Boss GT-001 Parameter Manual page 46

Preset Patch List
No Patch Name Explanation
A modern hard rock sound
136* STEREO HARD RIFF
appropriate for riffing.
137 METAL FLANGER Metal sound with flanger applied.
Slash metal sound of the 80s. The
138 LATE 80s MetalRF
CTL pedal switches to JC-120.
Stereo high-gain sound produced
139* DUAL ST Hi GAIN
by two amps.
Slash metal sound of the 80s. Ideal
REIGN IN THRASH
140
for riffing.
The ideal sound for heavy metal
METAL CORN
141 riffing. The CTL pedal boosts the
gain and volume.
142 BLADE METAL An extremely sharp metal tone.
Ideal modern metal sound for
DRAGON METAL
143
humbucking pickups.
144 HARD ROCK FLANGE The flanger sound of 80s metal.
Stereo amp sound appropriate for
145* STEREO RIFF
heavy riffs.
146 RECTOSARIUS A modern rock sound.
Produces a unison sound with one
147 JP METAL UNISON octave below. Ideal for riffs or single
notes.
A high-gain stereo sound suitable
148* STEREO R-FIER
for low-pitched riffing.
Core metal sound that adds a
149 METAL Gt w/Bass
suitable bass tone to your riffs.
A straightforward limiter sound with
150 MULTIBAND COMP
minimal sense of compression.
Use the CTL pedal to switch
151 TWEED CLEAN between a tweed amp's clean tone
and a mid-boost lead tone.
RETRO FUNK
152 A retro low-fi sound of the '60s.
Lets you get the sound of a hollow
153 JAZZ SIMULATOR body guitar from a solid-body
guitar.
A clean sound with good sustain.
154 CLEAN SUSTAIN The CTL pedal switches to a stack
crunch sound.
Clean sound suitable for simple
70s FUNKY CLEAN
155
strumming.
A bright clean sound. The CTL pedal
156 BRIGHT RHYTHM
applies chorus.
Transparently clean sound. Ideal for
157 SUPER CLEAN
arpeggios or chording.
Tremolo sound suitable for the surf
158 SAFARI USA
music of the 60s.
Transforms the sound of an
electric guitar to the sound of an
Acoustic Gt SIM
159
acoustic guitar. The front pickup is
recommended.
Sound that won't distort even when
160 FunkyGT For HumB playing through humbuckers. Also
suitable for clean muted chords.
Vintage clean sound. The CTL pedal
BLACK PANEL
161
applies mid-boost.
Combines a TERA ECHO set to a
TERA REV & COMP
162 spring reverb type with compressed
and clean sound.
Sound that adds the distinctive
163 NORWEGIN GROOVE
buzz drone of a sitar.
46
DIVIDER PREAMP A PREAMP B
POWER EXTREME
DUAL
DRIVE LEAD
NATURAL NATURAL
SINGLE:
Ch. A CLEAN CLEAN
SINGLE:
JC-120 CORE METAL A/B SOLO
Ch. B
R-FIER
DUAL T-AMP LEAD
VINTAGE
SINGLE:
SLDN SLDN
Ch. A
SINGLE: R-FIER
CORE METAL
Ch. A MODERN
R-FIER
SINGLE:
—
Ch. A
MODERN
EXTREME
SINGLE:
T-AMP LEAD
Ch. A LEAD
SINGLE: R-FIER
5150 DRIVE
Ch. A MODERN
POWER HiGAIN
DUAL
DRIVE STACK
R-FIER R-FIER
SINGLE:
Ch. A
VINTAGE MODERN
R-FIER
DUAL 5150 DRIVE
VINTAGE
R-FIER R-FIER
DUAL
MODERN VINTAGE
DUAL CORE METAL —
NATURAL NATURAL
DUAL
CLEAN CLEAN
SINGLE:
TWEED TWEED
Ch. A
NATURAL
SINGLE:
CLEAN TWIN
Ch. A CLEAN
PRO NATURAL
SINGLE:
Ch. A
CRUNCH CLEAN
NATURAL STACK
SINGLE:
Ch. A
CLEAN CRUNCH
SINGLE: NATURAL
CLEAN TWIN
Ch. A CLEAN
NATURAL
SINGLE:
FULL RANGE
Ch. A
CLEAN
SINGLE: NATURAL
FULL RANGE
Ch. A
CLEAN
STACK
SINGLE:
TWEED
Ch. A
CRUNCH
NATURAL
SINGLE:
FULL RANGE
Ch. A CLEAN
NATURAL NATURAL
SINGLE:
Ch. A CLEAN CLEAN
SINGLE:
CLEAN TWIN —
Ch. A
SINGLE: DELUXE NATURAL
Ch. A CRUNCH CLEAN
NATURAL
SINGLE:
FULL RANGE
Ch. A
CLEAN
CTL2 CTL1
DELAY CHORUS
DIV CH SELECT,
A&B SOLO
DELAY
DIV CH SELECT
A&B SOLO CHORUS
DIV CH SELECT,
OD/DS
DELAY
A/B SOLO DIV CH SELECT
DELAY OD/DS
OD/DS DIV CH SELECT
FX1 (FLANGER) DIV CH SELECT
OD/DS CHORUS
DIV CH SELECT,
ACCEL (S-BEND)
DELAY
FX1 (OCTAVE) ACCEL (S-BEND)
ACCEL (S-BEND) DELAY
DELAY, COMP LEVEL,
PREAMP A SOLO
REVERB LEVEL
ACCEL (LASER
BEAM),
DELAY CHORUS
DELAY DIV CH SELECT
FX1 (TONE MODIFY) DIV CH SELECT
DELAY DIV CH SELECT
CHORUS DIV CH SELECT
FX1 (LIMITER) DIV CH SELECT
DELAY, FX2
(PITCHSHIFTER), DIV CH SELECT
REVERBLEVEL
ACCEL (S-BEND) DIV CH SELECT
REVERB LEVEL DIV CH SELECT
BODY DELAY
CHORUS, COMP DIV CH SELECT
DELAY OD/DS
TERAECHO Off,
DIV CH SELECT
REVERB On
DIV CH SELECT,
BUZZ TONE LEVEL
DELAY, CHORUS
EXP PU
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV S/H
WAH/FV S/H
WAH/FV H
WAH/FV S/H
WAH/FV S
WAH/FV H
WAH/FV S
WAH/FV H
WAH/FV S/H
WAH/FV S
WAH/FV S/H
WAH/FV S/H
WAH/FV S
WAH/FV H
WAH/FV H
WAH/FV S
WAH/FV S/H
WAH/FV H