Boss GT-001 Parameter Manual page 45

No Patch Name Explanation
An aggressive jazz tone. The CTL
JAZZ FIELD
109 pedal switches to a sound for
soloing.
High-gain but with good consis-
tency, this lead sound is suitable for
110 METAL STACK LEAD metal. Two types of high-gain amp
are used separately for the low and
high frequency ranges.
Use a Strat to reproduce the
hard rock sound of the late
111 BROWN SOUND 4 ST '70s. Transforms the sound of a
single-coil pickup to a humbucking
pickup sound.
112 OVERDRV LEAD A simple overdrive sound.
Fat sound that still remains sensitive
FINGER LEAD
113 to the nuances of your touch. Ideal
for bluesy fusion.
Distortion sound with extreme
SQUARE LEAD
114 sustain. Use the CTL pedal to apply
pitch bend.
Classic lead tone for rock. Also ideal
115 SMOOTH LEAD
for sweep-picking.
A sustaining lead sound. Two types
116 Hi GAIN STK LEAD of stack amp are used separately for
the low and high frequency ranges.
The sound of a mid-boosted stack
117 MID BOOST STACK amp. You can use the CTL pedal for
feedback performance.
An extremely smooth lead tone.
118 MATCH LEAD
Ideal for fusion solos.
A lead sound suitable for ballads,
with distinctively ample echo. Two
119 BALLAD ECHO LEAD
types of amp are used separately for
the low and high frequency ranges.
A lead tone of 70s fusion. The CTL
120 FUSION 335
pedal boosts the gain and volume.
A fusion lead tone using stereo
80s JAZZ FUSION
121
chorus.
Sound with delay applied, ideal for
122 ROADS
leads in 70s rock.
FUSIONY
123 Fusion lead tone with pan delay.
124 OUT DELAY Lead tone using a long stereo delay.
ROYAL LEAD
125 British lead tone of the 70s and 80s.
A wide-ranged lead tone of the
126 MahoganyFlashbak
late 70s.
A lead sound of the 70s using touch
127 70s T .WAH LEAD
wah.
A lead sound with a strongly
NY LEAD MODULATE
128 modulated flanger. Also usable for
cool jazz fusion.
Enjoy sound-on-sound with a
129 MID 70s S .O .S .
two-beat delay.
A smooth high-gain lead sound.
130 Hi GAIN LEAD 2 Fat distortion can be obtained even
with single coil pickups.
Lead sound using BGNR UB METAL,
131 BGNR LEAD
suitable for humbucking pickups.
A stereo high-gain amp sound using
132* ST GERMAN HIGAIN
BGNR UB METAL and T-AMP.
An extremely heavy metal sound,
133 MODERN METAL usable for anything from rhythm
to lead.
Hard distortion sound, ideal for
134 R-FIER LEAD metal riffs. The CTL pedal switches
to a lead sound.
135 METAL MONEY The metal sound of the 90s.
DIVIDER PREAMP A PREAMP B
SINGLE:
BG LEAD BG LEAD
Ch. A
EXTREME
DUAL T-AMP LEAD
LEAD
SINGLE: NATURAL
MS1959 I
Ch. A CLEAN
NATURAL NATURAL
SINGLE:
Ch. B
CLEAN CLEAN
SINGLE: STACK
MS1959 I
Ch. A CRUNCH
SINGLE: COMBO
FULL RANGE
Ch. A CRUNCH
SINGLE:
5150 DRIVE T-AMP LEAD
Ch. A
POWER HiGAIN
DUAL
DRIVE STACK
SINGLE: COMBO
MS1959 I
Ch. A
CRUNCH
MATCH MATCH
SINGLE:
Ch. A DRIVE DRIVE
COMBO
DUAL BG LEAD
CRUNCH
NATURAL DELUXE
SINGLE:
Ch. A CLEAN CRUNCH
SINGLE: NATURAL
JC-120
Ch. A CLEAN
SINGLE: NATURAL
CORE METAL DELAY
Ch. B CLEAN
SINGLE:
SLDN SLDN
Ch. A
R-FIER COMBO
SINGLE:
Ch. A
MODERN CRUNCH
COMBO
SINGLE:
VO LEAD
Ch. A CRUNCH
EXTREME
DUAL TWEED
LEAD
SINGLE: STACK
MS1959 I
Ch. A
CRUNCH
SINGLE:
BG DRIVE JC-120
Ch. A
COMBO
SINGLE:
VO LEAD
Ch. A
CRUNCH
SINGLE: EXTREME POWER
Ch. A LEAD DRIVE
SINGLE:
BGNR UB BGNR UB
Ch. A
DUAL BGNR UB T-AMP LEAD A&B SOLO
EXTREME EXTREME
SINGLE:
Ch. A
LEAD LEAD
R-FIER R-FIER
SINGLE:
Ch. A
VINTAGE VINTAGE
SINGLE:
CORE METAL CORE METAL
Ch. A
CTL2 CTL1
DIV CH SELECT,
CHORUS COMP, DELAY,
REVERB LEVEL
A&B SOLO ACCEL (S-BEND)
A&B SOLO DIV CH SELECT
A&B SOLO DIV CH SELECT
DELAY OD/DS
ACCEL (S-BEND) DIV CH SELECT
A/B SOLO DIV CH SELECT
DELAY ACCEl (S-BEND)
ACCEL (FEED-
DELAY
BACKER)
CHORUS DIV CH SELECT
DELAY FX2 (TERAECHO)
DELAY DIV CH SELECT
OD/DS DIV CH SELECT
DIV CH SELECT
FX2 (SUB DELAY) DIV CH SELECT
A&B SOLO FX2 (SUB DELAY)
DELAY DIV CH SELECT
A&B SOLO ACCEL (S-BEND)
FX1 (T. WAH) DIV CH SELECT
DIV CH SELECT,
DELAY
OD/DS
BPM TAP DIV CH SELECT
A/B SOLO DIV CH SELECT
A/B SOLO DIV CH SELECT
DELAY
ACCEL (FEED- DIV CH SELECT,
BACKER) DELAY
ACCEL (S-BEND) DIV CH SELECT
A&B SOLO DIV CH SELECT
Preset Patch List
EXP PU
WAH/FV H
WAH/FV H
WAH/FV S
WAH/FV H
WAH/FV S/H
WAH S/H
WAH/FV H
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV S/H
WAH/FV H
WAH/FV H
WAH/FV S
WAH/FV S/H
WAH/FV H
WAH/FV H
WAH/FV S/H
WAH/FV S/H
WAH/FV S/H
45