replacing the lamp. The lamp is located at the back of the projector (below the input panel) and can be accessed by removing the lamp access panel. Use only the Wolf Cinema approved Lamp for your specific projector model. See Table 4.2 below. Table 4.2. Lamp Guide...
Page 90: Top View
A qualified service technician must perform lamp replacement. Cool the lamp completely and handle by the housing only. Install the correct wattage lamp supplied by Wolf Cinema (see above) and read the lamp Replacement procedure in its entirety before proceeding.
Page 91: Front-Right View
Front Right View Section 4 ► Maintenance Release The laMP loCK Pull out and turn the lamp lock lever, which is located to the left of the lamp module, and turn it ¼ turn counter clockwise to the “unlock” position. See Figure 4.3. Top View Figure 4.3.
Page 92 Section 4 ► Maintenance loCK In The neW laMP MoDUle Pull out and turn the lamp lock lever (turned up in Step 4) ¼ turn clockwise to “lock” the lamp in place. noTe: If you can’t turn the lamp lock into position, it is likely the lamp is not fully inserted. In this case, partially remove the lamp and try pushing it back in again.
Page 93: Replacing The Projection Lens
Section 4 ► Maintenance A variety of lenses can accommodate different throw distances and specific types of installations. 4.5 Replacing the Refer to Section 6 - Specifications for details. To change a lens, follow the steps below. No tools Projection lens are required for “compact” lenses shown. sTeP 1 TURn off The PRojeCToR, Cool anD UnPlUg noTe: If necessary, a lens can be swapped out while the projector is running, but this can result in dust being drawn into the projector.
Page 94 Section 4 ► Maintenance sTeP 3 RoTaTe The lens Rotate lens counter- clockwise until the tabs are free from the lens retainer ring. See Figure 4.8A. noTe: The connector slide assembly allows the connector to move as the lens is rotated. sTeP 4 PUll lens oUT Lens connectors will disconnect when you pull the lens straight...
Page 95: Specifications
5 sPeCIfICaTIons DCx-500i and DCx-500i DCx-500fD DCx-500fD Cinema Contrast three chip DLP™ light engine Cinema Contrast three chip DLP™ light engine light engine Filmic Color Correction Filter Filmic Color Correction Filter Color filter Xenon lamp 500W Xenon lamp 500W...
Page 96 Section 5 ► Specifications DCx-1000i and DCx-1000i DCx-1000fD DCx-1000fD Cinema Contrast three chip DLP™ light engine Cinema Contrast three chip DLP™ light engine light engine Filmic Color Correction Filter Filmic Color Correction Filter Color filter Xenon lamp 1000W Xenon lamp 1000W lamp VariScope constant height lens system VariScope constant height lens system lens system .67:1** RP lens...
Page 97 Section 5 ► Specifications DCx-1500i and DCx-1500i DCx-1500fD DCx-1500fD Cinema Contrast three chip DLP™ light engine Cinema Contrast three chip DLP™ light engine light engine Filmic Color Correction Filter Filmic Color Correction Filter Color filter Xenon lamp 1225W Xenon lamp 1225W lamp VariScope constant height lens system VariScope constant height lens system lens system .67:1** RP lens...
Page 98: Keypad Reference
aPPenDIx a KeYPaD RefeRenCe noTe: The IR remote is a standard component provided with the projector. Use the extension cable also provided to convert the IR remote to a wired remote, if desired. Refer to Section 3 for a specific description of each key and how to use them correctly. Quick Setup Quick Setup...
Page 99: Serial Communications
aPPenDIx b seRIal CoMMUnICaTIons A serial link of RS232 or RS422 enables ASCII communication with the projector so that it can be controlled remotely from a PC or other controller. From a PC, connect a standard nine-wire RS232 serial cable to the Rs232 In port. Or, for long-distance (>100 ft.) links with an RS422- compatible PC or controller, connect RS422 cable to the Rs422 port.
Page 100: Quick Start
Appendix B ► Serial Communications Quick start DCx Projector serial Communications Protocol: baud Rate: 115200 Data bits: Parity: None stop bits: flow Control: None Controls: Power Command string (PWR 1) (PWR 0) Input select Command string Channel 1 (CHA1) Channel 2 (CHA2) Channel 3 (CHA3) Channel 4 (CHA4)
Page 101: Understanding Message Format
Appendix B ► Serial Communications 1. overview overview This document describes how to use ASCII text communications to control one or more of the following Wolf Cinema projectors from a remote location: • DCX-500i • DCX-500FD • DCX-1000i • DCX-1000FD • DCX-1500i • DCX-1500FD...
