Boss GT-001 Parameter Manual page 44

Preset Patch List
No Patch Name Explanation
Drive sound reminiscent of 80s
81 1984 DRIVIN'
hard rock.
Dirty rock sound. Ideal for backing
82* ROUGH'N' DIRTY
or riffs.
A bluesy sound of the late 60s that
CREAMY SET
83
combines MS1959 with FUZZ.
A stack amp sound with sustained
84 STACK LEAD distortion. Suitable for both backing
and soloing.
A hard rock tone used in the 80s
85 GREAT ROCK
and 90s.
Ideal sound for playing slide guitar
86 SLIDE FOR LP
with humbucking pickups.
The classic, fat fuzz sound of the
87 FAT 60s FUZZ
'60s.
88 UFOBJECT The classic sound of 70s hard rock.
VAN FLANGE
89 The flanger sound of 80s hard rock.
Different types of fuzz are placed
WALL OF FUZZTONE
90*
in stereo.
A fuzz sound with a unique
OCTAFUZZ LEAD
91 character. Also useable even if the
volume of your guitar is lowered.
Reproduces the combination of a
92 60s FUZZ LEGEND
late 60s fuzz and distorted amp.
Produces a sharp sound when used
93 70s PUB ROCK
with single coil pickups.
94* VINTAGE & MDN Thick stereo crunch sound.
The hard rock sound of the late 70s.
95* PASADENA PLEXI Phaser and delay are applied to a fat
British overdrive.
A fuzz sound with a rich overtone
96 SHRED FZ structure. Ideal for backing or for
solos.
Rock sound of the 80s using a stereo
97 80s HARD ROCK
chorus.
80s sound that combines a
98 80s NEW WAVE
doubling delay with a chorus.
The mid-boost lead sound of a stack
99 Hi GAIN LEAD
amp. The CTL pedal turns SOLO on.
A tube amp sound typical of the late
70s through the 80s. The CTL pedal
BG LEAD
100
switches to a lead tone with chorus
applied.
Sustaining harmony tone, ideal for
101 HarmonyLead inAm
fusion solos.
Vintage OD-1 sound. The CTL pedal
VINTAGE OVERDRV
102 selects a sound appropriate for
solos.
A spacious sound that takes
TERA ECHO LEAD
103 advantage of A-DIST and TERA
ECHO.
A retro hard rock sound from the
104 70s US HARD ROCK
70s.
A chorused sound with sustain,
suitable for lead. Two types of stack
80s STUDIO LEAD
105
amp are used separately for the low
and high frequency ranges.
Metal sound with chorus applied.
106 CHORUS LEAD
Usable for either backing or lead.
Delay and vibrato automatically
DUCKING DLY&VIB
107 become deeper when you sustain
a note.
A combo amp lead sound. You can
COMBO LEAD
108 use the ACCEL pedal for feedback
performance.
44
DIVIDER PREAMP A PREAMP B
SINGLE: HiGAIN
5150 DRIVE
Ch. A STACK
POWER R-FIER
DUAL
DRIVE VINTAGE
SINGLE: STACK
MS1959 I
Ch. A CRUNCH
POWER EXTREME
SINGLE:
Ch. A
DRIVE LEAD
SINGLE: HiGAIN
MS1959 I
Ch. A STACK
PRO PRO
SINGLE:
Ch. A
CRUNCH CRUNCH
SINGLE:
MS1959 I+II MS1959 I+II
Ch. A
HiGAIN
SINGLE:
MS1959 I+II
Ch. A
STACK
SINGLE: R-FIER
—
Ch. A MODERN
DUAL TWEED MS1959 I
SINGLE: COMBO
CLEAN TWIN
Ch. A CRUNCH
STACK COMBO
SINGLE:
Ch. A
CRUNCH CRUNCH
SINGLE: DELUXE COMBO
Ch. A CRUNCH CRUNCH
STACK
SINGLE:
MS1959 I
Ch. A
CRUNCH
STACK HiGAIN
DUAL
CRUNCH STACK
SINGLE: COMBO
VO DRIVE
Ch. A CRUNCH
SINGLE:
BG LEAD BG DRIVE
Ch. A
SINGLE: COMBO
JC-120
Ch. A CRUNCH
EXTREME POWER
SINGLE:
Ch. A
LEAD DRIVE
SINGLE:
BG LEAD BG LEAD
Ch. A
NATURAL COMBO
SINGLE:
Ch. A
CLEAN CRUNCH
SINGLE: NATURAL
JC-120
Ch. B CLEAN
SINGLE: NATURAL NATURAL
Ch. A CLEAN CLEAN
STACK POWER
SINGLE:
Ch. A
CRUNCH DRIVE
DUAL ORNG RV SLDN
NATURAL NATURAL
SINGLE:
Ch. A CLEAN CLEAN
SINGLE: POWER NATURAL
Ch. A DRIVE CLEAN
SINGLE: COMBO COMBO
Ch. A
CRUNCH CRUNCH
CTL2 CTL1
ACCEL (FEED-
DIV CH SELECT
BACKER)
ACCEL (S-BEND),
A&B SOLO
DELAY LEVEL
OD/DS DIV CH SELECT
DIV CH SELECT,
A/B SOLO
DELAY
A&B SOLO DIV CH SELECT
A&B SOLO DIV CH SELECT
DELAY DIV CH SELECT
DIV CH SELECT,
A&B SOLO
DELAY
ACCEL (S-BEND),
FX1 (FLANGER)
DELAY
CHORUS DELAY
A&B SOLO FX2 (UNI-V)
OD/DS DIV CH SELECT
DELAY DIV CH SELECT
A&B SOLO CHORUS
A&B SOLO ACCEL (S-BEND)
DELAY DIV CH SELECT
A/B SOLO, DELAY DIV CH SELECT
OD/DS DIV CH SELECT
A&B SOLO DIV CH SELECT
DELAY DIV CH SELECT
FX2 (HARMONIST) DIV CH SELECT
OD/DS SOLO, COMP,
DIV CH SELECT
DELAY
FX2 (TERAECHO) OD/DS SOLO
DIV CH SELECT,
A&B SOLO
DELAY
A&B SOLO CHORUS
DIV CH SELECT,
DELAY
OD/DS
A&B SOLO ACCEL (WARP)
ACCEL (FEED-
DIV CH SELECT
BACKER)
EXP PU
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV S/H
WAH/FV S/H
WAH/FV H
WAH/FV S
WAH/FV H
WAH/FV S/H
WAH/FV S
WAH/FV S
WAH/FV S
WAH/FV S
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV H
WAH/FV S
WAH/FV H
WAH/FV S/H
WAH/FV S/H
WAH/FV H
WAH/FV S
WAH/FV S
WAH/FV S/H
WAH/FV S/H
WAH/FV S
WAH/FV S/H