Boss GT-001 Parameter Manual page 47

No Patch Name Explanation
A sound suitable for funky
strumming. Two types of clean amp
FUNKY GROOVE
164
are used separately for the low and
high frequency ranges.
A rich sound that uses a combina-
165 DEEP CS StCHORUS tion of several modulation-type
effects.
A sound that's ideal for 16-beat
166 FUNKY DELICK
muted chording in funk or fusion
A clean sound suitable for orthodox
jazz. Two types of clean amp are
167 JAZZ CLEAN
used separately for the low and high
frequency ranges.
Clean sound that's great for country
CLN TwinSouthern
168
rock riffs.
Clean sound with stereo panning
169* GREAT WIDE OPEN that creates the impression of a
broad horizon.
British clean tone with chorus and
170 THE ULTRA CLEAN deep reverb. Appropriate for 80s
pop.
Clean sound with modulation
171 SUPER MODULATE applied. Also effective when used
in the intro.
Produces a sound reminiscent of a
172 DEEP DEFRETTER fretless guitar. Suitable for playing
single notes.
Reproduces the sound of the 50s
ROCKABIL50s ECHO
173
with a tape echo and spring reverb.
A sound reminiscent of an electric
174 E SITAR SIMULATE sitar. Usable with single notes or
chords.
A sliced sound modulated by a filter
175 SLICING MIX
is mixed with a distorted sound.
Fantasy-like sound with deep
RIPPIN'
176 delay. The ACCEL pedal applies ring
modulator.
Multiple effects are turned on
MultiDimensional
177 simultaneously. Provides a mix of
the direct and processed sounds.
Straight sound and tremolo sound
178* LA TR RIFF
are generated in stereo.
The force of your picking varies the
AUTO RATE
179
rate of the auto wah.
A smooth lead sound using Slow
180 SLOWGEAR LEAD Gear. Also effective on sound-effect
phrases.
A fuzz sound using octaves is
181 WAVE PEDAL SE overlaid with a flamboyant effect
sound.
Transforms a guitar sound into a
182 WAVE SYNTH
synth sound. Use with single notes.
A cyclically varying Humanizer can
183 HUMANIZER SP
be used as the beat.
Distorted lead sound with harmony
184 REVERSE HARMONY added by effective use of reverse
delay.
Irregularly-pitched effect sound is
185 GUNYA GUNYA added in response to the dynamics
of your touch.
Slicer and tempo delay are
synchronized, so that the settings
186 SEQ CLEAN
will follow if you simply change the
tempo.
An '80s-type sound that combines
187 5th PS & GATE a pitch a perfect fifth above with
gated reverb.
Sound that combines clean and
188 D'CLEAN DIRT overdrive. A nice fit with alternative
rock.
DIVIDER PREAMP A PREAMP B
NATURAL
DUAL JC-120
CLEAN
NATURAL HiGAIN
SINGLE:
Ch. A
CLEAN STACK
DELUXE EXTREME
SINGLE:
Ch. A CRUNCH LEAD
NATURAL
DUAL CLEAN TWIN
CLEAN
SINGLE: DELUXE
CLEAN TWIN
Ch. A CRUNCH
DUAL TWEED VO LEAD
SINGLE:
FULL RANGE JC-120
Ch. A
NATURAL NATURAL
DUAL
CLEAN CLEAN
NATURAL
SINGLE:
JC-120
Ch. A CLEAN
SINGLE: COMBO COMBO
Ch. A CRUNCH CRUNCH
NATURAL COMBO
SINGLE:
Ch. A
CLEAN CRUNCH
POWER EXTREME
DUAL
DRIVE LEAD
SINGLE: EXTREME
—
Ch. A LEAD
SINGLE: NATURAL NATURAL
Ch. A
CLEAN CLEAN
COMBO COMBO
DUAL
CRUNCH CRUNCH
SINGLE: COMBO NATURAL
Ch. A CRUNCH CLEAN
NATURAL COMBO
SINGLE:
Ch. A
CLEAN CRUNCH
EXTREME POWER
DUAL
LEAD DRIVE
SINGLE: COMBO
FULL RANGE
Ch. A CRUNCH
NATURAL
SINGLE:
JC-120
Ch. A
CLEAN
EXTREME EXTREME
DUAL
LEAD LEAD
SINGLE: COMBO NATURAL
Ch. A CRUNCH CLEAN
PRO PRO
DUAL
CRUNCH CRUNCH
EXTREME NATURAL
SINGLE:
Ch. A LEAD CLEAN
STACK
DUAL JC-120
CRUNCH
CTL2 CTL1
DIV CH SELECT DIVIDER MODE
FX2 (PAN) DIV CH SELECT
FX1 (PHASER) DIV CH SELECT
FX2 (OVERTONE) A&B SOLO
DELAY DIV CH SELECT
REVERB LEVEL ACCEL (S-BEND)
DELAY, CHORUS,
DIV CH SELECT
REVERB LEVEL
ACCEL (S-BEND) OD/DS
FX2 (SUB DELAY) DIV CH SELECT
A&B SOLO DIV CH SELECT
DELAY DIV CH SELECT
DIVIDER MODE ACCEL (S-BEND)
DELAY ACCEL (RING MOD)
DELAY, CHORUS ACCEL (WARP)
TREMOLO RATE CHORUS
FX1 (AUTO WAH) CH DIV SELECT
FX1 (SLOW GEAR),
CH DIV SELECT
FX2 (SUB DELAY)
CHORUS DELAY
FX2 (FLANGER) ACCEL (S-BEND)
CHORUS ACCEL (S-BEND)
DELAY ACCEL (S-BEND)
DELAY ACCEL (S-BEND)
DELAY MOD DEPTH BPM TAP
FX1 (OCTAVE) DELAY
FX2 (PAN) ACCEL (S-BEND)
Preset Patch List
EXP PU
WAH/FV S
WAH/FV S/H
WAH/FV S/H
WAH/FV S/H
WAH/FV S
WAH/FV S
WAH/FV S/H
WAH/FV H
WAH/FV S
WAH/FV S
WAH/FV H
WAH/FV S
WAH/FV H
WAH/FV S
WAH/FV H
WAH/FV S
WAH/FV S
PB S
WAH/FV S/H
WAH/FV S
WAH/FV H
WAH/FV S
WAH/FV S
WAH/FV S/H
WAH/FV S/H
47