Page 102: Basic Message Structure
Appendix B ► Serial Communications 2.1 basic Message basIC Message sTRUCTURe The following component fields comprise a standard ASCII message. Optional fields, such as structure extra characters for special modes, restrictions or added functionality, are shown in shaded areas. sTaRT anD enD of Message: Every message begins with the left “(“character and ends with the right “)“ character. Note that if the start character is received before an end character of the previous message, the partial (previous) message is discarded.
Page 103 Appendix B ► Serial Communications • Within each message, multiple parameters of data must be separated by one “ space” character. • Data pertaining to a source setup other than the current source setup is preceded by: the letter “S”, the source setup number (i.e., channel), and a space. This is similar to an “extra” parameter P0.
Page 104: What Is Actually Sent In A Message
Appendix B ► Serial Communications • For Single Projector • For Broadcasting Message Format Function Examples Code Data (con64) (set contrast to 64) Code (Con?) REQUEST (what's current contrast?) Code Data (CON!064) REPLY (contrast is 64) SET AND Code Data ($con64) ACKNOWLEDGE MESSAGE (message processed?) space (&CON64 240) &...
Page 105 Appendix B ► Serial Communications 2.4 Maximizing Message MaxIMIzIng Message InTegRITY For additional reassurance and/or maximum message integrity, you can insert one or two special Integrity characters: aCKnoWleDgMenTs: If you want Message from Controller Next Message from Controller assurance from the projector (or group Message Code Data...
Page 106: Source Setups
Appendix B ► Serial Communications 2.5 Accessing Specific aCCessIng sPeCIfIC soURCe seTUPs For ASCII messages described in this document, it is assumed you are adjusting the current source setups source setup (channel) rather than a different specific one. However, for several commands (for example, ASR, Auto Source) you can direct the message to particular source setup. To do this, insert an “s”...
Page 107 Appendix B ► Serial Communications helP TexT: To have the Help Text for a specific command returned as a reply from the projector, add the letter “h” to your request message. For example: (Con?h) What is the help text for the Contrast Control? (Con! “The Contrast is crushed”) Reply from the projector. global InQUIRY: Add the letter “g” in your request message to find out if the control is global. A reply of “001”...
Page 108: Flow Control
Appendix B ► Serial Communications The parameters for control types are: 0 = special format 5 = Text 1= slide bar 6 = “Reserved Control” 2 = Checkbox 7 = Date 3 = list 8 = Time 4 = number 9 = IP (dotted quad) examples: (sTD?T) What type of control is STD?
Page 109 Appendix B ► Serial Communications 3. asCII Codes asCII Codes This section lists all ASCII message codes for controlling the projectors listed on page 3. To fully understand how an adjustment works or what it does in the projector and/or image, always consult the User’s Manual provided with your projector. general notes to Remember: •...
Page 110 Appendix B ► Serial Communications 3.7 aPW aPW aUTo PoWeR UP Set APW to automatically power up (1) or remain off (0) after a power failure. auto Power Up 3.8 aRo aRo asPeCT RaTIo oVeRlaY This is a function used when setting up the projector. When turned on (1), it overlays a number aspect Ratio overlay of common aspect ratio boxes on top of the source image.
Page 111 Appendix B ► Serial Communications 3.16 blb blb blUe blaCKleVel Set or request the blue Blacklevel (0-511) for a specific source setup. blue blacklevel 3.17 blD blD blUe DRIVe Set or request the blue Drive (0-511) for a specific source setup. blue Drive 3.18 bog bog blUe oDD gaIn Set or request the blue Odd Gain (0-255) for a specific source setup. You can set an Odd Gain blue odd gain value for two separate analog input paths. The first input path is Input 1 (BNC connectors). The second input path is one of: Input 2 (DVI-A connector), or Input 5 or Input 6 (one of the analog option cards).
Page 112 Appendix B ► Serial Communications Parameter Description P1 = Where to adjust? 0 = Overall 5 = Top Left or (if Wolf WARP and 1 = Left 6 = Top Right no other parameters)P1 2 = Right 7 = Bottom Left = Which type of White 3 = Top 8 = Bottom Right Field Uniformity...
Page 113 Appendix B ► Serial Communications White y Magenta x Magenta y Cyan x Cyan y Yellow x Yellow y examples: (CCA?) = What is the current color adjustment? (CCA 1 661 341 332 575 144 93 320 330) = Set “Max Drives” to these x/y coordinates 3.24 CCC CCC CoMPRehensIVe ColoR CleaR Comprehensive Color...
