Midi Routing - OPCODE STUDIO 4 Instruction

Multi-port macintosh midi interface with a built-in smpte timecode generator and smpteto-midi timecode converter
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A Channelizing window opens similar to
Figure 7.12.
Figure 7.12: Default Channelizing Window
The top row of numbers represent the 16
possible MIDI channels. Change the
bottom row of bold-faced numbers to
change the MIDI channel.
You can change each MIDI channel
number to any other channel number (1-
16) or you can mute (turn "Off") a
channel.
The Normal button removes all MIDI
channelizing and returns the window to
its default state.
NOTE: The bold-faced numbers are called
"numericals". Numerical editing is
common to all Opcode applications. If
you're unfamiliar with numericals or new
to Opcode applications, please read
"Appendix A: Working with Opcode Appli-
cations" in your OMS Manual.
Figure 7.13 illustrates a simple MIDI
channelizing example.
Figure 7.13: MIDI Channelizing Example
Studio 4 Manual
CHAPTER 7: Routing, Channelizing and Muting Window
The MIDI channelizing shown in
Figure 7.13 mutes data on Channel 9, thus
blocking its transmission to the Vec-
torific. It then takes the data from
Channel 1 and remaps it to Channel 9 in
the Vectorific.
When you have channeled one or more
MIDI messages, a "Ch" appears in the
appropriate location in the Routing, Chan-
nelizing and Muting window.
Figure 7.14: MIDI Channelizing Indicator

MIDI ROUTING

Use MIDI routings to establish MIDI
communication between various devices.
MIDI routings have many uses, including:
Building MIDI stacks (many instru-
ments playing on the same MIDI
channel).
Assigning instruments in a MIDI
band.
MIDI merging.
Channelizing
Indicator
45

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