Boss GT-001 Parameter Manual page 6

Guitar effects processor
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EFFECT
Category
Type
JC-120
CLN TWN
(CLEAN TWIN)
PR CRNC
(PRO CRUNCH)
TWEED
DxCRNC
(DELUXE CRUNCH)
VO DRIV
(VO DRIVE)
VO LEAD
MATCH
(MATCH DRIVE)
BG LEAD
BG DRIV
VINTAGE
(BG DRIVE)
1959 I
(MS1959 I)
1959 I+II
(MS1959 I+II)
RFR VIN
(R-FIER VINTAGE)
RFR MDN
(R-FIER MODERN)
T-AMP
(T-AMP LEAD)
SLDN
5150
(5150 DRIVE)
BGNR UB
(BGNR UB METAL)
ORNG RV
(ORNG ROCK REVERB)
CUSTOM
6
Explanation
This models the sound of the Roland
JC-120.
This models a Fender Twin Reverb.
This models a Fender Pro Reverb.
This models a Fender Bassman 4 x
10" Combo.
This models a Fender Deluxe Reverb.
This models the drive sound of a VOX
AC-30TB.
This is a sound that it suited to
sixties-style British rock.
This models the lead sound of the
VOX AC-30TB.
This models the sound input to left
input on a Matchless D/C-30.
A simulation of the latest tube amp
widely used in styles from blues and
rock.
This models the lead sound of the
MESA/ Boogie combo amp.
The sound of a tube amp typical of
the late '70s to '80s.
This models a MESA/Boogie with
TREBLE SHIFT SW on.
This models the sound input to Input
I on a Marshall 1959.
This is a trebly sound suited to hard
rock.
This models the sound of a Marshal
1959's inputs I and II connected in
parallel. The sound emphasizes the
low end more than I.
Models the sound of the Channel 2
VINTAGE Mode on the MESA/Boogie
DUAL Rectifier.
Models the sound of the Channel 2
MODERN Mode on the MESA/Boogie
DUAL Rectifier.
This models a Hughes & Kettner
Triamp AMP3.
This models a Soldano SLO-100. This
is the typical sound of the eighties.
This models the lead channel of a
Peavey EVH 5150.
This is a heavily distorted sound that
models the high gain channel of a
Bogner Uberschall.
This models the dirty channel of an
ORANGE ROCKERVERB.
This is a custom preamp.
You can customize it however you
like to match the sound you want.
CUSTOM AMP SETTING
Knob
Parameter
Value
Page 6 (shown only if PREAMP TYPE is set to "CUSTOM")
JC CLEN
(JC CLEAN)
TW CLEN
(TW CLEAN)
CRUNCH
CMB DRV
(COMBO DRIVE)
TYPE
[1]
(CUSTOM TYPE)
CMB LD
(COMBO LEAD)
MS HiG
(MS HiGAIN)
MDN STK
(MODERN
STACK)
CHAR
[2]
-50–+50
(CUSTOM
CHARACTER)
BOTTOM
[3]
-50–+50
(CUSTOM BOTTOM)
EDGE (CUSTOM
[4]
-50–+50
EDGE)
Page 7 (shown only if PREAMP TYPE is set to "CUSTOM")
LOW
[1]
-50–+50
(CUSTOM PREAMP
LOW)
HIGH
[2]
-50–+50
(CUSTOM PREAMP
HIGH)
CUSTOM SPEAKER SETTING
Knob
Parameter
Page 8 (shown only if SPEAKER TYPE is set to "CUSTOM")
SP .SIZE
[1]
(CUSTOM SPEAKER SIZE)
SP .NUM
[2]
(CUSTOM SPEAKER NUMBER)
CABINET
[3]
(CUSTOM CABINET)
Page 9 (shown only if SPEAKER TYPE is set to "CUSTOM")
COLOR .L
[1]
(CUSTOM COLOR LOW)
COLOR .H
[2]
(CUSTOM COLOR HIGH)
Explanation
This models the sound of the
Roland JC-120.
This models a Fender Twin Reverb.
This is a crunch sound that can
faithfully reproduce the nuances
of picking.
This is a combo amp sound that it
suited to sixties-style British rock.
This is a lead sound of a combo
tube amp typical of the late '70s
to '80s.
This models the sound input to
Input I on a Marshall 1959.
This is a trebly sound suited to
hard rock.
This original high-gain amp
delivers thick lows and intense
distortion while still preserving
the sound's clear definition.
+: For soloing
-: For backing
This controls the input sound's
low-frequency range and adjusts
the amount of distortion in the
low-frequency range
This controls the input sound's
high-frequency range and adjusts
the amount of distortion in the
high-frequency range.
Adjusts the preamp section's
low-frequency tone.
Adjusts the preamp section's
high-frequency tone.
Value
Explanation
5–15"
Selects the size of speaker.
Sets the number of
x1, x2, x4, x8
speakers.
Selects the speaker cabinet type.
This is an open-backed
OPEN
cabinet
This type of cabinet
CLOSE
features an enclosed rear
panel.
Adjusts the speaker
-10–+10
section's low-frequency
tone.
Adjusts the speaker
-10–+10
section's high-frequency
tone.

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