Page 114 Appendix B ► Serial Communications 3.32 CRM CRM ChRoMa / lUMa DelaY Use CRM to set the time delay (20-50) between the chroma and luminance in decoded signals. Chroma / luma Delay 3.33 CsP CsP ColoR sPaCe CSP specifies which color space the input signal uses. 0=RGB, 1=YprPb, 2=YPbPr (HDTV). Color space 3.34 Def Def faCToRY DefaUlTs factory Defaults Use DEF to reset all parameters in the projector to factory defaults—all source setups are deleted, all factory-defined color palettes are restored, and all user adjustments/preferences are...
Page 115 Appendix B ► Serial Communications P6 = input polarity & routing Bits 2-0 // horizontal sync source 0 = no sync 1 = horizontal on vertical input 2 = horizontal on horizontal input 3 = horizontal on green input 4 = horizontal on red input 5 = horizontal from Vid1 input 6 = horizontal from Vid2 input Bit 3 // set if composite sync (H &...
Page 116 Appendix B ► Serial Communications ReaDIng PRefeRenCe seTTIngs Settings for projector preferences are either Transferable or Projector-specific:  Transferable: Valid for any projector of the same model. Single DTA parameter = T.  Projector-specific: Unique to an individual projector. Single DTA parameter = P. example: ($DTA? T) = Request for all preferences that can be used in other projectors of the same model (BDR! 09600) (LPI! 00345)
Page 117 Appendix B ► Serial Communications Parameter Value Description 1-16 1 = Center 2 = Top (P1: 1-9 = blend edge/zone brightness) 3 = Bottom (P1: 10-13 = edge zone width) 4 = Left (P1: 14-16 = color components of overall black level) 5 = Right 6 = Top Left 7 = Top Right 8 = Bottom Left...
Page 118: Error Message
Appendix B ► Serial Communications examples: (EBL 2 0 15) Set width of top blend to 15 (EBL?) What is the current status of Edge Blending—on or off? (EBL! 1) Edge Blending is currently enabled 3.44 ebo ebo eDge blenDIng oVeRlaP Use EBO in conjunction with Edge Blending to simplify the aligning of edge-blended projectors. edge blending overlap Enabling EBO (1) sets the blend region to a uniform gain of 25% and the rest of the image to 100%.
Page 119 Appendix B ► Serial Communications examples: noTe: The 65535 signifies the port address of the controller receiving the message. SYNC no longer responding (65535 00030ERR 001 "System Error: SYNC no longer responding") Attempt to delete the current source (65535 00030ERR 002 "System Warning: The current source cannot be deleted") (BDR38900) (65535 00030ERR 003 "BDR: Invalid parameter 1")
Page 120: Frame Delay
Appendix B ► Serial Communications 3.53 fRD fRD fRaMe DelaY Use FRD to adjust the number of lines of delay between the input and output frames (range frame Delay varies with incoming signal). 3.54 fRz fRz fReeze IMage freeze Image FRZ 1 = freeze the image. FRZ 0 = unfreeze the image. 3.55 fse fse fan sensoR enable Use FSE if you want the projector to shut down 3 minutes after a critical cooling fan failure.
Page 121 Appendix B ► Serial Communications examples: (Status code for each FYI is shown as bold) (00030FYI 001 000 "Powered Off") (00030FYI 002 00057 "Projector address changed from 30 to 57") (00057FYI 003 001 "Projector UI active, RS-232 Inactive") (00057FYI 004 38400 "Baud rate changed to 38400") (00057FYI 006 000 01573 05994 "Good Signal") (00057FYI 006 002 "Bad Sync: HSync is too high") (00057FYI 007 000 "OSD Off")
Page 122 Appendix B ► Serial Communications examples: (GIO?) // Request state and configuration of all pins (GIO! "HLLLLHL" "IOOOOII") // Reply of pin state and configuration (GIO "HLLLLHL" "IOOOOII") // Set Pin state and configuration. The above commands can be used to save and restore Preference information (GIO C1 O) // Set Pin 1 as output (GIO? C1) // Get Configuration for pin 1 (GIO!C1 O) // Reply for get pin configuration (GIO C2 “OOIO”) // Set pin 2=out, 3=out, 4=in, 5=out (GIO 1 H) // If configured as output, set to high // If configured as input, perform task equivalent to the...
Page 123 Appendix B ► Serial Communications 3.63 hDC hDC DhDM ConfIgURaTIon When the Dual SD/HD-SDI module is present, the HDC command specifies how the card is DHDM Configuration being used. The module can be used to support a Dual Link setup or have two independent single HD channels. By default the configuration is set to two single channels. You may select a dual link setup where the 'A' channel on the module is the primary video channel or the selection can be made to have the 'B' channel as the primary video in a dual link format.
