Mixer; Ns1/Ns2; Accel Fx; S-Bend - Boss GT-001 Parameter Manual

EFFECT

MIXER

Knob Parameter Value
STEREO
[1] MODE
PAN L/R
A/B .BAL
100:0–
[2]
(Ch .A/B
0:100
BALANCE)*1
[3] SPREAD *1 0–100
*1 Shown only if DIVIDER MODE is "DUAL. "

NS1/NS2

This effect reduces the noise and hum picked up by guitar pickups.
Since it suppresses the noise in synchronization with the envelope
of the guitar sound (the way in which the guitar sound decays over
time), it has very little effect on the guitar sound, and does not
harm the natural character of the sound.
Knob Parameter Value
NS ON/OFF OFF, ON Switches the noise suppressor effect on/off.
THRESH
[1] 0–100
(THRESHOLD)
[2] RELEASE 0–100
This controls the noise suppressor based on the
volume level for the point specified in Detect.
INPUT
NS
INPUT
[4] DETECT
FV OUT
22
Explanation
Channels "A" and "B" will be mixed and output
in stereo.
Channels "A" and "B" will be assigned
respectively to the L and R OUTPUT jacks.
Adjusts the volume balance of channels "A"
and "B. "
Slightly delays the sound of channel "B" to
make the sound more spacious.
Explanation
Adjust this parameter as appropriate for the
volume of the noise. If the noise level is high,
a higher setting is appropriate. If the noise
level is low, a lower setting is appropriate.
* High settings for the threshold parameter
may result in there being no sound when
you play with your guitar volume turned
down.
Adjusts the time from when the noise
suppressor begins to function until the noise
level reaches "0. "
Input volume from input jack.
* Ordinarily, DETECT should be set to
"INPUT. "
Noise suppressor input volume.
* When connected as illustrated below, and
you want to prevent a spatial-type effects
sound (such as a delay sound) from being
eradicated by the NS, you should set
DETECT to "NS INPUT. "
DLY NS1
(Spatial-type effect)
Volume after passing through Foot Volume.
* If you want to use FV (Foot Volume) in
place of the guitar's volume control, you
need to set DETECT to "FV OUT. "
INPUT
FV
Foot Volume

ACCEL FX

You can use six types of Accel effects in which operating an external
pedal connected to the CTL/EXP jack produces time-varying
changes in the sound.
* To use the Accel effect, connect a pedal such as the FS-6 to the
CTL/EXP jack, and set MENU"CTL/EXP"CTL1/CTL2 to assign
the FUNC (FUNCTION) as ACCEL.
Knob Parameter
Page 1
[1] TYPE

S-BEND

Applies intense bending.
Knob Parameter
Page 1
[2] PITCH
RISE .TM
[3]
(RISE TIME)
FALL .TM
[4]
(FALL TIME)

LASER BEAM

Produces a laser beam-like sound.
Knob Parameter
Page 2
[1] RATE
[2] DEPTH
RISE .TM
[3]
(RISE TIME)
FALL .TM
[4]
(FALL TIME)
NS1
Value Explanation
S-BEND Applies intense bending.
LASR BM
Produces a laser beam-like sound.
(LASER BEAM)
Produces a metallic sound, creating
RNGMOD
the impression that the sound is
(RING MOD)
being focused.
Produces an aggressive sense of
rotation. Using this in conjunction
TWIST
with distortion will produce an even
wilder sense of rotation.
WARP Produces a dream-like sound.
FEEDBKR
Generates feedback performance.
(FEEDBACKER)
Value Explanation
-3 oct, -2 oct,
-1 oct, +1 oct, Adjusts the amount of pitch shift in
+2 oct, +3 oct, octave steps.
+4 oct
This parameter adjusts the amount
0–100 of time it is to take for the effect to
transition to the maximum.
This parameter adjusts the amount
0–100 of time it is to take for the effect to
transition to the original.
Value Explanation
0–100 Adjusts the modulation rate of the sound.
0–100 Adjusts the modulation depth of the sound.
This parameter adjusts the amount of time
0–100 it is to take for the effect to transition to the
maximum.
This parameter adjusts the amount of time
0–100 it is to take for the effect to transition to the
original.