Page 124 Appendix B ► Serial Communications 3.65 hDl hDl DhDM looP ThRU seTTIng When the Dual SD/HD-SDI module is present, a serial input may be routed to a serial output to DhDM look Thru setting allow chaining of signal sources using the HDL command. You can specify which input is routed to which output.
Page 125: Horizontal Position
Appendix B ► Serial Communications 3.67 hlP hlP helP Use HLP for a list of all serial commands supported in your projector—send the (HLP?) request. help Each item in the list has 3 parameters stating if the command is disabled (and why), its 3-character code, and the menu label or brief description: P1 = current on/off state of the command 0 = enabled...
Page 126: Internal Test Pattern
Appendix B ► Serial Communications 3.72 ITg ITg TesT PaTTeRn gReY Use ITG to set the grey level for the flat field internal test pattern. The range of adjustment Test Pattern grey depends on the bit depth available in your projector model. Use ITP to display an internal test pattern, or to find out what test pattern is currently displayed. 3.73 ITP The basic test pattern collection is shown listed below - your projector may vary slightly.
Page 127 Appendix B ► Serial Communications 3.75 KeY KeY KeY CoDe To emulate use of the projector’s keypad, you can send codes representing each keypress. Key Code noTe: For most keys, sending a key code to depress a key also sends a code to release the key.
Page 128: Lens Calibrate
LCB forces the projector to calibrate the lens/motors and is intended for use in conjunction with lens Calibrate Wolf Cinema's Lens VariScope System (LVS). Lens Calibration is not necessary if LVS is not used. LCB provides three types of calibrations to be performed. A Reference calibration locates a positional reference point for repeatable motor positioning.
Page 129 Appendix B ► Serial Communications 3.79 lDT lDT leVel DeTeCToR Enable (1) or disable (0) the LDT (Level Detector Test) mode that can aid in setting up input level Detector levels. Use in conjunction with LDV (Level Detector Value), which defines a threshold below which all incoming colors will be turned black, and above which all colors will turn to white.
Page 130 Appendix B ► Serial Communications 3.85 lPC lPC laMP ChangeD Use LPC to record a new lamp serial number (8 characters max.) in projector memory. This will lamp Changed automatically reset the projector’s lamp timer so that it begins to log time for the new lamp. 3.86 lPh lPh laMP hoURs of Use Use the request LPH to find out the number of hours logged on the current lamp.
Page 131: Menu Status
Appendix B ► Serial Communications To “nudge” the image down a minimum distance, script in a delay between (LVO K3) and (LVO K0). Depending on your application, a delay of at least 20-30 milliseconds may be sufficient. 3.93 MfT MfT MenU fonT Use MFT to choose whether menu font size is normal (0) or large (1). Menu font 3.94 MlK MlK soURCe MeMoRY loCK Use MLK to lock (1) or unlock (0) a specific source setup. See also 2.5, Accessing Specific...
Page 132 Appendix B ► Serial Communications 3.96 MoT MoT MoTIon fIlTeR Use MOT to control how de-interlacing is managed. Motion filter 0 = Auto — software determines the best option. 1 = Still — produces crisp images when there is no motion. 2 = Motion — for video not originally from film, or for moving computer-generated images 3 = Film — performs inverse telecine operation to reproduce accurately and crisply material originating from 24Hz film.
Page 133 Appendix B ► Serial Communications 3.105 oTf oTf oUTPUT foRMaT Change output format for Cine-IPM 2K. output format 0 = Single Link on DVI-1 or DVI-2 1 = Twin Link noTe: DVI-1 has lower 8 bits; DVI-2 has higher 2 bits). 3.106 PaP PaP PIP asPeCT RaTIo PReseT PIP aspect Ratio Preset Use PAP to select the preferred aspect ratio for your Picture-in-Picture window.
Page 134 Appendix B ► Serial Communications 3.111 Phs Phs PIP hoRIzonTal sIze noTe: Not available in v1.0. PIP horizontal size Use PHS to set what percentage (0-100) of the screen width to use for the width of the Picture- in-Picture window. Height of the window will then be determined by the aspect ratio of the input image.
Page 135 Ping software version installed on the TIPM (10-bit Image Processor Module). P1 = Wolf Cinema projector type  31 = a projector listed on page 3 (always). These all include a TIPM.  0 = the projector is not initialized...
Page 136 P3 = Baud Rate 1 = RS232 IN R = Remote equipment Same as for the BDR 2 = RS232 OUT C = Wolf Cinema command (i.e. 96, 1152 standard protocol or 115200…) 3 = RS422 (db9) 4 = RS422 (XLR – only some models) 5 = RS422 (XLR –...
Page 137 Appendix B ► Serial Communications Reading the Configuration of a Port P1 = <c>‘port’ Same values for ‘port’ as above example: (REM? C2): Returns (REM! C002 r 0115200) sending arbitrary Data out a Port P1 = Port Same values for ‘port’ as above The data to send out the specified port P2 = Data examples: (REM 2 “A123”): The data A123 is sent out the OUT port without any other protocol...
Page 138 Appendix B ► Serial Communications RTe Real TIMe eVenTs 3.131 RTe Use RTE to specify actions to be initiated at a certain point in time or by an external stimulus. This Real Time events action can be anything supported in the projector, as long as the action itself is not embedded within an RTE command (such as GIO input simulation and others).
Page 139 Appendix B ► Serial Communications P3 = State/details (opt.) P3 only applies if: This optional parameter further defines the state. If this is P2 = 1 (Power) If P3 is 0 = Power Off omitted, assume the event will fire on any system event of this If P3 is 1 = Power On P2 = 2 (Error) type (for example, all signal P3 = error number input changes rather than a...
Page 140 Appendix B ► Serial Communications 3.132 saV saV saVe Changes The projector normally saves any changes every few minutes and with every power-down. Use save Change SAV to save changes immediately, and to retain them in the event of a power failure. The projector will save into flash memory all outstanding changes. The SAV message has no parameters.
Page 141: System Status
Appendix B ► Serial Communications 3.141 system status ssT sYsTeM sTaTUs Use SST to find out a variety of information about the current state of the projector. The single broad-ranging request (ssT?) for all information triggers the return of a series of replies as if multiple requests had been sent. In each of these status replies, P1 explains the general content or topic in the reply, and P2 the individual details.
Page 142: Time And Date
Appendix B ► Serial Communications 3.143 szP szP sIze-PosITIon PReseTs Use SZP to resize the image according to one of several preset methods. Any value other than size-Position Presets “1” shows Custom in the menu. Note: When set to default (0), a reading from the projector will identify the current default setting.
Page 143 Appendix B ► Serial Communications When a request is made to retrieve the user message that has already been set, the returned value is displayed in the same format as setting the text. examples: (usr“hello world”) - basic user message. (usr“hello world\nline two”) - message with new line in the middle. (usr“Contact \“freddy\”...
Page 144 Appendix B ► Serial Communications Any coordinate value that is ½ that of the native resolution of the projector defines a “normal” location (i.e., no warping). For example, in a projector with 1400 x 1050 resolution, any “x” value of 700 is normal. A value over 700 moves a corner to the right; a value below 700 moves a corner to the left. A value of 0 moves a corner as far from center as possible (which may be off the screen).
Page 145: System Integration
aPPenDIx D sYsTeM InTegRaTIon The GPIO (General Purpose Input Output) connector located on the input panel provides a flexible method of interfacing a wide range of external I/O devices to the projector. There are seven GIO pins available on the nine-pin D-Sub GPIO connector, which are configurable via RS232 commands. The other two pins are reserved for ground and power – see table below for pin identification.
Page 146 Appendix D ► System Integration Real TIMe eVenT Use the serial command RTE to specify an action that is initiated at a particular time or based on an external stimulus. For General Purpose IO “G” Parameter name Value RTE type G (Real Time I/O Event) I/O bit Pin state H = High...
Page 147: Optional Input Modules
aPPenDIx e oPTIonal InPUT MoDUles DVI Input Module This module can display digital video input signals conforming to the DVI (Digital Visual Interface) single-channel standard. feaTURes • Supports Digital Visual Interface (DVI) single-channel • Supports VESA ® Extended Display Identification Data (EDID™) • P rovides an active-loop-through using a DVI connector (conforming to the DVI Specification) serial Digital Input Module The module accepts a serial digital 4:2:2 component video signal (YCbCr) via a single seRIal In BNC connector.
Page 148: Fan Board
aPPenDIx f fan boaRD Pin-out and Connection options Wiring Diagram Pin-out and Connection options Pin-outs Connections options Board Reference Description Terminal Block (T) 4" (100mm) Wire (W) F: TB1 (pin1) 18 AWG Red L: TB1 18 AWG Black L: TB1 Line Power 18 AWG Black 14 - 24 AWG...
Page 149 Rev 12.16.08 Wolf Cinema . 2431 Fifth Street . Berkeley . CA 94710 . Ph: 510.843.4500 . Fax: 510.843.7120 . www.wolfcinema.com...

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